Par Lagerkvist - Barabbas

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Barabbas: краткое содержание, описание и аннотация

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Nobel Prize Winners
The central crisis of the Modern Age is the crisis of faith, the failure of our belief in God. Our disbelief is an inevitable outgrowth of increased scientific understanding of the world around us, particularly in the realms of Physics and Evolutionary theory. It is a predictable corollary of the individualistic political and economic doctrines we have adopted with such success. And to a little appreciated degree, it is a function of the material comfort that we enjoy. Taken together, all of these factors have removed ignorance, superstition, subservience and desperation as reasons to believe in religion. Since Reason would require proof of God's existence, which it is probably impossible to provide, all that's really left is simple faith and, from what we've seen this past century, faith is not enough. There is much that is good about this liberation, the freeing of man from God, but there are also some terrible consequences. The most important consequence is the removal of metaphysical standards of Right and Wrong, of Truth and Beauty, and the resulting disastrous slide into moral relativity. The other main consequence is the sort of inchoate longing that, even if you haven't experienced it personally, is so readily apparent in things like the Psychiatric, Environmental, New Age and Wicca movements. Absent God and his laws, what is there to give our lives meaning and direction? What are we doing here? Do we have a purpose or are we, individually and as a species, as insignificant as science has made us seem? The difficulty of answering those questions lies at the heart of the soul sickness that human society suffers. This inability to attach meaning or value to ourselves and our actions has left an enormous void at the core of our beings and, thus far, science has offered us nothing to fill the vacuum.
Given the tremendous difficulty that even we have reconciling our skepticism with our desire for certitude, separated as we are by two thousand years from the Biblical age, imagine how much more difficult it would have been to struggle against belief if you were a contemporary who witnessed the living Christ and encountered evidence of his miracles. Imagine further that you are not just any man, but are actually the criminal who was spared from the cross when the mob was offered the choice of setting Jesus or one of his fellow prisoners free, that the innocent Christ quite literally died for your sins. This is what Par Lagerqvist has done in this beautiful and moving novel. Barabbas is set free but not before seeing the luminescent figure of Christ and hearing him plead that Barabbas be spared and not himself. Barabbas then feels compelled to follow Christ to Golgotha, where he witnesses the Crucifixion and sees the darkness fall as Christ dies. Through the rest of his life, Barabbas's path intersects with the disciples and followers of Christ. Always he resists their belief-how after all can one believe in a Savior who allows himself to be crucified-but looks for some irrefutable proof from them that Jesus was the Messiah. His ambivalence comes to represented on a medallion that he wears. On the front it says that he is property of the Roman State-it is placed on him while he is enslaved in the mines-but he has a Christian acolyte scratch the symbols on the back that show him to be a follower of Christ. Still later he scratches this out. Ultimately, while living in Rome, he hears rumors that the Christians have set the city aflame and, taking up a burning brand, he proceeds to start the fires that he hopes will signal the return of the Messiah. In the final scene, he is crucified along with Peter and the other Christians accused of arson:
When he felt death approaching, that which he had always been so afraid of, he said out loud into the darkness, as though he were speaking to it:
– To thee I deliver up my soul.
And then he gave up the ghost.
These lines concisely capture the human dilemma. The darkness reappears, recall it descended as Christ died, and Barabbas calls out "as if" he were speaking to it. Does his addressing the darkness mean that in the end he believes it is God? Or does the "as if" imply that he dies doubting? And though he delivers his soul, he gives up the ghost-is he in fact imbued with a divine spark which he can surrender to God?
I found the following story in one of the sermon's below:
Par Lagerkvist, in his short story, My Father and I, tells of an experience he had as a small boy when he and his father went for a walk one Sunday afternoon. It was a beautiful day when their walk began, but suddenly night came and they were engulfed in darkness. In order to find their way home, they followed the familiar railroad tracks. The boy was filled with great fear at the encroaching darkness, though the father walked calmly along. The boy tried to walk closer to his father. He confesses to his father that the darkness is terrifying him and the father replies:
"'No, my boy, it's not horrible,' he said, taking me by the hand.
'Yes, father, it is.'
'No, my child, you mustn't think that. Not when we know there is a God.'
I felt so lonely, forsaken. It was so strange that only I was afraid, not father, that we didn't think the same. And strange that what he had said didn't help me and stop me from being afraid. Not even what he said about God helped me… We walked in silence, each with his own thoughts. My heart contracted, as though the darkness had got in and was beginning to squeeze it.
Then, as we were rounding a bend, we suddenly heard a mighty roar behind us! We were awakened out of our thoughts and alarmed. Father pulled me down onto the embankment, down into the abyss, held me there. Then the train tore past, a black train. All the lights in the carriages were out, and it was going at frantic speed. What sort of train was it? There wasn't one due now! We gazed at it in terror. The fire blazed in the huge engine… sparks whirled out into the night. It was terrible. The driver stood there in the light of the fire, pale, motionless, his features as though turned to stone. Father didn't recognize him,… the man just stared straight ahead, as though intent only on rushing into the darkness, far into the darkness that had no end.
… I stood there panting, gazing after the furious vision. It was swallowed up by the night. Father took me onto the line; we hurried home. He said, 'Strange, what train was that? And I didn't recognize the driver.' Then we walked on in silence.
My whole body was shaking. It was for me, for my sake. I sensed what it meant: it was the anguish that was to come, the unknown, all that father knew nothing about, that he wouldn't be able to protect me against. That was how this world, this life, would be for me; not like father's where everything was secure and certain. It wasn't a real world, a real life. It just hurdled, blazing, into the darkness ahead." (Par Lagerkvist, "My Father and I," The Marriage Feast, 1954)
This story relates to Barabbas in a couple of illuminating ways. First, there is the use of darkness as a metaphor for the unknown, the abyss. Second, the name "Barabbas" itself means "son of the father"-Christ, of course, referred to himself as the "Son of Man." Though this is a historical novel, Barabbas is the quintessential modern man. Where our fathers (fathers broadly, not yours or mine) were blessed (cursed?) with an unquestioning faith which made sense of their world, we must wrestle with doubt and accompanying confusion. No book better captures this internal struggle than Par Lagerkvist's haunting novel Barabbas.

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Had he not been of such tough material he would never have survived. He had Eliahu and the Moabite woman to thank for this; they had once again given him life. And this despite their both having hated, not loved, him. Nor had they loved each other. That is how much love means. But he knew nothing of what he owed them and their malevolent embrace.

The house to which he came was large, with many slaves. Among them was a tall, lanky, very lean man, an Armenian called Sahak. He was so tall that he always walked with a slight stoop. His eyes were large, a trifle protuberant, and his dark, wide-eyed gaze made him glow in some way. The short white hair and the burnt-up face made one think he was an old man, but actually he was only in his forties. He too had been in the mines. Barabbas and he had spent their years there together, and together had succeeded in getting away. But he had not recovered like the other one; he was still just as incredibly emaciated, and the snow-white hair and seemingly fire-ravaged face gave him a branded and scorched appearance that made him look quite different. He seemed to have undergone something which Barabbas, in spite of everything, had not endured. And this was indeed so.

The other slaves were very curious about these two who had managed to escape from something which normally no one got out of alive, and they would have liked very much to hear all about it. But they did not get much out of them regarding their past. The two kept to themselves, though they did not speak much to each other either, nor did they seem to have very much in common. Yet even so they appeared inseparable in some way. It was strange. But if they always sat next to each other during meals and their time off, and always lay beside each other in the straw at night, it was only because they had been chained together in the mines.

This had been done the moment they arrived in the same transport from the mainland. The slaves were shackled together in twos and then the same pair always worked together side by side in the depths of the mine. Neither was ever separated from his fellow-prisoner, and these twin slaves did everything in common and grew to know one another inside out, sometimes to the point of frenzied hatred. They had been known to hurl themselves at each other in savage fury for no reason other than that they were welded together like this in hell.

But these two seemed to suit each other and even to help each other endure their servitude. They got on well together and were able to talk, in this way diverting themselves during the heavy work. Barabbas was not very communicative, of course, so the other did most of the talking, but he liked to listen. They did not speak of themselves to begin with, neither of them seemed to want to; they both evidently had their secrets which they were unwilling to reveal, so it was some time before they really knew anything about each other. It was more by chance one day that Barabbas happened to mention he was a Hebrew and born in a city called Jerusalem. Sahak was extraordinarily interested when he heard this, and began asking about one thing and another. He seemed to be quite familiar with this city, although he had never been there. At last he asked if Barabbas knew of a rabbi who had lived and worked there, a great prophet in whom many believed. Barabbas knew who was meant and answered that he had heard about him. Sahak was eager to know something about him, but Barabbas replied evasively that he did not know so very much. Had he himself ever seen him? Yes, he had, as a matter of fact. Sahak attached great importance to the fact that Barabbas had seen him, for after a while he asked once more if it were really true that he had done so. And Barabbas again replied, though rather halfheartedly, that he had.

Sahak lowered his pick and stood deep in thought, stood there completely absorbed by what had happened to him. Everything had become so different for him; he could scarcely realize it. The whole mineshaft was transfigured and nothing was the same as before. He was chained together with one who had seen God.

As he stood there he felt the lash of the slave-driver's whip whine across his back. The overseer had just happened to pass by. He crouched down under the blows, as if thereby to avoid them, and began zealously swinging the pointed pick. When his tormentor finally passed on he was covered in blood and the whole of his long body was still quivering from the lashes. Some time elapsed before he could speak again, but when he did he asked Barabbas to tell him how it was he had seen the rabbi. Was it in the temple, in the sanctuary? Was it one of the times when he spoke of his future kingdom? Or when was it? At first Barabbas would not say, but at last he answered reluctantly that it was at Golgotha.

– Golgotha? What is that?

Barabbas said that it was a place where they crucified criminals.

Sahak was silent. He lowered his eyes. Then he said quietly:

– Oh, it was then

This is what happened the first time they talked about the crucified rabbi, which they were often to do later on.

Sahak wanted very much to hear about him, but especially about the holy words he had uttered and about the great miracles he had performed. He knew, of course, that he had been crucified, but he would rather Barabbas told him about something else.

Golgotha… Golgotha… Such a strange, unfamiliar name for something that was nevertheless so well-known to him. How many times had he not heard of how the Saviour had died on the cross and of the wondrous things that had happened then. He asked Barabbas if he had seen the veil of the temple after it had been rent? And the rock too had been cleft asunder-he must have seen that since he was standing there at that very moment?

Barabbas replied that it might well have happened, though he had not seen it.

– Yes, and the dead who had got up out of their graves! Who had risen from the realm of death in order to witness for him, for his power and glory!

– Yes… Barabbas said.

– And the darkness that descended over all the earth when he gave up the ghost?

Yes, Barabbas had seen that. He had seen the darkness.

It seemed to make Sahak very happy to hear this, though at the same time he did appear to be worried by the thought of that place of execution; he could almost see in front of him the cleft rock and the cross standing upon it, with the son of God hung up to be sacrificed. Yes, of course, the Saviour had to suffer and die, he had to do that in order to save us. That's how it was, though it was hard to understand. He preferred to think of him in his glory, in his own kingdom, where everything was so different from here. And he wished that Barabbas, to whom he was fettered, had seen him another time and not at Golgotha. How was it he saw him there of all places?

– That you should see him just then, he said to Barabbas, wasn't that rather strange? Why were you there?

But to this Barabbas made no reply.

Once Sahak asked if he really had not seen him at some other time as well. Barabbas did not answer at once. Then he said that he had also been present in the courtyard of the palace when the rabbi was condemned, and described all that had happened. He also mentioned the extraordinary light that he had seen surrounding him on that occasion. And when he noticed how happy it make Sahak to hear about this light, he did not bother to mention that it was only because he had been dazzled by the sun, coming straight out into it from the dungeon. Why should he mention it? It was of no interest to the other-it was of no interest to anyone. By not bothering to give an explanation of the miracle, he made Sahak so happy that he wanted to hear all about it over and over again. His face shone and even Barabbas felt something of his happiness; it was as though they shared it. Whenever Sahak asked him, he would tell him about his wonderful vision, now so long ago, imagining he saw it clearly in front of him.

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