Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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Up in our room Dr. Mortimer was trying to find an answer to the same question. He was pacing to and fro in front of the telephone table in his rumpled tux and untied tie, talking into the receiver in a loud singsong German. I discerned he was a little drunk. When he saw me he put his hand over the receiver and shook his head forlornly.

Joe was also dressed for dinner, more rumpled than his boss and lots drunker. He was tilted back on a wastepaper basket. "You're burned bright as a beet," he said squinting at me. He held out the miniature bottle of Beefeater he was drinking. "Use some of this on your head. White wine's best but gin'll do."

I shook my head, explaining I had come to expect olives with my gin. Joe finished the bottle and dropped it between his legs into the wastebasket. I heard it clink against other bottles. He looked at his boss pacing foolishly with the phone, then started singing, "Who's afraid of the big bad wolf, the big bad wolf, the big bad wolf…"

Mortimer got the point and finally hung up. "I know you're both disappointed" – he sighed – "but it may be just as well. According to some of my colleagues our big bad wolf has long ago lost his fangs. And who wants to sit through a dull gumming? The program will be just fine, regardless. We've got last year's minutes, and the Bellevue Revue, and Dr. Bailey Toocter from Jamaica has already volunteered to fill in as keynote with his – what did he call it, Joe?"

"Therapeutic Thumb harp," Joe answered. "Soothes the savage breast."

It was just as well with me, too. I had realized as much locked out on the balcony – that I'd been wishful dreaming. Only a pin-head fool would hope to find the wild and woolly Big Sur of bygone days in the Florida torpor. I stepped over Joe's legs to the closet where my gray suit hung.

The dinner was held in an elegantly appointed wedge-shaped hall, its point focusing on the raised dais. Dr. Mortimer was seated at this head table between the square-jawed Dudley DuRight who was to be the evening's master of ceremonies and a wild-headed black man in a coral pink tuxedo. First served, they had already finished eating. Dudley was sober and serious about his evening's role – he kept checking backstage, reading messages, going over his handful of notes – while the black man and Mortimer whispered and giggled like carefree schoolgirls. On the table in front of their plates was a hinged wooden box inlaid with mother-of-pearl butterflies. I assumed it was the thumb harp.

Joe and I were about three tables back, still picking at our lobster Newberg but already into our third bottle of Johannesburg Riesling. I admitted to Joe that he was right; the cold wine was relieving to the outside of my burned head as well as the inside. I didn't mention the main relief I was feeling – that I would not have to face my old mentor after all. I wasn't disappointed and I found I was rather pleased with that fact. I saw it as a significant stride. If you feel that nothing is owed you, then you owe nothing. I leaned back with my chilled Riesling and newfound wisdom, prepared to enjoy a peace I had not enjoyed for months. Screw the nuts and to hell with the heroes. As far as I was concerned, the change to the thumb harp was just what the doctor ordered.

But when Dudley got up and took the mike and launched into a grandiloquent introduction of the great man who was to speak to us, I wondered if anybody had told him about the change.

"A legend!" he proclaimed. "A star of Sigmund Freud's magnitude, of Wilhelm Reich's radiance, of Carl Jung's historic brilliance! A pillar of fire burning before most of us were born, yet still listed in the Who's Who of Psychology Today! Still considered a giant in the contemporary field – a giant!"

This didn't seem to describe the dreadlocked Dr. Toocter, not even the thumb harpist himself, now frowning perplexed up at the MC. Indeed, all seated at the main table were turned toward the master of ceremonies in wonder. It was nothing like my amazement, though. When our speaker rolled in from the curtain wings, I saw it was the hairless dwarf from the Sky Ride after all.

The tall blond nurse had changed from her nurse's uniform into a beige evening gown, but her patient was wearing the same dark glasses and rumpled shirt and slacks, as though he'd never left the chair. She wheeled him to the podium through an uncertain flurry of clapping, then helped him stand. When she was sure he had a good grip on the podium she wheeled the chair back off, leaving him swaying and nodding in the spotlight.

He was not merely hairless; he was partially faceless as well. The corner of his upper lip and much of the lower had been pared away, all the way down his chin, and the scar covered with flesh-colored makeup. This was why he had looked to me like some kind of long-lived Down's syndrome this afternoon. And without his hat the Florida sun had burned his head even brighter than it had mine. He was a blazing Day-Glo purple everywhere except the painted scar. This hand-sized swatch looked like the only island of natural flesh on a globe of synthetic skin, instead of the other way around. The clapping had been over for a long minute before he finally cleared his throat and spoke.

"Who's who," he murmured, shaking his head. " Das ist mir scheissegal. Who's who." Then the voice lifted a little. "That's what you really want to consider, yah? Who was, who is, who will be who, when next season's list is published?"

The accent was thicker and the speech halting. It would never be the fine instrument of old, but there was still a ring to it.

"How about we consider instead who is correct. Der Siggy Freud? All those interesting theories? like how anal retention becomes compulsive repetition and causes some sort of blockage what he called petrification? Und how this blockage could be dissolved with enough analysis, like enough castor oil? Please, mine colleagues, let us speak truthfully, doctor to doctor. We have all observed the application of these theories. Interesting though they may be, we all know that they are for all practical purposes useless in the psychiatric ward. Castor oil would be more effective, and Sigmund would have been more useful had he written romances for a living. The romantic ideal can be useful in the world of fiction; in world of medicine, never. Und we are all medical men, yah? We must be able to distinguish medicine from fiction. We must be able to know what is psychological results and what is psychological soap opera, never mind how the one is so discouraging while the other is so fascinating. You are all just as capable as I am of knowing who is really who and what was really what, so you all must have suspected what I am trying to tell you before now: that Sigmund Freud was a neurotic, romantic, coke-shooting quack!" When he said this he slapped the podium a sharp crack. The effect on the convention crowd would not have been greater if he'd said Albert Schweitzer was a Nazi, then fired a Luger at the ceiling. He swept his black-goggled gaze about the hall until the air subsided.

"Old daydreamer Carl Jung mit his sugar-glazed mandala? Willy Reich teaching orgasm by the numbers? All quacks. Yah, they were all very good writers, very interesting. But if you are a woodcutter, let us say, and you purchase a woodsaw – what does it matter how interesting the sawmaker writes about it? If it does not saw good it is not a good saw. As a woodcutter, you should be the first to detect the cheat: it won't cut straight! So take it back to that lying sawmaker, or paint a sunset on it, or throw it in the river – but don't pass the crooked wood on to your customers!" He paused to reach down and pick up Dr. Toocter's wadded napkin. He bowed his head to dab at the sweat that had begun to glisten on his neck and throat. He waited until his breathing calmed before he looked back up.

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