Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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They had been brought up in the fanatical personality cult of Mao and the militant doctrine of' class struggle." They were endowed with the qualities of youth- they were rebellious, fearless, eager to fight for a 'just cause," thirsty for adventure and action. They were also irresponsible, ignorant, and easy to manipulate and prone to violence. Only they could give Mao the immense force that he needed to terrorize the whole society, and to create a chaos that would shake, and then shatter, the foundation of the Party. One slogan summed up the Red Guards' mission: "We vow to launch a bloody war against anyone who dares to resist the Cultural Revolution, who dares to oppose Chairman Mao!"

All policies and orders had hitherto been conveyed through a tightly controlled system which was entirely in the hands of the Party. Mao now discarded this channel and turned directly to the masses of the youth. He did this by combining two quite different methods: vague, high flown rhetoric carried openly in the press; and conspirao to rial manipulation and agitation conducted by the Cultural Revolution Authority, particularly his wife. It was they who filled out the real meaning of the rhetoric. Phrases like 'rebellion against authority," 'revolution in education," 'destroying an old world so a new one could be born," and 'creating new man' all of which attracted many in the West in the 1960s were interpreted as calls for violent action. Mao understood the latent violence of the young, and said that since they were well fed and had had their lessons stopped, they could easily be stirred up and use their boundless energy to go out and wreak havoc.

To arouse the young to controlled mob violence, victims were necessary. The most conspicuous targets in any school were the teachers, some of whom had already been victimized by work teams and school authorities in the last few months. Now the rebellious children set upon them.

Teachers were better targets than parents, who could only have been attacked in an atomized and isolated manner.

They were also more important figures of authority than parents in Chinese culture. In practically every school in China, teachers were abused and beaten, sometimes fatally. Some schoolchildren set up prisons in which teachers were tortured.

But this was not enough on its own to generate the kind of terror that Mao wanted. On 18 August, a mammoth rally was held in Tiananmen Square in the center of Peking, with over a million young participants. Lin Biao appeared in public as Mao's deputy and spokesman for the first time. He made a speech calling on the Red Guards to charge out of their schools and 'smash up the four olds' defined as 'old ideas, old culture, old customs, and old habits."

Following this obscure call, Red Guards all over China took to the streets, giving full vent to their vandalism, ignorance, and fanaticism. They raided people's houses, smashed their antiques, tore up paintings and works of calligraphy. Bonfires were lit to consume books. Very soon nearly all treasures in private collections were destroyed.

Many writers and artists committed suicide after being cruelly beaten and humiliated, and being forced to witness their work being burned to ashes. Museums were raided.

Palaces, temples, ancient tombs, statues, pagodas, city walls anything 'old' was pillaged. The few things that survived, such as the Forbidden City, did so only because Premier Zhou Enlai sent the army to guard them, and issued specific orders that they should be protected. The Red Guards only pressed on when they were encouraged.

Mao hailed the Red Guards' actions as "Very good indeed!" and ordered the nation to support them.

He encouraged the Red Guards to pick on a wider range of victims in order to increase the terror. Prominent writers, artists, scholars, and most other top professionals, who had been privileged under the Communist regime, were now categorically condemned as 'reactionary bourgeois authorities." With the help of some of these people's colleagues who hated them for various reasons, ranging from fanaticism to envy, the Red Guards began to abuse them. Then there were the old 'class enemies': former landlords and capitalists, people with Kuomintang connections, those condemned in previous political campaigns like the 'rightists' and their children.

Quite a number of' class enemies' had not been executed or sent to labor camps, but had been kept 'under surveillance." Before the Cultural Revolution, the police were allowed to release information about them only to authorized personnel. Now that policy changed. The police chief, one of Mao's own liege men Xie Fuzhi, ordered his men to offer the 'class enemies' to the Red Guards, and to tell the Red Guards about their crimes, such as their 'intention to overthrow the Communist government."

Up till the beginning of the Cultural Revolution torture, as distinct from torment, had been forbidden. Now Xie ordered policemen 'not to be bound by the old rules, no matter if they had been set by the police authoriues or by the state." After saying "I'm not in favor of beating people to death," he continued: "But if some [Red Guards] hate the class enemies so much that they want to kill them, you don't have to force them to stop."

A wave of beating and torture swept the country, mainly during house raids. Almost invariably, the families would be ordered to kneel on the floor and kowtow to the Red Guards; they were then beaten with the brass buckles of the Guards' leather belts. They were kicked around, and one side of their head was shaved, a humiliating style called the 'yin and yang head," because it resembled the classic Chinese symbol of a dark side (yin) and a light side (yang).

Most of their possessions were either smashed or taken away.

It was worst in Peking, where the Cultural Revolution Authority was on hand to incite the young people. In the city center some theaters and cinemas were turned into torture chambers. Victims were dragged in from all over Peking. Pedestrians avoided the spots because the streets around echoed with the screams of the victims.

The earliest Red Guard groups were made up of high officials' children. Soon, when more people from other backgrounds joined, some of the high officials' children managed to keep their own special groups, like the "Pickets." Mao and his camarilla took a number of steps calculated to increase their sense of power. At the second mass Red Guards rally, Lin Biao wore their arm band to signify that he was one of them. Mme Mao made them the guards of honor in front of the Gate of Heavenly Peace in Tiananmen Square on National Day, 1 October. As a result, some of them developed an outrageous 'theory of the bloodline," summed up in the words of a song: "The son of a hero father is always a great man; a reactionary father produces nothing but a bastard!" Armed with this 'theory," some high officials' children tyrannized and even tortured children from 'undesirable' backgrounds.

Mao let all this happen in order to generate the terror and chaos he wanted. He was not scrupulous about either who was hit or who were the agents of violence. These early victims were not his real targets, and Mao did not particularly like or trust his young Red Guards. He was simply using them. For their part, the vandals and torturers were not always devoted to Mao. They were just having a wild time, having been licensed to indulge their worst instincts.

Only a small proportion of the Red Guards was actually involved in cruelty or violence. Many were able to avoid taking part because the Red Guard was a loose organization which, by and large, did not physically force its members to do evil. As a matter of fact, Mao himself never ordered the Red Guards to kill, and his instructions regarding violence were contradictory. One could feel devoted to Mao without perpetrating violence or evil.

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