Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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We had to wait while our engineer had a cigarette outside on the landing. A restless musing filled the car while we waited. Hidden machinery hummed. People slumped in the chrome-and-plastic seats. Out the open doors of the car, the Florida sky was airbrushed full of crimson clouds, just like Uncle Walt had ordered, and the indistinct sounds and voices of the park waved softly in and out on the evening breezes. Annette Funicello's recorded greeting at the entrance gate could be heard clearest: "Hey there hi there ho there," she chanted like a cheerleader. "We're as happy as can be, to have you here today… hip hip hoo- ray!"

None of the waiting passengers seemed inclined to be led into the cheer. In the seat in front of us a family rode, six of them. The husband sat alone, his back to us, his muscled arms spread over the red plastic seatback. Across from him, facing us, his family fussed and stewed. His wife had dark circles under her eyes and at her Rayon armpits. In her lap his toddler whimpered. On one side of her his first-grader whined and on the other side his sixth-grader sucked her thumb. Across the aisle his teenager slouched and bitched.

"The kids at school will not believe we never went on Pirates of the Caribbean!"

"Hush, honey," the mother said wearily. "We were out of tickets. You know that."

"We could have bought more," the teenager maintained. The other kids wailed agreement. "Yeah! we could have bought more!"

"We were also out of money," the mother said.

"We didn't even get to see the Enchanted Tiki Birds. The kids at school simply will not believe it!"

"That we were out of money? Well, the kids at school had better believe it. And you better give it a rest if you know what's good for you – all of you!"

And all the while the father sat without comment, not moving, just the muscles in his forearms and his big workadaddy hands, gripping the back of the seat. I noticed he'd been able to get his wrists and knuckles clean for this occasion, but there was still carbon under the fingernails, the indelible tattoo left by the other fifty-one weeks of his year working a lathe in Detroit, or changing tires in Muncie, or scrabbling coal in Monongahela.

"In a recent worldwide survey," Annette's voice continued in a more serious vein, "it was found that twice as many people desire to go to Disney World than to any other attraction on earth. That's pretty impressive, don't you all agree?"

Nobody nodded agreement, not even the kids. Before we could hear more our driver returned to his controls; the doors hissed shut and the big tube hummed away toward the hotel. The hands continued their gripping and ungripping of the seatback, trying not to let it show how hard it was getting to be, this business of keeping a grip – Joe and I exchanged looks. The poor guy. Hadn't he done everything you're supposed to? Labored hard? made a home? raised a family? even saved enough for this most desired of all vacations? But it wasn't working. Something was wrong somewhere, and hanging on was getting harder all the time.

We never saw his face. They filed off forward of us at the hotel. As they left Joe shook his head:

"Just the tip of an enormous iceberg," he said, "heading toward a titanic industry."

I had no idea just how titanic until I saw the exhibits. While Joe rushed off to make his appearance at industry parties, I roamed the crowded exhibition hall, amazed at all the latest devices and potions designed to care for and control the upcoming hordes unable to care for or control themselves. Teenagers rented from the local high school were our guides through a vast maze of displays. They demonstrated long-snouted pitchers that could get nourishment down the most intractable throat. They showed us how new Velcro straps could strap down a big strapping lad as well as the bulky old buckle cuffs. They invited us to test the comfort of urine-proof mattresses, pointing out the slotless screwheads that held the bed-frame together: "to keep them nuts from eating the screws."

There were unrippable pajamas with padded mittens to prevent the hallucinator from plucking out an offending eye. There were impact-dispersing skullcaps for the clumsy, disposable looparound mouthpieces for the tongue gnashers, lockfast maxi-Pampers for the thrashing incontinent, and countless kinds of medication reminders that beeped and buzzed and chimed to remind the forgetful. The vast majority of the booths were manned by the many pharmaceutical laboratories supported by this industry. Most of these displays lacked the visual pizazz of the hardware shows. Pills and pamphlets just aren't as interesting to look at as restraining chairs featuring built-in commodes with automated enemas. The Szaabo display was the exception, attracting far the largest audience of all the booths. Company designers had mocked up a large cocktail lounge complete with plastic plants and free peanuts and waitresses in miniskirts. Above the bar was a big-screen TV monitor that played actual tapes of the company's products in action. Conventioneers could eat peanuts and drink and cheer like a Monday Night Football crowd as they watched big hyperactive hellraisers get wrestled down and turned meek as mice with a shot. I wondered if the display designers got the idea from the hippo show, or vice versa.

The trouble was once you got into the popular Szaabo lounge, it was next to impossible to get back out through the crush of the boisterous crowd. Harder than that to snag one of the free drinks. I was buffeted back and forth through the smoky clamor until I found myself near an exit along the far wall. It was marked for Emergency Use Only. I felt my smarting eyes and burning throat qualified so I pushed the lockbar and peeked out. To my great relief I saw I had found not only a private balcony with fresh air and a view of the sunset, but a tray of unclaimed martinis.

I squeezed through and heard the big door shut behind me over the noise. I grabbed the push bar but I was too late. "Let it lock," I decided, releasing the bar. "I can get by on olives if I miss the banquet."

I noticed these olives were skewered on clever little S-shaped silver swizzles, supposed to look like the Szaabo logo. It was also etched on the martini glasses, in red and yellow, like the crest on Superman's chest. About halfway through the tray I raised one of the glasses in a toast – to Szaabo Labs, original layers of those tiny blue eggs of enlightenment. Remember when we used to think that every egg would hatch cherubs in every head and that these fledglings would feather into the highest-flying Vision in mankind's history? Remember our conspiracy, Szaabo? You make 'em; we'll take 'em – as far as the Vision can see. Who's left to carry the colors of our crusade now? Where's the robin's-egg-blue banner of the Vision of Man now? In the hands of one little girl, that's where, some titless wonder who can see about as far as she can pee, and she's been captured, probably by now quelled with one of your latest designer formulas and watching a rerun of Happy Days, comparatively happy herself.

But, like Joe says, compared to what?

By the time the drinks were drained and the olives eaten, the din on the other side of the door had gone down considerably. For a keepsake I dropped the last glass in my shoulder bag with my Ching and my leftover ticket books and tried the door. I was able to attract one of the waitresses by rattling the tray between the bar and the metal. She let me back in, apologizing all over herself for not hearing my signal earlier; it had been just too dern noisy. I gave her the tray and a ten spot and told her not to worry – I hadn't been signaling earlier, anyhow.

The Szaabo bar and the convention hall were both almost empty. Everybody was off getting dressed for the evening's main event. I swung one more time by the main desk and saw my message to Woofner still folded in his box. The fresh peach behind the desk told me so many folks'd been asking she was curious herself what'd come of this missin' doctor.

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