Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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Dan's Notebook

Days are hot and endless.

The fish do their fish thing. They swim with their shimmy, then rise to gulp the waiting bugs. The bugs oblige: they go along with the deal. Ned does his Ned thing, and so does Fran. As for the baby, as for Hattie, well, I withhold judgment for the time being.

Last night I made a distinguished addition to my vast repertoire of atomic dreams, my dreams of nuclear supercatastrophe (you could hardly call them nightmares anymore). The last civilian is running across the last plain pursued by the last pilot in the last aircraft with the last warhead. These last two actors are moving at the same speed-an interesting departure from the usual crux (escape, weird retardation), with the aircraft experiencing all the human metal fatigue of nightmare. The last civilian runs with a ragged and desperate stride. The last pilot stalks him heavily through the smoke. I cannot tell whether I am the last civilian or the last pilot or simply the last observer, and it doesn't matter, because all will vanish in the last flash-boom and glitter-sizzle, in the last pouring insult of light.

Uncle Ned was twenty years younger than my father. On the other hand, he is twenty years older than Francesca, this new wife of his. She watches television for hours, or at least she is present while it's on. She reads the dumb stories in the dumb magazines: how Elizabeth Taylor licked her drink problem; how Cher's house is seriously haunted; how President Kennedy is alive and well, living with Buddy Holly on the planet Krypton. Fran sprawls with the baby and listens to rock-pop all day long. That music-its fatuous lack of complication: songs of personal growth. With all that brown flesh of hers Francesca takes up a lot of space. She is prodigious. She floods the room. It goes without saying that Ned cannot satisfy her. She has one baby, but she will soon be wanting more.

Like most schizophrenics, I was born in the winter quarter. Many people are baffled by this seasonal disposition.

With insight, however, the explanation seems straightforward enough. Fall and winter are the hardest times for the schizophrenic. They feel terribly schizophrenic in the fall and winter. Not until March or April do they feel like making love. Not until March or April do they feel like making schizophrenic babies.

Dad was a fat schizophrenic. I am a thin one, so far. He had plenty of buffer tissue and could function normally- indeed brilliantly-for long periods. His psychotic breaks were few and far between. But the last break broke him. Suicide. I never consider suicide. I never do. I never even think about it. It just isn't an option. Dad was a physicist, of a kind. I'm going to be one too. He worked in the subatomic realm. I am attracted to radio and x-ray astronomy, to cosmology and uranometry-to the stars. I can see them now, as I sit in the screened porch and write these words: the heavenly bodies, so gravely, so heavily, so forbiddingly embroidered onto the fabric of space-time.

I can sit outside now, in the black shade, often for an hour at a stretch. It is like breathing fire. The baby Harriet, wearing only a diaper, flaps about on the ground among the twigs and bits of bark, the needled carpet of pine. Occasionally the baby pauses in its baby projects and together we squint out at the lake's heavy water and listen to the background radiation of the insects in the encircling forest.

Ned's Diary

July 22. Well now-progress, distinct improvements! We have a way to go yet, of course. I wouldn't call him happy-go-lucky exactly, but at least he looks a lot less like Franz Kafka or Ivan Lendl (yes, Lendl, two sets down to his worst enemy and trailing love-five in the third). He goes outside, he doodles in his notebook, he has some color in those long cheeks. To smile as you take your chair at the table is not the task it was a few days ago. Fran is far more relaxed, though a little faint, as we all are, with the temperatures we're experiencing (the baby stares at all this heat around her as if she won't ever believe it). We no longer feel, for instance, that we need to hide out in our bedroom. Sure, there are still weird things. The kid is covered with mosquito bites. He looks as though he has measles. They seem to go for him in a big way, because none of us are troubled by them. One time I walked past him on the lakefront and there were five or six of the little bastards patiently feeding on his face. Fran remarked that Dan has an odor, not unpleasant exactly, like bruised fruit (his father had it too, sometimes), and maybe that's what attracts the bugs. I asked him if he wanted some repellent or anything but he just smiled and said-It's okay, Uncle Ned, it's no big thing, I'll avoid them now. You see, he's so numbed up on all the pills and chemicals he takes, he doesn't feel the bites. He feels no pain… He seems to be delighted by Harriet, as indeed we all are. Maybe Hattie swung it for him. I have to say that she is just the dream baby. Coming to parenthood late in life-well, I count my blessings. A while ago I had nothing. Now here are these two little honeys. Parental love is strange, and so fearful. I love Fran for her qualities. I love Hattie for her life. I don't want anything from her, except her life. I just want her to be. I would die for that. I just want her to be.

No, I don't think I've ever felt calmer.

It was a simple and courageous move: yesterday I ceased all medication, not only the sedatives but the megavitamins -and the antipsychotics. Slizard would be mad if he knew. But Slizard will never know. I am deprogramming myself, once and for all. From now on I will rely exclusively on insight. Already I can feel the symptoms pressing in on me, looking for an opening, seeking me out. Some are really rather bizarre, or they would be, if I had less insight.

Let me give an example. This afternoon I was lying on the living-room floor, watching the way the overhead fan deranged the rafter cobwebs (and I am surrounded here, you understand, by the usual furniture of lakeside life, with its shanty feel, the damp salt, the fishing tackle, the graphs of the screens charted by the corpses of bugs). Heralded by the familiar double shuffle, the sound of handsteps, kneesteps, little Harriet crawled in from the kitchen. She paused. I turned my head. The baby gave a smile of greedy recognition, and I guess she was about fifteen feet away when, "before my eyes," she started to grow. Within a second she was as large as a five-year-old; within a second more she was the size of a pig. I lay there as she billowed like a circus fat lady, the face growing faster than the body until it filled the room, my whole vision, until it seemed to burst the bounds of the house itself. Alarming? Not really. A routine case of size-constancy breakdown. All the baby had done was crawl toward me. Our noses were almost touching, and I had a fisheye-lens view of her marbled eyes, her food-storing cheeks, her depthless teeth, and the ears, translucent, glowing like eyelids shut to the sun.

Dad was one of the fathers of the nuclear age. Then, when the thing was born, he became its son, along with everybody else. So Dad really threw an odd curve on that whole deal about fathers and sons. First he was the thing's father, then he was the thing's son. Great distortions and malformations should clearly be expected to follow on from such a reversal.

He worked in delivery systems, bus-and-warhead technologies, Multiple Independent Reentry Vehicles-the MIRVS. My urine contains bufotenine, a chemical originally isolated from toad venom. Bufotenine shows mauve in certain tests. When I am hallucinating, there is more bufotenine, more mauve, in my urine than when I don't. Tonight I will pour all my pills into Flame Lake, and go it alone. Tomorrow, perhaps, now that Fran has stopped dragging Uncle Ned off to their room the whole time for sex, I will tell them the truth about the baby. I will break it to them about the baby. Meanwhile I stare into the brilliance and burnish, into the mauve of the MiRved lake.

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