Par Lagerkvist - Barabbas

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Barabbas: краткое содержание, описание и аннотация

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Nobel Prize Winners
The central crisis of the Modern Age is the crisis of faith, the failure of our belief in God. Our disbelief is an inevitable outgrowth of increased scientific understanding of the world around us, particularly in the realms of Physics and Evolutionary theory. It is a predictable corollary of the individualistic political and economic doctrines we have adopted with such success. And to a little appreciated degree, it is a function of the material comfort that we enjoy. Taken together, all of these factors have removed ignorance, superstition, subservience and desperation as reasons to believe in religion. Since Reason would require proof of God's existence, which it is probably impossible to provide, all that's really left is simple faith and, from what we've seen this past century, faith is not enough. There is much that is good about this liberation, the freeing of man from God, but there are also some terrible consequences. The most important consequence is the removal of metaphysical standards of Right and Wrong, of Truth and Beauty, and the resulting disastrous slide into moral relativity. The other main consequence is the sort of inchoate longing that, even if you haven't experienced it personally, is so readily apparent in things like the Psychiatric, Environmental, New Age and Wicca movements. Absent God and his laws, what is there to give our lives meaning and direction? What are we doing here? Do we have a purpose or are we, individually and as a species, as insignificant as science has made us seem? The difficulty of answering those questions lies at the heart of the soul sickness that human society suffers. This inability to attach meaning or value to ourselves and our actions has left an enormous void at the core of our beings and, thus far, science has offered us nothing to fill the vacuum.
Given the tremendous difficulty that even we have reconciling our skepticism with our desire for certitude, separated as we are by two thousand years from the Biblical age, imagine how much more difficult it would have been to struggle against belief if you were a contemporary who witnessed the living Christ and encountered evidence of his miracles. Imagine further that you are not just any man, but are actually the criminal who was spared from the cross when the mob was offered the choice of setting Jesus or one of his fellow prisoners free, that the innocent Christ quite literally died for your sins. This is what Par Lagerqvist has done in this beautiful and moving novel. Barabbas is set free but not before seeing the luminescent figure of Christ and hearing him plead that Barabbas be spared and not himself. Barabbas then feels compelled to follow Christ to Golgotha, where he witnesses the Crucifixion and sees the darkness fall as Christ dies. Through the rest of his life, Barabbas's path intersects with the disciples and followers of Christ. Always he resists their belief-how after all can one believe in a Savior who allows himself to be crucified-but looks for some irrefutable proof from them that Jesus was the Messiah. His ambivalence comes to represented on a medallion that he wears. On the front it says that he is property of the Roman State-it is placed on him while he is enslaved in the mines-but he has a Christian acolyte scratch the symbols on the back that show him to be a follower of Christ. Still later he scratches this out. Ultimately, while living in Rome, he hears rumors that the Christians have set the city aflame and, taking up a burning brand, he proceeds to start the fires that he hopes will signal the return of the Messiah. In the final scene, he is crucified along with Peter and the other Christians accused of arson:
When he felt death approaching, that which he had always been so afraid of, he said out loud into the darkness, as though he were speaking to it:
– To thee I deliver up my soul.
And then he gave up the ghost.
These lines concisely capture the human dilemma. The darkness reappears, recall it descended as Christ died, and Barabbas calls out "as if" he were speaking to it. Does his addressing the darkness mean that in the end he believes it is God? Or does the "as if" imply that he dies doubting? And though he delivers his soul, he gives up the ghost-is he in fact imbued with a divine spark which he can surrender to God?
I found the following story in one of the sermon's below:
Par Lagerkvist, in his short story, My Father and I, tells of an experience he had as a small boy when he and his father went for a walk one Sunday afternoon. It was a beautiful day when their walk began, but suddenly night came and they were engulfed in darkness. In order to find their way home, they followed the familiar railroad tracks. The boy was filled with great fear at the encroaching darkness, though the father walked calmly along. The boy tried to walk closer to his father. He confesses to his father that the darkness is terrifying him and the father replies:
"'No, my boy, it's not horrible,' he said, taking me by the hand.
'Yes, father, it is.'
'No, my child, you mustn't think that. Not when we know there is a God.'
I felt so lonely, forsaken. It was so strange that only I was afraid, not father, that we didn't think the same. And strange that what he had said didn't help me and stop me from being afraid. Not even what he said about God helped me… We walked in silence, each with his own thoughts. My heart contracted, as though the darkness had got in and was beginning to squeeze it.
Then, as we were rounding a bend, we suddenly heard a mighty roar behind us! We were awakened out of our thoughts and alarmed. Father pulled me down onto the embankment, down into the abyss, held me there. Then the train tore past, a black train. All the lights in the carriages were out, and it was going at frantic speed. What sort of train was it? There wasn't one due now! We gazed at it in terror. The fire blazed in the huge engine… sparks whirled out into the night. It was terrible. The driver stood there in the light of the fire, pale, motionless, his features as though turned to stone. Father didn't recognize him,… the man just stared straight ahead, as though intent only on rushing into the darkness, far into the darkness that had no end.
… I stood there panting, gazing after the furious vision. It was swallowed up by the night. Father took me onto the line; we hurried home. He said, 'Strange, what train was that? And I didn't recognize the driver.' Then we walked on in silence.
My whole body was shaking. It was for me, for my sake. I sensed what it meant: it was the anguish that was to come, the unknown, all that father knew nothing about, that he wouldn't be able to protect me against. That was how this world, this life, would be for me; not like father's where everything was secure and certain. It wasn't a real world, a real life. It just hurdled, blazing, into the darkness ahead." (Par Lagerkvist, "My Father and I," The Marriage Feast, 1954)
This story relates to Barabbas in a couple of illuminating ways. First, there is the use of darkness as a metaphor for the unknown, the abyss. Second, the name "Barabbas" itself means "son of the father"-Christ, of course, referred to himself as the "Son of Man." Though this is a historical novel, Barabbas is the quintessential modern man. Where our fathers (fathers broadly, not yours or mine) were blessed (cursed?) with an unquestioning faith which made sense of their world, we must wrestle with doubt and accompanying confusion. No book better captures this internal struggle than Par Lagerkvist's haunting novel Barabbas.

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André Gide

***

Everyone knows how they hung there on the crosses, and who they were that stood gathered around him: Mary his mother and Mary Magdalene, Veronica, Simon of Cyrene, who carried the cross, and Joseph of Arimathea, who shrouded him. But a little further down the slope, rather to one side, a man was standing with his eyes riveted on the dying man in the middle, watching his death-throes from the first moment to the last. His name was Barabbas. This book is about him.

He was about thirty, powerfully built, with a sallow complexion, a reddish beard and black hair. His eyebrows also were black, his eyes too deep-set, as though they wanted to hide. Under one of them he had a deep scar that was lost to sight in his beard. But a man's appearance is of little consequence.

He had followed the mob through the streets all the way from the governor's palace, but at a distance, somewhat behind the others. When the exhausted rabbi had collapsed beneath his cross, he had stopped and stood still for a while to avoid catching up with the cross, and then they had got hold of that man Simon and forced him to carry it instead. There were not many men in the crowd, except the Roman soldiers, of course; they were mostly women following the condemned man and a flock of urchins who were always there when anyone was led out along their street to be crucified-it made a change for them. But they soon tired and went back to their games, pausing a moment to glance at the man with the long scar down his cheek who was walking behind the others.

Now he was standing up here on the gallows-hill looking at the man on the middle cross, unable to tear his eyes away. Actually he had not wanted to come up here at all, for everything was unclean, full of contagion; if a man set foot in this potent and accursed place part of him would surely remain, and he could be forced back there, never to leave it again. Skulls and bones lay scattered about everywhere, together with fallen, half-mouldering crosses, no longer of any use but left to he there all the same, because no one would touch anything. Why was he standing here? He did not know this man, had nothing to do with him. What was he doing at Golgotha, he who had been released?

The crucified man's head hung down and he was breathing heavily; it would not be long now. There was nothing vigorous about the fellow. His body was lean and spindly, the arms slender as though they had never been put to any use. A queer man. The beard was sparse and the chest quite hairless, like a boy's. He did not like him.

From the first moment Barabbas had seen him in the courtyard of the palace, he had felt there was something odd about him. What it was he could not say; it was just something he felt. He didn't remember ever having seen anyone like him before. Though it must have been because he came straight from the dungeon and his eyes were still unused to the glare. That is why at first glance the man seemed to be surrounded by a dazzling light. Soon afterwards the light vanished, of course, and his sight grew normal again and took in other things besides the figure standing out there alone in the courtyard. But he still thought there was something very strange about him and that he was not like anyone else. It seemed quite incredible that he was a prisoner and had been condemned to death, just as he himself had been. He could not grasp it. Not that it concerned him-but how could they pass a sentence like that? It was obvious he was innocent.

Then the man had been led out to be crucified- and he himself had been unshackled and told he was free. It was none of his doing. It was their business. They were quite at liberty to choose whomever they liked, and it just turned out that way. They had both been sentenced to death, but one of them was to be released. He was amazed himself at their choice. As they were freeing him from his chains, he had seen the other man between the soldiers disappear through the archway, with the cross already on his back.

He had remained standing, looking out through the empty arch. Then the guard had given him a push and bellowed at him:-What are you standing there gaping for, get out of here, you're free! And he had awakened and gone out through the same archway, and when he saw the other dragging his cross down the street he had followed behind him. Why, he did not know. Nor why he had stood there hour after hour watching the crucifixion and the long death agony, though it was nothing whatever to do with him.

Those standing around the cross up there surely need not have been here? Not unless they wanted to. Nothing was forcing them to come along and defile themselves with uncleanness. But they were no doubt relations and close friends. Odd that they didn't seem to mind being made unclean.

That woman must be his mother. Though she was not like him. But who could be like him? She looked like a peasant woman, stern and morose, and she kept wiping the back of her hand across her mouth and nose, which was running because she was on the brink of tears. But she did not cry. She did not grieve in the same way as the others, nor did she look at him in the same way as they did. So it was evidently his mother. She probably felt far more sorry for him than they did, but even so she seemed to reproach him for hanging there, for having let himself be crucified. He must have done something to let himself in for it, however pure and innocent he was, and she just could not approve of it. She knew he was innocent because she was his mother. Whatever he had done she would have thought so.

He himself had no mother. And no father either, for that matter; he had never even heard one mentioned. And he had no relatives, as far as he knew. So if he had been the one to be crucified there would not have been many tears shed. Not like this. They were beating their breasts and carrying on as though they had never known the like of such grief, and there was an awful weeping and wailing the whole time.

He knew the one on the right-hand cross quite well. If by any chance the fellow saw him standing down here, he probably thought it was because of him, in order to see him suffer well and truly. He wasn't, he was not here because of that at all. But he had nothing against seeing him crucified. If anyone deserved to die, it was that scoundrel. Though not because of what he had been sentenced for, but because of something quite different.

But why was he looking at him and not at the one in the middle who was hanging there in his stead? It was because of him he had come. This man had forced him up here, he had a strange power over him. Power? If anyone looked powerless, he did. Surely no one could look more wretched hanging on a cross. The other two didn't look a bit like that and didn't seem to be suffering as much as he was. They obviously had more strength left. He hadn't even the strength to hold his head up; it had flopped right down.

Now he did raise it a bit, all the same; the lean, hairless chest heaved with panting, and his tongue licked his parched lips. He groaned something about being thirsty. The soldiers who were sprawled over a game of dice a little further down the slope, bored because the men hanging there took so long to die, did not hear. But one of the relatives went down and told them. A soldier got up reluctantly and dipped a sponge in a pitcher, passing it up to him on a stick, but when he tasted the fusty, tainted liquid offered him he did not want it. The wretch just stood there grinning, and when he rejoined his companions they all lay grinning at what had happened. The bastards!

The relatives or whoever they were looked despairingly up at the crucified man, who was panting and panting; it was clear that he would soon give up the ghost. And just as well if the end came soon, Barabbas thought, so that the poor man would not have to suffer any more. If only the end would come! As soon as the end came he would hurry away and never think of this again…

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