Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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As much as I'd drunk I was sure I'd drop straight off when I hit the bed, but I didn't. The air of our room seemed too close, the pitchy dark full of racket. The air conditioning throbbed brokenly and Mortimer snored along. I was so tired and dehydrated I could barely think, not even about Woofner. I'll think about him tomorrow. I'll look him up in the morning for a quick hello, then get on the first thing I can find flying west. Tonight all I want is a little sleep and a lot of liquid.

On one of my trips to the bathroom to refill my water glass, I met Joe coming out carrying his. He frowned at me from the crack of light.

"Christ, man, do you really feel it that bad?"

"Not quite," I said. "But I feel it coming."

Joe took me by the arm and pulled me into the bathroom and shut the door. He gave me a big pink tablet from his shaving kit.

"Remedy number one," he prescribed, "is to duck it. Before it hits."

I took the pill without asking any questions. After that I got up only once more, to get rid of some of that liquid. The room was still black but still at last. The broken throbbing had been fixed and Mortimer's bed was quiet as a church. It seemed I had just lain back down when he shook me awake and told me it was Sunday.

"Sunday?" I squinted at the light. My head hammered. "What happened to Saturday?"

"You looked so wasted we decided to let you rest," Joe explained. He was drawing open the drapes. In the cruel light my two roommates looked pretty wasted themselves. Mortimer said I must be hungry but there would be time for a bite of breakfast before our flight; we'd better hurry.

I didn't feel hungry or rested either. I just had a cup of airport coffee and bought a box of Aspergum to have in my shoulder bag – the hammering in my head promised to get louder. Boarding the airplane I confided to Joe that whatever I had ducked seemed to be swinging back for another shot. He sympathized but said that big pink pill had been his last. He gave me a peek in his sample case, though; he'd managed to buy a quart of black rum from one of the Cuban maids.

"Remedy number two: if you can't duck it, try to keep ahead of it."

It was a long sober return flight even with the rum. While Mortimer slept, Joe and I drank steadily, trying to keep ahead of the thing. The rum was gone before we got to Denver. Joe looked at the empty bottle mournfully.

"Yuh done somethin' t' the booze, Hickey," he muttered in a thirties dialect. "What yuh done t' da booze?"

The mutter was for my benefit, but Dr. Mortimer was roused from his doze by the window.

"What's that, Joe?"

"Nothing, Doctor." Joe slid the bottle out of sight. "Just a line that came to me from O'Neill's The Iceman Cometh. It's in the last act, after Hickey's given them all 'The Word,' so to speak, and one of the barflies says something to the effect of 'The booze ain't got no kick t' it no more, Hickey. What yuh done t' da booze?' "

"I see," Mortimer answered, and dug his head back into the little airplane pillow. He saw about as well as anybody did, I guessed.

With the help of Aspergum and overpriced airline cocktails I was still in front of the thing when we landed in Portland, but it was closing fast. The banging in my skull heralded it like the rising toll of a storm bell. Mortimer phoned his wife from the airport to have her meet him at the big Standard station on the edge of the hospital grounds. He said he simply did not have the energy to check on the ward just now. Joe said he would do it. Dr. Mortimer gave Joe a grateful smile but allowed as how the nuts had been cracking right along without either of them for two days and nights now; another night probably wouldn't hurt.

"Besides, our guest has to be driven home," he added. "Unless he'd like to lay over a night with us. Devlin? It would give you an opportunity to study the set sketches the producers sent up."

"Yeah, why don't you?" Joe put it. "You can check out my collection of bad religious art from Ireland."

I shook my head. "I promised I'd be back. My dad was scheduled for a spinal this morning. I thought about phoning from Denver," I said, "but you know how it is."

They both nodded that they did and no more was said about it.

We dropped Dr. Mortimer off at the gas station. His wife was nowhere in sight, but we might not have seen her; there was still a jam of cars stretching around the corner of the block both ways. Joe began to fret as soon as the looming complex of the hospital came into sight. "I think I ought to swing in, anyway," he said. "We can make a quick round while they're gassing us up at the motor pool."

He braked to make the turn and the guard at the gate waved us on. He pulled to the NO STOPPING curb in front and motioned the aide sweeping the lobby to come out.

"Mr. Gonzales? Would you mind driving this bomb around back and filling it up?"

Gonzales didn't mind a bit. Grinning at his good fortune, he gave Joe the broom and took the wheel. Joe shouldered it and marched around to my door.

"Come on," he implored, "you can stand it if I can." He even added an enticement. "Maybe I can scrounge up another pink pill."

I could see he was needing the company; the hopeful glow had gone out of his eyes, leaving a gloomy smudge. I caught the strap of my shoulder bag and followed him toward the lobby, resolved to stand it.

The lobby was empty and completely changed. The renovation was nearly finished and the workers had knocked off for the weekend. There was gleaming new tile on the floor and fresh white paint on the walls. The veteran squad of khaki couches had been discharged and a replacement of recruits waited in close-order file, still in their plastic shipping bags. All the Venetian blinds had been removed from the windows, and the wooden window frames replaced by chrome. It glistened in the harsh sunshine streaming through the big windows.

The only thing about the lobby that was the same was the fluorescent lights. They still buzzed and fluttered even in the shadeless sunlight. They made me think of the ward above. And this suddenly made my resolve start to flutter like the chilly light in those long tubes. I backed out when the elevator door opened.

"I'll wait down here," I had to tell Joe. "Maybe I'll finish that Ching you interrupted the other morning."

"Right," Joe said. "So you can find out whether to go or not to go to Florida." He handed me the broom. "Find out for me too, why don't you?"

The elevator took him up and left me standing there, knowing that I had let him down. I leaned the broom against the wall and went to the drinking fountain and spit out my last piece of Aspergum. I tried to rinse out the taste but it wouldn't go away. It tasted like pennies, or a lightning storm in the making. I walked to the receptionist's deserted desk. Two of the buttons on her switchboard were blinking. As I watched, they both stopped. Calls were probably being relayed to another board during renovation.

I managed to get an outside line and dial my parents' house. I listened to it ringing at the other end. Maybe they were still at the hospital. Maybe something had happened. I should have tried to call earlier. I had lied about Denver. I hadn't thought of calling from there at all.

I tried awhile to ring Information for the number at the clinic, but I couldn't decipher the complicated switchboard. I finally gave up and walked to the couches. I took a seat in the one at the front of the rank, right at the windows. New louvered sun shades waited along the baseboard. They would replace the old blinds. Now the sun boomed in dead level, like cannon fire.

I got up and went around to the couch at the rear. It was still in the sun but I managed to pull it over into the bar of shade from one of the window frames. I sat down in the narrow shadow and closed my eyes.

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