Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"Also, you are bad woodcutters for more reason than you invest in bad saws. You are afraid to go into the forest. You would rather invent a tree to fit your theory, and cut down the invention. You cannot face the real forest. You cannot face the real roots of your world's madness. You see the sore well enough but you cannot heal it. You can ease the pain, perhaps, but you can't stop the infection. You cannot even find the thorn! Und so" – he lifted his shoulders in a deprecating shrug – "that is the reason why I have flown to speak to you here tonight, even here, in the very heart of the festering American dream: to point out to you that thorn. Miss Nichswander?"

She was already rolling out the blackboard. When it was secured behind the dais she took a stick of chalk from her jeweled handbag and handed it to her boss. He waited until she was out of sight through the curtains before he turned back to us.

"Okay, some concentration if you please." The hand began pushing the chalk around the slate rectangle. "I will explain you this only once."

It was the same annotated sketch from ten years before, only honed far finer, with more bite to it. I smiled to think of those who had been worried about getting a dull gumming this evening. The old wolf was maimed and mangy, but still plenty sharp. His history of James Clerk Maxwell and the laws of thermodynamics was more extensive, his drawing more detailed. The demon had acquired a set of horns and a very insolent sneer. And the seams of the whole concept had come together so ingeniously that he could move the metaphor back and forth at will, from the machine to the modern mind, hot and cold to good and bad, smooth as a stage magician. "This problem of nonavailability was grasped by only a few during Maxwell's day: William Thomson, Lord Kelvin; Emanuel Clausius. Clausius understood it best of all, perhaps; he wrote that, while the energy of the universe is constant, entropy is always on the increase. Only a handful of the smartest, back then. Today every illiterate clod with an automobile is beginning to get it; every time he sees the price of petrol go up, he sees his world go a little emptier, and a little more mad. So you educated doctors ought to be able to see it. Of all people, you must have seen the signs. Your ward rollbooks should trace the trend: as the power shortage increases, enrollment in your institutions follows along? What are your most recent statistics? One American in five will be treated for mental illness sometime during their lifetimes. What? Did I hear someone say it is now one in four? Ach, don't you see? You are no longer the gentlemen curators of some quaint Bedlam, displaying such mooncalfs as once were accounted rare. You are the wall guards over increasing millions. In ten years it will be one out of three; in thirty years one out of everyone - - millions and millions, and rundown walls in the bargain."

He paused again to catch his breath, swaying with the effort. I noticed Joe was swaying slightly in concert as he stared, like a bird watching a cobra.

"Still, you are true to your duty. You walk your watch, chin high and diplomas shouldered for all to see, though you are secretly certain that if the rabble decides to rush the walls, that roll of paper will be as useless against them as Freud's theories. You are up on that wall armed with only one weapon with any proven firepower. Can anyone tell the rest of the class what that weapon is? Eh? Any guesses? I shall give you a hint: Who is paying the bill for this august gathering?"

No hands went up. The whole hall was spellbound. Finally the old man gave a disgusted snort and unrolled the napkin for all to see: embossed around the border, like a record of registered cattle brands, were all the logos of the convention's sponsors.

"Here's who!" he declared. "The pharmaceutical companies. Their laboratories manufacture your weapon – drugs. They are the munitions dealers and you are their customers. This gathering is their marketplace. Each of those displays downstairs was designed to appeal to your need up on that wall, to convince you that their laboratory can provide you with the most modern ammunition – the very latest in the high-powered tranquilizers! painkillers! mood elevators! muscle relaxants! psycho del ics!"

This last category could have been aimed at the table where Joe and I sat, but with those black glasses it was impossible to be sure. "That is all you have in your arsenal," he went on softly, "the only armament known to work on both the demon and the host: a few chemicals – though the host has become a horde, and the demon, he is legion. A few feeble spears and arrows, dipped in a temporary solution to which that horde will soon become immune. Miss Nichswander?"

The blond was already coming through the drapes to retrieve the blackboard. She wheeled it away without a word. The drapery closed behind her, leaving Woofner sucking thoughtfully on his piece of chalk. It was the only sound in the room – not a shuffle or cough or clink else.

"I apologize," Woofner said at length. "I know that at this point in the program one is expected to follow up his diagnosis of the disease with a prognosis for a cure. I am sorry to have to disappoint you. I do not have a cure for your problems up on that wall, and I refuse to offer temporary solutions. I should have made it clear to begin with that I bring you no salvation. All I can do is bring you to your senses, here, in the present. Und if you find that the pressure of this here-and-now is too much for you to bear, ach, then -?" He wagged his head derisively. "Then it is quite an easy task to simply step over the wall and join the happy hippos."

If most of his audience was left in the dark by his closing metaphor, this time at least I was certain: it was a parting shot at none but me. He must have recognized me at my table during his talk and at the hippopotamus tank both, probably even on the Sky Ride. His shoulders sagged and he drew a long ragged breath; he was hunched so low that the sound whistled loudly through the mike. His whole body appeared to shake with the effort, like some kind of holy ruin about to collapse before a gale. Then he took off the pitch-dark glasses; the contrasting beam that burned forth was a shock. The temple roof might have been in ruin but the altar still held its fire, blue as the arc from an electric welder, and as painfully bright. Don't look away if he turns it on you, I told myself. Try to meet it. Sure. Try matching eyes with skull-necklaced Kali. At the first searing touch I bent and focused on the congealing butter sauce around my lobster shell, for whatever unguent the oil might offer.

"So? That is that, yah? Yah, I think so. I thank you all for your attention. Guten Abend und auf wiedersehen! Miss Nichswander?"

When I looked back up she was wheeling him through the velveteen slot.

The Bellevue Revue couldn't understand why their crazyhouse hilarity received even less laughs than it deserved, which was damned little. My leftover lobster was funnier than they were; I was sorry when the waiter took it away. After the banquet broke up, however, the conventioneers set about dispelling the heavy pall the best way they could, by trying to make light of it. The remainder of the evening was spent drinking hard and listening to a lot of lampoons of the Woofner address. His heavy accent made him easy prey to parody. The joking got so uproarious in the wide-open hospitality suite the La Bouche Laboratories had reserved that kindhearted Dr. Mortimer fretted the old man might hear.

"All this ridicule, this loud laughing – what if the poor fellow happened to come by? It could be injurious to someone in his condition."

"This isn't laughing," Joe said. "This is whistling in the graveyard."

It was long after midnight before the revelers wore it out and Mortimer got everybody quieted down enough to listen to Dr. Toocter play his harp. It was the perfect soporific. Within minutes people were yawning good nights and stumbling off toward their rooms.

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