Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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In spite of compulsory swimming every week during the summer, I never managed to learn to swim all the time I lived in China.

Hand-grenade throwing was also regarded as very important, for obvious reasons. I was always at the bottom of the class. I could only throw the wooden hand grenades we practised with a couple of yards. I felt that my classmates were questioning my resolve to fight the US imperialists. Once at our weekly political meeting somebody commented on my persistent failure at hand-grenade throwing. I could feel the eyes of the class boring into me like needles, as if to say: "You are a lackey of the Americans!" The next morning I went and stood in a corner of the sports field, with my arms held out in front of me and a couple of bricks in each hand. In Lei Feng's diary, which I had learned by heart, I had read that this was how he had toughened up his muscles to throw hand grenades.

After a few days, by which time my upper arms were red and swollen, I gave up, and whenever I was handed the wooden chunk, I became so nervous that my hands shook uncontrollably.

One day in 1965, we were suddenly told to go out and start removing all the grass from the lawns. Mao had instructed that grass, flowers, and pets were bourgeois habits and were to be eliminated. The grass in the lawns at our school was of a type I have not seen anywhere outside China. Its name in Chinese means 'bound to the ground." It crawls all over the hard surface of the earth and spreads thousands of roots which drill down into the soil like claws of steel. Underground they open up and produce further roots which shoot out in every direction.

In no time there are two networks, one above ground and one below ground which intertwine and cling to the earth, like knotted metal wires that have been nailed into the ground. Often the only casualties were my fingers, which always ended up with deep, long cuts. It was only when they were attacked with hoes and spades that some of the root systems went, reluctantly. But any fragment left behind would make a triumphant comeback after even a slight rise in temperature or a gentle drizzle, and we would have to go into battle all over again.

Flowers were much easier to deal with, but they went with even more difficulty, because no one wanted to remove them. Mao had attacked flowers and grass several times before, saying that they should be replaced by cabbages and cotton. But only now was he able to generate enough pressure to get his order implemented but only up to a point. People loved their plants, and some flowerbeds survived Mao's campaign.

I was extremely sad to see the lovely plants go. But I did not resent Mao. On the contrary, I hated myself for feeling miserable. By then I had grown into the habit of self criticism and automatically blamed myself for any instincts that went against Mao's instructions. In fact, such feelings frightened me. It was out of the question to discuss them with anyone. Instead, I tried to suppress them and acquire the correct way of thinking. I lived in a state of constant self-accusation.

Such self-examination and self-criticism were a feature of Mao's China. You would become a new and better person, we were told. But all this introspection was really designed to serve no other purpose than to create a people who had no thoughts of their own.

The religious aspect of the Mao cult would not have been possible in a traditionally secular society like China had there not been impressive economic achievements.

The country had made a stunning recovery from the famine, and the standard of living was improving dramatically. In Chengdu, although rice was still rationed, there was plenty of meat, poultry, and vegetables. Winter melons, turnips, and eggplants were piled up on the pavements outside the shops because there was not enough space to store them. They were left outside overnight, and almost nobody took them; the shops were giving them away for a pittance. Eggs, once so precious, sat rotting in large baskets there were too many of them. Only a few years before it had been hard to find a single peach now peach eating was being promoted as 'patriotic," and officials went around to people's homes and tried to persuade them to take peaches for next to nothing.

There were a number of success stories which boosted the nation's pride. In October 1964 China exploded its first atomic bomb. This was given huge publicity and touted as a demonstration of the country's scientific and industrial achievement, particularly in relation to 'standing up to imperialist bullies." The explosion of the atomic bomb coincided with the ousting of Khrushchev, which was presented as proof that Mao was right again. In 1964 France recognized China at full ambassadorial level, the first leading Western nation to do so. This was received with rapture inside China as a major victory over the United States, which was refusing to acknowledge China 's rightful place in the world.

In addition, there was no general political persecution, and people were relatively content. All the credit was given to Mao. Although the very top leaders knew what Mao's real contribution was, the people were kept completely in the dark. Over the years I composed passionate eulogies thanking Mao for all his achievements and pledging my undying loyalty to him.

I was thirteen in 1965. On the evening of I October that year, the sixteenth anniversary of the founding of the People's Republic, there was a big fireworks display on the square in the center of Chengdu. To the north of the square was the gate to an ancient imperial palace, which had recently been restored to its third-century grandeur, when Chengdu was the capital of a kingdom and a prosperous warlord city. The gate was very similar to the Gate of Heavenly Peace in Peking, now the entrance to the Forbidden City, except for its color: it had sweeping green tiled roofs and gray walls. Under the glazed roof of the pavilion stood enormous dark-red pillars. The balustrades were made of white marble. I was standing behind them with my family and the Sichuan dignitaries on a reviewing stand enjoying the festival atmosphere and waiting for the fireworks to begin. Below in the square 50,000 people were singing and dancing. Bang. t Bang.t The signals for the fireworks went off a few yards from where I stood. In an instant, the sky was a garden of spectacular shapes and colors, a sea of wave after wave of brilliance. The music and noise rose from below the imperial gate to join in the sumptuousness. After a while, the sky was clear for a few seconds. Then a sudden explosion brought out a gorgeous blossom, followed by the unfurling of a long, vast, silky hanging. It stretched itself in the middle of the sky, swaying gently in the autumn breeze. In the light over the square, the characters on the hanging were shining: "Long Live Our Great Leader Chairman Mao!" Tears sprang to my eyes.

"How lucky, how incredibly lucky I am to be living in the great era of Mao Zedong!" I kept saying to myself.

"How can children in the capitalist world go on living without being near Chairman Mao, and without the hope of ever seeing him in person?" I wanted to do something for them, to rescue them from their plight. I made a pledge to myself there and then to work hard to build a stronger China, in order to support a world revolution. I needed to work hard to be entitled to see Chairman Mao, too. That was the purpose of my life.

15. "Destroy First, and Construction Will Look After Itself"

The Cultural Revolution Begins (1965-1966)

At the beginning of the 1960s, in spite of all the disasters Mao had caused, he was still China 's supreme leader, idololized by the population. But because the pragmatists were actually running the country, there was relative literary and artistic freedom. A host of plays, operas, films, and novels emerged after long hibernation. None attacked the Party openly, and contemporary themes were rare. At this time Mao was on the defensive, and he turned more and more to his wife, Jiang Qjng, who had been an actress in the 1930s. They decided that historical themes were being used to convey insinuations against the regime and against Mao himself.

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