Martin Amis - Einstein's Monsters

It was 1980, the birth year of Solidarity, and Bujak was Polish. This combination of circumstances led me to assume that Bujak was liberal in his sentiments. Actually it didn't follow. As I proudly strolled with him to the timber yard or the home-improvement stores off the Portobello Road, Bujak would fume against the blacks, the czarnuchy, as they strutted and gabbled round about us. The blacks were fine, he grinningly argued, in a context of sun, surf, and plentiful bananas; but in a Western city they were just children- understandably angry children too. Once he stopped dead to marvel at two gay punks in no future T-shirts, with hair like old ladies' bonnets, as they walked toward us hand in hand. "It's incredible, isn't it," he said, rolling the r. With the faggots, Bujak saw their plight, and their profusion, as an Einsteinian matter also. He confessed to the fantasy of leading a cavalry charge against the streets and their strange ensembles-the sound of the hooves, the twirling cutlasses. "A desire which I suppress of course. But if I could just press a button," he added, greedily eying the pedaly, the czarnuchy, the street dwellers as they turned and gesticulated and reshuffled and moved on.

Violence in a man is usually the overspill of something else. You know how it is. You see these guys. I appear to have an almost disabling sensitivity to violence in other men, a fallout detector for those spots of waste or exorbitance that spill over into force. Like a canary in a prewar coalmine, I check out early when there is violence, when there is poison in the air. What is this propensity? Call it fear, if you like. Fear will do fine. The raised voice in the restaurant and its sour tang of brutality and booze, the look a man will give his wife which demotes her on the human scale, which prepares her for the human disgrace of violence, the pumping leg, the fizzing eye, the public bar at ten fifty-five. I see all this-my body sees it, and gives me adrenaline, gives me sweat. I faint at the sight of blood. I faint at the sight of a Band-Aid, an aspirin. This sense of critical fragility (myself, my wife, my daughter, even the poor planet, baby blue in its shawls), it drove me from my study in the end. The study life is all thought and anxiety and I cannot take the study life anymore.

Late at night, over at Bujak's large, aromatic, icon-infested apartment (the blue glow of saints, candles, vigils), I scanned the big Pole for the excresences of violence. His mother, old Roza, made the tea. The old woman ("rouge" with an a on the end), she calmed me with her iconic presence, the moist hair grained like silver, as Bujak talked about the strong force, the energy locked in matter. Grinning in the gloom, Bujak told me what he had done to the Nazi collaborator in Warsaw, in 1943. Boy, I thought; I bet the guy didn't do much collaborating after that. However, I couldn't conceal my distaste. "But aren't you glad?" urged Bujak. No, I said, why should I be? "You lost two grandparents to these people." Yeah, I said. So? That doesn't change anything. "Revenge," said Bujak simply. Revenge is overrated, I told him. And out of date. He looked at me with violent contempt. He opened his hands in an explanatory gesture: the hands, the arms, the policemen of his will. Bujak was a big fan of revenge. He had a lot of time for revenge.

I once saw him use those hands, those arms. I saw it all from my study window, the four-paneled screen (moon-spotted, with refracting crossbar) through which the world came in at me then. I saw the four guys climb from the two cars and steady themselves in front of Bujak's stoop. Did I hear a scream from within, a cry of warning or yearning?… Bujak's daughter gave the old man a lot of grief. Her first name was Leokadia. Her second name was trouble. Rural-looking yet glamorous, thirty-three, tall, plump, fierce, and tearful, she was the unstable element in Bujak's nucleus. She had, I noticed, two voices, one for truth, and one for nonsense, one for lies. Against the brown and shiny surface of her old-style dresses, the convex and the concave were interestingly disposed. Her daughter, little Boguslawa, was the byblow of some chaotic twelve-hour romance. It was well known on the street that Leokadia had round heels: the sort of girl (we used to say) who went into a hot flush every time she saw an army personnel carrier. She even made a pitch at me, here at the flat one time. Needless to say, I failed to come across, í had my reasons: fear of reprisals from Michiko and Bujak himself (they both loomed in my mind, incongruously equal in size); also, more basically, I'm by no means sure I could handle someone like Leokadia in the cot. All that breast and haunch. All those freckles and tears… For six months she had been living with a man who beat her, lithe little Pat, sinewy, angular, wired very tight. I think she beat him too, a bit. But violence is finally a masculine accomplishment. Violence-now that's man's work. Leokadia kept going back to Pat, don't ask me why. I don't know. They don't know. There she goes again, ticking back to him on her heels, with black eye, grazed cheek, wrenched hair. Nobody knows why. Not even they know. Bujak, surprisingly, stayed out of it, held his distance, remained solid-though he did try to keep the little girl, Boguslawa, safely at home, out of the turbulence. You would often see old Roza ferrying the kid from one flat to the other. After her second spell in the hospital (cracked ribs this time) Leokadia called it a day and went home for good. Then Pat showed up with his pals and found Bujak waiting.

The three men (I saw it all) had an unmistakable look about them, with that English bad-boy build, proud guts and tapering legs that bent backward from the knee down, sparse-haired with old-young faces, as if they had done their aging a lot quicker than one year at a time. I don't know whether these guys would have frightened anybody much on the American circuit, but I guess they were big enough and their intention was plain. (Did you read about the Yablonsky murders? In the States these days, if you're on the list, they come in and do the whole family. Yes, they just nuke you now.) Anyway, they frightened me. I sat writhing at my desk as Pat led them through the garden gate. I hated the flares of his jeans, the compact running shoes, the tight Fred Perry. Then the front door opened: bespectacled Bujak, wearing braces over his vest, old, huge. In a reflex that spelt seriousness and scorn, the men loosened their shoulders and let their hands dangle in readiness. Words were exchanged-demand, denial. They moved forward.

Now I must have blinked, or shut my eyes, or ducked (or fainted). I heard three blows on a regular second beat, clean, direct, and atrocious, each one like an ax splitting frozen wood. When I looked up, Pat and one of his friends were lying on the steps; the other guys were backing away, backing away from the site of this incident, this demonstration. Expressionlessly Bujak knelt to do something extra to Pat on the floor. As I watched, he tugged back the hair and carefully poked a neutronium fist into Pat's upturned face. I had to go and lie down after that. But a couple of weeks later I saw Pat sitting alone in the London Apprentice; he was shivering remorsefully in the corner behind the jukebox; the pleated welt on his cheek bore all the colors of flame, and he was drinking his beer through a straw. In that one blow he had taken payment for everything he had given Leokadia.

With Bujak, I was always edging into friendship. I don't know if I ever really made it. Differences of age aren't easy. Differences of strength aren't easy. Friendship isn't easy. When Bujak's own holocaust came calling, I was some help to him; I was better than nothing. I went to the court. I went to the cemetery. I took my share of the strong force, what little I could take… Perhaps a dozen times during that summer, before the catastrophe came (it was heading toward him slowly, gathering speed), I sat up late on his back porch when all the women had gone to bed. Bujak stargazed. He talked and drank his tea. "Traveling at the speed of light," he said one time, "you could cross the whole universe in less than a second. Time and distance would be annihilated, and all futures possible." No shit? I thought. Or again: "If you could linger on the brink of a singularity, time would be so slow that a night would pass in forty-five seconds, and there would be three American elections in the space of seven days." Three American elections, I said to myself. Whew, what a boring week. And why is he the dreamer, while I am bound to the low earth? Feeling mean, I often despised the dreaming Bujak, but I entertained late-night warmth for him too, for the accretions of experience (time having worked on his face like a sculptor, awful slow), and I feared him-I feared the energy coiled, seized, and locked in Bujak. Staring up at our little disk of stars (and perhaps there are better residential galaxies than our own: cleaner, safer, more gentrified), I sensed only the false stillness of the black nightmap, its beauty concealing great and routine violence, the fleeing universe, with matter racing apart, exploding to the limits of space and time, all tugs and curves, all hubble and doppler, infinitely and eternally hostile… This evening, as I write, the New York sky is also full of stars-the same stars. There. There is Michiko coming down the street, hand in hand with our little girl. They made it. Home at last. Above them the gods shoot crap with their black dice: threes and fives and ones.The Plough has just rolled a four and a two. But who throws the six, the six, the six?