Par Lagerkvist - Barabbas

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Barabbas: краткое содержание, описание и аннотация

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Nobel Prize Winners
The central crisis of the Modern Age is the crisis of faith, the failure of our belief in God. Our disbelief is an inevitable outgrowth of increased scientific understanding of the world around us, particularly in the realms of Physics and Evolutionary theory. It is a predictable corollary of the individualistic political and economic doctrines we have adopted with such success. And to a little appreciated degree, it is a function of the material comfort that we enjoy. Taken together, all of these factors have removed ignorance, superstition, subservience and desperation as reasons to believe in religion. Since Reason would require proof of God's existence, which it is probably impossible to provide, all that's really left is simple faith and, from what we've seen this past century, faith is not enough. There is much that is good about this liberation, the freeing of man from God, but there are also some terrible consequences. The most important consequence is the removal of metaphysical standards of Right and Wrong, of Truth and Beauty, and the resulting disastrous slide into moral relativity. The other main consequence is the sort of inchoate longing that, even if you haven't experienced it personally, is so readily apparent in things like the Psychiatric, Environmental, New Age and Wicca movements. Absent God and his laws, what is there to give our lives meaning and direction? What are we doing here? Do we have a purpose or are we, individually and as a species, as insignificant as science has made us seem? The difficulty of answering those questions lies at the heart of the soul sickness that human society suffers. This inability to attach meaning or value to ourselves and our actions has left an enormous void at the core of our beings and, thus far, science has offered us nothing to fill the vacuum.
Given the tremendous difficulty that even we have reconciling our skepticism with our desire for certitude, separated as we are by two thousand years from the Biblical age, imagine how much more difficult it would have been to struggle against belief if you were a contemporary who witnessed the living Christ and encountered evidence of his miracles. Imagine further that you are not just any man, but are actually the criminal who was spared from the cross when the mob was offered the choice of setting Jesus or one of his fellow prisoners free, that the innocent Christ quite literally died for your sins. This is what Par Lagerqvist has done in this beautiful and moving novel. Barabbas is set free but not before seeing the luminescent figure of Christ and hearing him plead that Barabbas be spared and not himself. Barabbas then feels compelled to follow Christ to Golgotha, where he witnesses the Crucifixion and sees the darkness fall as Christ dies. Through the rest of his life, Barabbas's path intersects with the disciples and followers of Christ. Always he resists their belief-how after all can one believe in a Savior who allows himself to be crucified-but looks for some irrefutable proof from them that Jesus was the Messiah. His ambivalence comes to represented on a medallion that he wears. On the front it says that he is property of the Roman State-it is placed on him while he is enslaved in the mines-but he has a Christian acolyte scratch the symbols on the back that show him to be a follower of Christ. Still later he scratches this out. Ultimately, while living in Rome, he hears rumors that the Christians have set the city aflame and, taking up a burning brand, he proceeds to start the fires that he hopes will signal the return of the Messiah. In the final scene, he is crucified along with Peter and the other Christians accused of arson:
When he felt death approaching, that which he had always been so afraid of, he said out loud into the darkness, as though he were speaking to it:
– To thee I deliver up my soul.
And then he gave up the ghost.
These lines concisely capture the human dilemma. The darkness reappears, recall it descended as Christ died, and Barabbas calls out "as if" he were speaking to it. Does his addressing the darkness mean that in the end he believes it is God? Or does the "as if" imply that he dies doubting? And though he delivers his soul, he gives up the ghost-is he in fact imbued with a divine spark which he can surrender to God?
I found the following story in one of the sermon's below:
Par Lagerkvist, in his short story, My Father and I, tells of an experience he had as a small boy when he and his father went for a walk one Sunday afternoon. It was a beautiful day when their walk began, but suddenly night came and they were engulfed in darkness. In order to find their way home, they followed the familiar railroad tracks. The boy was filled with great fear at the encroaching darkness, though the father walked calmly along. The boy tried to walk closer to his father. He confesses to his father that the darkness is terrifying him and the father replies:
"'No, my boy, it's not horrible,' he said, taking me by the hand.
'Yes, father, it is.'
'No, my child, you mustn't think that. Not when we know there is a God.'
I felt so lonely, forsaken. It was so strange that only I was afraid, not father, that we didn't think the same. And strange that what he had said didn't help me and stop me from being afraid. Not even what he said about God helped me… We walked in silence, each with his own thoughts. My heart contracted, as though the darkness had got in and was beginning to squeeze it.
Then, as we were rounding a bend, we suddenly heard a mighty roar behind us! We were awakened out of our thoughts and alarmed. Father pulled me down onto the embankment, down into the abyss, held me there. Then the train tore past, a black train. All the lights in the carriages were out, and it was going at frantic speed. What sort of train was it? There wasn't one due now! We gazed at it in terror. The fire blazed in the huge engine… sparks whirled out into the night. It was terrible. The driver stood there in the light of the fire, pale, motionless, his features as though turned to stone. Father didn't recognize him,… the man just stared straight ahead, as though intent only on rushing into the darkness, far into the darkness that had no end.
… I stood there panting, gazing after the furious vision. It was swallowed up by the night. Father took me onto the line; we hurried home. He said, 'Strange, what train was that? And I didn't recognize the driver.' Then we walked on in silence.
My whole body was shaking. It was for me, for my sake. I sensed what it meant: it was the anguish that was to come, the unknown, all that father knew nothing about, that he wouldn't be able to protect me against. That was how this world, this life, would be for me; not like father's where everything was secure and certain. It wasn't a real world, a real life. It just hurdled, blazing, into the darkness ahead." (Par Lagerkvist, "My Father and I," The Marriage Feast, 1954)
This story relates to Barabbas in a couple of illuminating ways. First, there is the use of darkness as a metaphor for the unknown, the abyss. Second, the name "Barabbas" itself means "son of the father"-Christ, of course, referred to himself as the "Son of Man." Though this is a historical novel, Barabbas is the quintessential modern man. Where our fathers (fathers broadly, not yours or mine) were blessed (cursed?) with an unquestioning faith which made sense of their world, we must wrestle with doubt and accompanying confusion. No book better captures this internal struggle than Par Lagerkvist's haunting novel Barabbas.

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The voyage took longer than usual as the ship was greatly becalmed, but after several weeks' continuous rowing it glided into the port of Ostia with the galley-slaves bleeding, and the governor arrived in Rome the very next day, followed within a day or two by his retinue and possessions.

The palace which he had arranged to buy was in the most fashionable quarter and in the very heart of the city. It was several storeys high and decorated inside with multi-coloured marble and in every way furnished with excessive luxury. Barabbas, who lived in the basement, like all the other slaves, never saw much more of it than this, but he realized that it must be a very sumptuous and magnificent house. It was quite immaterial to him. He was given light work to do, odd jobs of various kinds, and each morning he and several of the other slaves went with the superintendent of the kitchen, a haughty freedman, when the latter made his purchases in the market. In this way he got to see quite a lot of Rome.

Perhaps it cannot be said that he really saw it. It merely flitted past his eyes without seeming to affect him. When jostled by the crowd in the narrow streets or walking about the clamorous market-places, which were so full of people that one could hardly push one's way through, it all reached him as something extraneous and as though through a mist. The mighty, tumultuous capital never, in fact, became a reality to him, and he went about absently in the midst of it, engrossed in his own thoughts. Men and women from every country and of every race were mixed higgledy-piggledy, and anyone but Barabbas would probably have been fascinated by this seething mass and by all the wealth and splendour, by the stately buildings and the innumerable temples to every imaginable god, to which the nobility had themselves carried in costly, gilded litters to worship each his own-when they did not prefer the luxury shops in the Via Sacra or one of the resplendent baths. Eyes other than his would no doubt have reflected all this, enraptured. But Barabbas's eyes reflected nothing; perhaps they were too deep-set to do so, and what they saw merely glided past like something that did not concern them. No, he didn't care a straw for this world. He was indifferent to it. So he thought himself, at any rate.

But he could not have been quite so indifferent to it as he thought, all the same. For he hated it.

Among the other things that seemed unreal to him were the many processions that passed through the streets, with their priests and believers and sacred emblems. To him who had no god it must have felt strange to be meeting them continuously and to have to make way for them. Pressed against the house walls, he watched them with a stealthy, averted look. Once he even followed one of these processions into a remarkable temple which he had never seen before, and when inside he, like the others, stopped in front of a picture of a mother with her boy-child in her arms; and when he asked who it was they said that it was the most blessed Isis with the child Horus. But then they began looking at him suspiciously, at someone who did not know the Holy Mother's name, and a temple guard came and turned him out; by the copper portal the guard made a secret sign to protect himself and the temple. Perhaps he saw that Barabbas was conceived and born in hatred of all things created in heaven and earth and of the Creator of heaven and earth.

With the scar down his cheek flaming red and the pupils of his fierce, hidden-away eyes quivering like arrowheads, Barabbas rushed away, and then through street after street and lane after lane. Get thee hence, thou reprobate! He lost his bearings and hadn't the faintest idea where he was, and when at last he found his way home he only narrowly escaped being punished; but this they dared not do as they knew that he was in favour with the master of the house. And besides, they believed his muddled, explanation that he had lost his way in the city that was still so strange to him. He crouched in his corner in the slave-cellar and as he lay there in the darkness he felt the crossed-out "Christos Iesus" burn like fire against his heaving chest.

That night he dreamt that he was shackled to a slave who lay beside him praying, but whom he could not see.

– What are you praying for? he asked him. What is the use?

– I am praying for you, the slave answered out of the darkness in a well-known voice.

Then he lay quite still so as not to disturb the praying man and felt his old eyes filling with tears. But when he awoke and fumbled about on the floor for the chain, it was not there, nor the slave either. He was not bound together with anyone. Not with anyone at all in the whole world.

On one occasion when he was alone in one of the cellars underneath the palace, he found the sign of the fish carved into the wall in an out-of-the-way place. It was clumsily done but there was no doubt as to what it was intended to be and the meaning of it. He stood wondering which of the slaves could be a Christian. He wondered greatly over it during the days and weeks that followed and observed each one of them carefully to try and find out. But he asked no one. He didn't ferret it out by making enquiries as to whether there was anyone who knew. In that case it would not have been so difficult. But he did nothing like that.

He did not associate with them, with the other slaves, more than was absolutely necessary. He never spoke to any of them and therefore didn't know them. And for this reason no one knew him or bothered about him.

There were many Christians in Rome, that he knew. He knew that they assembled in their prayer-houses, in their brotherhoods in different parts of the city. But he made no effort to go along. It may have crossed his mind once or twice, but he never went. He bore the name of their God carved on his disk, but it was crossed out.

Latterly they had apparently had to meet in secret, in other places, as they were afraid of persecution. Barab-bas had heard about it in the market-place from several who had spaced out their fingers after them by way of protection, just as the temple guard in the Holy Mother's temple had done to him. They were abhorred, hated, suspected of witchcraft and goodness knows what. And their god was a notorious malefactor who had been hanged a long time ago. Nobody wanted to have anything to do with them.

One evening Barabbas overheard two of the slaves standing whispering together in the darkness of the cellar; they could not see him and believed themselves alone.

Barabbas could not see them either, but he recognized them by their voices. They were two newly-bought slaves who had not been many weeks in the house.

They were speaking of a meeting of the brethren that was to be held the following evening in Marcus Lucius' vineyard on the Appian Way. After a while Barabbas realized that it was not in the vineyard they were all to meet but in the Jewish catacombs that had their beginning there.

Curious place at which to meet… Among the dead… How could they want to meet there…?

On the evening of the next day, in good time before the slave-cellar was shut for the night, he slipped away from the palace at the risk of his life.

When he came out on the Via Appia it was nearly dusk and there was scarcely any longer a soul to be seen. He found the vineyard by asking a shepherd who was driving his flock home along the road.

Once down under the earth he groped his way along in the narrow, sloping passage. The daylight from the opening still guided him as he made his way down into the first burial gallery and saw how it extended into the darkness. He groped his way along in it, feeling with his hands against the cold, damp stone slabs of the walls. They were to gather in the first big burial chamber, he had understood from the two slaves. He went on.

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