Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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When the monuments finally crashed down amidst cheers, they lifted part of the path that ran behind them.

All the things I loved were disappearing. The saddest thing of all for me was the ransacking of the library: the golden filed roof, the delicately sculpted windows, the blue painted chairs… Bookshelves were turned upside down, and some pupils tore books to pieces just for the hell of it.

Afterward, X-shaped white paper strips with black characters were stuck on what was left of the doors and windows to signal that the building was sealed.

Books were major targets of Mao's order to destroy.

Because they had not been written within the last few months, and therefore did not quote Mao on every page, some Red Guards declared that they were all 'poisonous weeds." With the exception of Marxist classics and the works of Stalin, Mao, and the late Lu Xun, whose name Mme Mao was using for her personal vendettas, books were burning all across China. The country lost most of its written heritage. Many of the books which survived later went into people's stoves as fuel.

But there was no bonfire at my school. The head of the school Red Guards had been a very conscientious student.

A rather feminine-looking seventeen-year-old, he had been made the Red Guard leader because his father was the Party chief for the province, rather than because of his own ambition. While he could not prevent the general vandalism, he did manage to stop the books from being burned.

Like everyone else, I was supposed to join in the 'revolutionary actions." But I, like most pupils, was able to avoid them, because the destruction was not organized, and no one made sure we took part. I could see that many pupils hated the whole thing, but nobody tried to stop it. Like myself, many boys and girls may well have been telling themselves that they were wrong to feel sorry about the destruction and needed to reform. But subconsciously we all knew we would have been crushed instantly had we raised any objection.

By then 'denunciation meetings' were becoming a major feature of the Cultural Revolution. They involved a hysterical crowd and were seldom without physical brutality.

Peking University had taken the lead, under the personal supervision of Mao. At its first denunciation meeting, on 18 June, over sixty professors and heads of departments, including the chancellor, were beaten, kicked, and forced to kneel for hours. Dunce caps with humiliating slogans were forced onto their heads. Ink was poured over their faces to make them black, the color of evil, and slogans were pasted all over their bodies. Two students gripped the arms of each victim, twisting them around behind his back and pushing them up with such ferocity as almost to dislocate them. This posture was called the 'jet plane," and soon became a feature of most denunciation meetings all over the country.

I was once called by the Red Guards in my form to attend such a meeting. Horror made me feel very chilly in the hot summer afternoon when I saw a dozen or so teachers standing on the platform on the sports ground, with their heads bent and their arms twisted into the 'jet plane' position. Then, some were kicked on the back of their knees and forced to kneel, while others, including my English-language teacher, an elderly man with the fine manner of a classical gentleman, were forced to stand on long, narrow benches. He found it hard to keep his balance, and swayed and fell, cutting his forehead on the sharp corner of a bench. A Red Guard standing next to him instinctively stooped and extended his hands to help, but immediately straightened up and assumed an exaggeratedly harsh posture, with his fists clenched, yelling: "Get back onto the bench!" He did not want to be seen as soft on a 'class enemy." Blood trickled down the teacher's forehead and coagulated on the side of his face.

He, like the other teachers, was accused of all sorts of outlandish crimes; but they were really there because they were graded, and therefore the best, or because some pupils had grudges against them.

I learned in later years that the pupils in my school behaved relatively mildly because, being in the most prestigious school, they were successful and academically inclined. In the schools which took in wilder boys, there were teachers who were beaten to death. I witnessed only one beating in my school. My philosophy teacher had been somewhat dismissive to those who had not done well in her classes, and some of them hated her and now started to accuse her of being 'decadent." The 'evidence," which reflected the extreme conservatism of the Cultural Revolution, was that she had met her husband on a bus. They got to chatting, and fell in love. Love arising out of a chance meeting was regarded as a sign of immorality. The boys took her to an office and 'took revolutionary actions over her' the euphemism for beating somebody up. Before they started, they called for me especially and made me attend.

"What will she think when she sees you, her pet pupil, there!"

I was considered her favorite because she had praised my work often. But I was also told that I should be there because I had been too soft, and needed 'a lesson in revolution."

When the beating started, I shrank at the back of the ring of pupils who crowded into the small office. A couple of classmates nudged me to go to the front and join in the hitting. I ignored them. In the center my teacher was being kicked around, rolling in agony on the floor, her hair askew.

As she cried out, begging them to stop, the boys who had set upon her said in cold voices, "Now you beg! Haven't you been ferocious? Now beg properly!" They kicked her again, and ordered her to kowtow to them and say "Please spare my life, masters!" To make someone kowtow and beg was an extreme humiliation. She sat up and stared blankly ahead: I met her eyes through her knotted hair. In them I saw agony, desperation, and emptiness. She was gasping for breath, and her face was ashen gray. I sneaked out of the room. Several pupils followed me. Behind us I could hear people shouting slogans, but their voices were tentative and uncertain. Many pupils must have been scared. I walked away swiftly, my heart pounding. I was afraid I might be caught and beaten myself. But no one came after me, and I was not condemned afterward.

I did not get into trouble in those days, in spite of my obvious lack of enthusiasm. Apart from the fact that the Red Guards were loosely organized, I was, according to the 'theory of bloodlines," born bright red, because my father was a high official. Although I was disapproved of, nobody did anything drastic, except criticize me.

At the time, the Red Guards divided pupils into three categories: 'reds," 'blacks," and 'grays." The 'reds' were from the families of 'workers, peasants, revolutionary officials, revolutionary officers, and revolutionary martyrs."

The 'blacks' were those with parents classified as 'land-lords, rich peasants, counter-revolutionary bad elements, and rightists." The 'grays' came from ambiguous families such as shop assistants and clerks. In my year, all pupils ought to have been 'reds' because of the screening in the enrollment. But the pressure of the Cultural Revolution meant that some villains had to be found. As a result, more than a dozen became 'grays' or 'blacks."

There was a girl named Ai-ling in my year. We were old friends, and I had often been to her house and knew her family well. Her grandfather had been a prominent economist, and her family had been enjoying a very privileged life under the Communists. Their house was large, elegant, and luxurious, with an exquisite garden much better than my family's apartment. I was especially attracted by their collection of antiques, in particular the snuff bottles which Ai-ling's grandfather had brought back from England where he had studied at Oxford in the 1920s.

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