Martin Amis - Einstein's Monsters

Здесь есть возможность читать онлайн «Martin Amis - Einstein's Monsters» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Einstein's Monsters: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Einstein's Monsters»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

Einstein's Monsters — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Einstein's Monsters», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

At midnight on Saturday Bujak returned. All I know about what he found I got from the newspapers and the police, together with a couple of stray details that Bujak let slip. In any event I will add nothing; I will add nothing to what Bujak found… He had no premonition until he placed his key in the lock and saw that the door was open and gave softly to his touch. He proceeded in deep silence. The hall had an odd smell to it, the smell of cigarette smoke and jam. Bujak tipped open the living-room door. The room looked like half of something torn in two. On the floor an empty vodka bottle seemed to tip slightly on its axis. Leokadia lay naked in the corner. One leg was bent at an impossible angle. Bujak moved through the terrible rooms. Roza and Boguslawa lay on their beds, naked, contorted, frozen, like Leokadia. In Leokadia's room two strange men were sleeping. Bujak closed the bedroom door behind him and removed his cap. He came closer. He leaned forward to seize them. Just before he did so he flexed his arms and felt the rustle of the strong force.

This happened five years ago. Yes, I'm here to tell you that the world is still around, in 1985. We live in New York now. I teach. The students come to me, and then they leave. There are gaps, spaces in between things big enough for me to glimpse the study life and know again that I can't take it. My daughter is four years old. I was present at the birth, or I tried to be. First I was sick; then I hid; then I fainted. Yeah, I did real good. Found and revived, I was led back to the delivery room. They placed the blood-fringed bundle in my arms. I thought then and I think now: How will the poor little bitch make it? How will she make it? But I'm learning to live with her, with the worry bomb, the love bomb. Last summer we took her to England. The pound was weak and the dollar was strong-the bold, the swaggering dollar, plunderer of Europe. We took her to London, London West, carnival country with its sons of thunder.

Bujak country. I'd called my landlady and established that Bujak, too, was still around, in 1984. There was a question I needed to ask him. And Michi and I wanted to show Bujak our girl, little Roza, named for the old woman.

It was old Roza whom I had thought of most fixedly, during the worst car journey of my life, as we drove from Manchester to London, from fair weather into foul, into Sunday weather. That morning, over coffee and yogurt in her cubicle, Michi handed me the smudged and mangling tabloid. "Sam?" she said. I stared at the story, at the name, and realized that the rat life is not somewhere else anymore, is not on the other side but touches your life, my life… Cars are terrible things and no wonder Bujak hated them. Cars are cruel creatures, vicious bastards, pitiless and inexorable, with only this one idea, this A-to-B-idea. They made no allowances. Down we slid through the motorway wheel-squirt. Neighbors gathered as we parked, the men bearing umbrellas, the women with their arms folded, shaking their heads. I crossed the street and rang the bell. And again. And for what? I tried the back door, the kitchen porch. Then Michiko called me. Together we stared through the living-room window. Bujak sat at the table, hunched forward as if he needed all the power of his back and shoulders just to hold position, just to keep his rest energy seized, skewered. Several times I knocked on the glass. He never moved. There was a noise in my ear and the seconds fussed and fussed, slower than a fuse. The street felt like a cave. I turned to Michi and her four-lidded eyes.

We stood and watched each other through the heavy rain.

Later, I was some help to him, I think, when it was my turn to tangle with the strong force. For some reason Michiko could bear none of this; the very next day she bowed out on me and went straight back to America. Why? She had and still has ten times my strength. Perhaps that was it. Perhaps she was too strong to bend to the strong force. Anyway, I make no special claims here… In the evenings Bujak would come and sit in my kitchen, filling the room. He wanted proximity, he wanted to be elsewhere. He didn't talk. The small corridor hummed with strange emanations, pulsings, fallout. It was often hard to move, hard to breathe. What do strong men feel when their strength is leaving them? Do they listen to the past or do they just hear things-voices, music, the cauldron bubble of distant hooves? I'll be honest and say what I thought. I thought, Maybe he'll have to kill me, not because he wants to or wishes me harm, but because he has taken so much harm himself. This would free him of it, for a while. Something had to give. I endured the aftermath, the radiation. That was the only thing I had to contribute.

Also I went with him to court, and was at his side throughout that injury, that serial injury. The two defendants were Scotsmen, bail beaters from Dundee, twentyish, wanted-not that it made much difference who they were. There was no plea of insanity, nor indeed any clear sign of it. Sanity didn't enter into the thing. You couldn't understand anything they said so a policeman translated. Their story went like this. Having had more pints of beer than were perhaps strictly good for them, the two men took up with Leokadia Bujak on the street and offered to walk her home. Asked inside, they in turn made passionate love to the young woman, at her invitation, and then settled down for a refreshing nap. While they slept, some other party had come in and done all these terrible things. Throughout Bujak sat there, quietly creaking. He and I both knew that Leokadia might have done something of the kind, on another night, in another life, Christ, she might have done-but with these dogs, these superdogs, underdogs, threadbare rodents with their orange teeth? It didn't matter anyway. Who cared. Bujak gave his evidence. The jury was out for less than twenty minutes. Both men got eighteen years. From my point of view, of course (for me it was the only imponderable), the main question was never asked, let alone answered: it had to do with those strange seconds in Leokadia's bedroom, Bujak alone with the two men. Nobody asked the question. I would ask it, four years later. I couldn't ask it then… The day after sentencing I had a kind of a breakdown. With raw throat and eyes and nose streaming I hauled myself onto a jet. I didn't even dare say good-by. At Kennedy what do I find but Michiko staring me in the face and telling me she's pregnant. There and then I went down on my lousy knees and begged her not to have it. But she had it all right-two months early. Jesus, a new horror story by Edgar Allan Poe: The Premature Baby. Under the jar, under the lamp, jaundice, pneumonia -she even had a heart attack. So did I, when they told me. She made it in the end, though. She's great now, in 1985. You should see her. It is the love bomb and its fallout that energize you in the end. You couldn't begin to do it without the love… That's them on the stairs, I think. Yes, in they come, changing everything. Here is Roza, and here is Michiko, and here am I.

Bujak was still on the street. He had moved, from 45 to 84, but he was still on the street. We asked around. The whole street knew Bujak. And there he was in the front garden, watching a fire as it flexed and cracked, the snakeheads of flame taking sudden bites from the air-snakes of fire, in the knowledge garden. After all, we coped with fire, when it came; we didn't all get broiled and scorched. He looked up. The ogre's smile hadn't changed that much, I thought, although the presence of the man was palpably reduced. Still old and huge in his vest, but the mass, the holding energy softened and dispersed. Well, something had to give. Bujak had adopted or been adopted by or at any rate made himself necessary to a large and assorted household, mostly Irish. The rooms were scrubbed, bare, vigorous, and orderly, with all that can-do can do. There was lunch on the sun-absorbing pine table: beer, cider, noise, and the sun's phototherapy. The violence with which the fiftyish redhead scolded Bujak about his appearance made it plain to me that there was a romantic attachment. Even then, with the old guy nearer seventy than sixty, I thought with awe of Bujak in the sack. Bujak in the bag! Incredibly, his happiness was intact-unimpaired, entire. How come? Because, I think, his generosity extended not just to the earth but to the universe-or simply that he loved all matter, its spin and charm, redshifts and blueshifts, its underthings. The happiness was there. It was the strength that had gone from him forever. Over lunch he said that, a week or two ago, he had seen a man hitting a woman on the street. He shouted at them and broke it up. Physically, though, he was powerless to intercede-helpless, he said, with a shrug. Actually you could feel the difference in the way he moved, in the way he crossed the room toward you. The strength had gone, or the will to use it.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Einstein's Monsters»

Представляем Вашему вниманию похожие книги на «Einstein's Monsters» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Martin Amis - Lionel Asbo
Martin Amis
Martin Amis - Yellow Dog
Martin Amis
Martin Amis - House of Meetings
Martin Amis
Martin Amis - Dead Babies
Martin Amis
Martin Amis - Koba the Dread
Martin Amis
Martin Amis - Night Train
Martin Amis
Martin Amis - Agua Pesada
Martin Amis
Martin Amis - Perro callejero
Martin Amis
libcat.ru: книга без обложки
MARTIN AMIS
Martin Amis - The Drowned World
Martin Amis
Отзывы о книге «Einstein's Monsters»

Обсуждение, отзывы о книге «Einstein's Monsters» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x