Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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Afterward he and I stepped out onto the street. Michiko had ducked out of this last encounter, choosing instead to linger with the ladies. But we had the girl with us, little Roza, asleep on Bujak's shoulder. I watched him without fear. He wouldn't drop the folded child. He had taken possession of Roza with his arms.

As if by arrangement we paused at number 45. Black kids now played in the garden with a winded red football. Things were falling away between Bujak and me, and suddenly it seemed that you could say what you liked. So I said, "Adam. No offense. But why didn't you kill them? I would have. I mean, if I think of Michi and Roza…" But in fact you cannot think it, you cannot go near it. The thought is fire. "Why didn't you kill the sons of bitches? What stopped you?"

"Why?" he asked, and grinned. "What would have been the reason?"

"Come on. You could have done it, easy. Self-defense. No court on earth would have sent you down."

"True. It occurred to me."

"Then what happened? Did you-did you feel too weak all of a sudden? Did you just feel too weak?"

"On the contrary. When I had their heads in my hands I thought how incredibly easy to grind their faces together- until they drowned in each other's faces. But no."

But no. Bujak had simply dragged the men by the arms (half a mile, to the police station in Harrow Road), like a father with two frantic children. He delivered them and dusted his hands.

"Christ, they'll be out in a few years. Why not kill them? Why not?"

"I had no wish to add to what I found. I thought of my dead wife Monika. I thought-they're all dead now. I couldn't add to what I saw there. Really the hardest thing was to touch them at all. You know the wet tails of rats? Snakes? Because I saw that they weren't human beings at all. They had no idea what human life was. No idea! Terrible mutations, a disgrace to their human molding. An eternal disgrace. If I had killed them then I would still be strong. But you must start somewhere. You must make a start."

And now that Bujak has laid down his arms, I don't know why, but I am minutely stronger. I don't know why-I can't tell you why.

He once said to me: "There must be more matter in the universe than we think. Else the distances are horrible. I'm nauseated." Einsteinian to the end, Bujak was an Oscillationist, claiming that the Big Bang will forever alternate with the Big Crunch, that the universe would expand only until unanimous gravity called it back to start again. At that moment, with the cosmos turning on its hinges, light would begin to travel backward, received by the stars and pouring from our human eyes. If, and I can't believe it, time would also be reversed, as Bujak maintained (will we move backward too? Will we have any say in things?), then this moment as I shake his hand shall be the start of my story, his story, our story, and we will slip downtime of each other's lives, to meet four years from now, when, out of the fiercest grief, Bujak's lost women will reappear, born in blood (and we will have our conversations, too, backing away from the same conclusion), until Boguslawa folds into Leokadia, and Leokadia folds into Monika, and Monika is there to be enfolded by Bujak until it is her turn to recede, kissing her fingertips, backing away over the fields to the distant girl with no time for him (will that be any easier to bear than the other way around?), and then big Bujak shrinks, becoming the weakest thing there is, helpless, indefensible, naked, weeping, blind and tiny, and folding into Roza.

INSIGHT AT FLAME LAKE

Ned's Diary

July 16. Well it certainly is a pleasure to have Dan come and summer with us up here at Flame Lake. I'm glad to do it. We have him till mid-August. There'll be problems-Fran and I agree on this-but right now he seems manageable enough, though heavily haunted. Fran's a little upset too, of course, but we talked it through, the night before Dan came, and straightened the whole thing out. I spoke on the phone with Dr. Slizard, who warned me that the extra medication that Dan's taking would make him sullen and unresponsive for the first three or four days. And he is grieving. Poor Dan-I feel for the kid. So brilliant, and so troubled, like his father, God rest his soul. I am grieving too. Even though we weren't that close (he was old enough to be my father), still, when your brother goes, it's like a little death. It's a hell of a thing. Dan hides from the heat. He keeps to his room. Dr. Siizard told me to expect this. I'm hoping the baby will amuse and distract him. Fran is nervous about that also, however. All right. It won't be the carefree summer we were planning on. But we'll work it out. And surely the light and space of Flame Lake will be useful therapy for Dan and may even help to ease his problem.

Dan's Notebook

The lake is like an explosion…

Dr. Siizard, in our long discussion after Dad's death, assured me that I have insight into my condition. I have insight: I know I'm sick. In a sense this was news to me- but then, how could you feel like I feel and not know something was up? Yet there are people with my condition who do not have insight. They feel like I feel and they think it's cool. Dad had no insight.

For the time being, with the extra medication and everything, I keep to my room. Calmly I note the usual side reactions: sudden tightening of the tongue, unprompted blushing, drags of nausea, beaked headaches. All food tastes the same. It tastes of nothing, of dryness and nothing. There is the expected loss of affect-though I can see, with my insight, that it is more pronounced than ever before. Not yet ready for the heat, I sit in my room and listen to the helpless weeping of the baby. The baby seems cute enough. All babies are cute enough: they have to be, evolutionarily speaking. Her name, they tell me, is Harriet, or Hattie.

I'm grateful to Uncle Ned and, I guess, to his new wife Francesca. She is young, plump, and deeply dark. I know it's ninety degrees out there but she really ought to wear more clothes. In certain lights she has a soft mustache. She is small but she is big: four-feet-eleven in all directions. She's like a baby herself. I have read widely on the subject of schizophrenia. Or, if you prefer, I have read narrowly but with intensity. I have read Dr. Slizard's influential monograph, Schizophrenia, forty or fifty times. I never leave home without it. Slizard doesn't say much about schizophrenic sexuality because, apparently, there isn't that much to say. It's not a hot scene, schizophrenia. Hardly anybody gets laid.

Behind the comfortable shacklike house there is a forest where, tomorrow, I may go walking. For the time being the forest looks too callow and self-conscious. The greenery is so green. So wooden is the wood. With its glitter-sizzle and the proton play of the waterskaters on its surface, the lake-the lake is like an explosion, in the last split second before it explodes.

July 19. Although Dan is no problem and continues to be quite manageable, I have to say that, on occasion, he comes close to straining our patience. But that's all right. Patience is an activity, not a state. You can't just expect to be patient. You work at it. You beef it up. Mealtimes is when we seem to need our patience most. We need all the patience we can get. Poor Dan, he has difficulty eating. His mouth appears to be painfully dry. He chews slowly, and forever. There is a kind of leaden suspense over the table as we wait for the disappearance of each epic mouthful. Give him a slice of vividly juicy cantaloupe and it turns to bark between his jaws. Fran and I find ourselves lurching into the craziest conversations-we talk about anything-just to cover for the kid. And despite his extra medication, his grief pills, Dan is no zombie. I sometimes wish he was, but he's not. He knows. His blushes are really something to see. This morning I called Dr. Slizard at the Section. He said that Dan is sure to improve in a couple of days and will start to communicate. Fran worries about the way Dan looks at the baby. My anxiety about Harriet is more general. If you can believe-or absorb-what you read in the newspapers, it is apparently open season on babies and children. People seem to have gotten the idea suddenly that they can do what they like with them. She's safe here of course, but then there's the crib-death gimmick, dreamed up to ensure that parents get no peace of mind at all. Every morning when I hear Hattie crying or babbling I think-Great. She made it. Fran worries about the way Dan looks at the baby. I tell her he looks at everything that way-at me, at the walls, at the dragonflies, at Flame Lake.

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