Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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One of his great heroes, the ancient general Tsao Tsao, had spoken an immortal line which Mao openly admired: "I would rather wrong all people under Heaven; and no one under Heaven must ever wrong me." The general proclaimed this when he discovered that he had murdered an elderly couple by mistake the old man and woman, whom he had suspected of betraying him, had in fact saved his life.

Mao's vague bat He calls threw the population and the majority of Party officials into profound confusion. Few knew what he was driving at, or who exactly were the enemies this time. My father and mother, like other senior Party people, could see that Mao had decided to punish some officials. But they had no idea who these would be. It could well be themselves. Apprehension and bewilderment overwhelmed them.

Meanwhile, Mao made his single most important organizational move: he set up his own personal chain of command that operated outside the Party apparatus, although by formally claiming it was under the Politburo and the Central Committee he was able to pretend it was acting on Party orders.

First, he picked as his deputy Marshal Lin Biao, who had succeeded Peng Dehuai as defense minister in 1959 and had greatly boosted Mao's personality cult in the armed forces. He also set up a new body, the Cultural Revolution Authority, under his former secretary Chen Boda, with his intelligence chief Kang Sheng and Mme Mao as its de facto leaders. It became the core of the leadership of the Cultural Revolution.

368 "Destroy First, and Construction Will Look After Itself'

Next, Mao moved in on the media, primarily the People's Daily, which carried the most authority as it was the official Party newspaper and the population had become accustomed to it being the voice of the regime. He appointed Chen Boda to take it over on 31 May, thus securing a channel through which he could speak directly to hundreds of millions of Chinese.

Starting in June 1966, the People's Daily showered the country with one strident editorial after another, calling for 'establishing Chairman Mao's absolute authority," 'sweeping away all the ox devils and snake demons' (class enemies), and exhorting people to follow Mao and join the vast, unprecedented undertaking of a Cultural Revolution.

In my school, teaching stopped completely from the beginning of June, though we had to continue to go there.

Loudspeakers blasted out People's Daily editorials, and the front page of the newspaper, which we had to study every day, was frequently taken up entirely by a full-page portrait of Mao. There was a daily column of Mao's quotations. I still remember the slogans in bold type, which, through reading in class over and over again, were engraved into the deepest folds of my brain: "Chairman Mao is the red sun in our hearts!"

"Mao Zedong Thought is our lifeline!"

"We will smash whoever opposes Chairman Mao!"

"People all over the world love our Great Leader Chairman Mao!"

There were pages of worshipping comments from foreigners, and pictures of European crowds trying to grab Mao's works. Chinese national pride was being mobilized to enhance his cult.

The daily newspaper reading soon gave way to the recitation and memorizing of The Quotations of Chairman Mao, which were collected together in a pocket-size book with a red plastic cover, known as "The Little Red Book." Everyone was given a copy and told to cherish it 'like our eyes."

Every day we chanted passages from it over and over again in unison. I still remember many verbatim.

One day, we read in the People's Daily that an old peasant had stuck thirty-two portraits of Mao on his bedroom walls, 'so that he can see Chairman Mao's face as soon as he opens his eyes, whatever direction he looks in." So we covered the walls of our classroom with pictures of Mao's face beaming his most benign smile. But we soon had to take them down, and quickly, too. Word circulated that the peasant had really used the pictures as wallpaper, because Mao's portraits were printed on the best-quality paper and were free. Rumour had it that the reporter who had written up the story had been found to be a class enemy for advocaring 'abuse of Chairman Mao." For the first time, fear of Chairman Mao entered my subconscious.

Like "Ox Market," my school had a work team stationed in it. The team had hal heartedly branded several of the school's best teachers as 'reactionary bourgeois authorities," but had kept this from the pupils. In June 1966, however, panicked at the tide of the" Cultur:,l Revolution and feeling the need to create some victims, the work team suddenly announced the names of the accused to the whole school.

The work team organized pupils and the teachers who had not been accused to write denunciation posters and slogans, which soon covered the grounds. Teachers became active for a variety of reasons: conformity, loyalty to the Party's orders, envy of the prestige and privileges of other teachers and fear.

Among the victims was my Chinese language and literature teacher, Mr. Chi, whom I adored. According to one of the wall posters, he had said in the early 1960s: "Shouting "Long live the Great Leap Forward!" will not fill our stomachs, will it?" Having no idea that the Great Leap had caused the famine, I did not understand his alleged remark, although I could catch its irreverent tone.

There was something about Mr. Chi which set him apart.

At the time I could not put my finger on it, but now I think it was that he had an air of irony about him. He had a way of making dry, short half-cough, half-laughs which suggested he had kept something unsaid. He once made this noise in response to a question I asked him. One lesson in our textbook was an extract from the memoirs of Lu Dingyi, the then head of Central Public Affairs, about his experience on the Long March. Mr. Chi drew our attention to a vivid description of the troops marching along a zigzagging mountain path, the whole procession lit up by pine torches carried by the marchers, the flames glowing against a moonless black sky. When they reached their night's destination, they all 'rushed to grab a bowlful of food to pour down their stomachs." This puzzled me profoundly, as Red Army soldiers had always been described as offering their last mouthful to their comrades and going starving themselves. It was impossible to imagine them 'grabbing." I went to Mr. Chi for an answer. He cough laughed said I did not know what being hungry meant, and quickly changed the subject. I was unconvinced.

In spite of this, I felt the greatest respect for Mr. Chi. It broke my heart to see him, and other teachers I admired, being wildly condemned and called ugly names. I hated it when the work team asked everyone in the school to write wall posters 'exposing and denouncing' them.

I was fourteen at the time, instincfvely averse to all militant activities, and I did not know what to write. I was frightened of the wall posters' overwhelming black ink on giant white sheets of paper, and the outlandish and violent language, such as "Smash So-and-so's dog's head' and "Annihilate So-and-so if he does not surrender." I began to play truant and stay at home. For this I was constantly criticized for 'putting family first' at the endless meetings that now made up almost our entire school life. I dreaded these meetings. A sense of unpredictable danger haunted me.

One day my deputy headmaster, Mr. Kan, a jolly, energetic man, was accused of being a capitalist-roader and of protecting the condemned teachers. Everything he had done in the school over the years was said to be 'capitalist,"

The Cultural Revolution Begins 37 i even studying Mao's works as fewer hours had been devoted to this than to academic studies.

I was equally shocked to see the cheerful secretary of the Communist Youth League in the school, Mr. Shan, being accused of being 'anti-Chairman Mao." He was a dashing-looking young man whose attention I had been eager to attract, as he might help me join the Youth League when I reached the minimum age, fifteen.

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