Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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When I tried to reach around her for my bag I bumped her staff. It tipped and fell before I could grab it.

"Watch it!" she shrilled. "That's my third eye you're knocking in the broken glass!"

She picked it up and turned around to stand it behind the couch, out of danger. Then she leaned close again and gave me a fierce frown. "You're the one broke it too, ain't you? No wonder you got such a guilty look on you, cursed with such a clumsy goddamn nature."

For all her frowning, I couldn't help but grin at her. She didn't seem as fierce as she looked, really. She might not have realized she was frowning all the time. She wasn't as hopelessly homely as she first appeared, either, I decided. Or as titless.

"Speaking of curses," I said, "what was that one of yours the other day? It was formidable."

"Oh, that," she said. The frown vanished instantly. She drew her knees up to her chin and wrapped her arms around her shins. "It isn't mine," she confessed. "It's Gary Snyder's, mostly, a poem of his called 'Spel Against Demons.' You want to know why I happened to memorize it? Because one time I spray-painted the entire thing. On a football field. Remember when Billy Graham held that big rally in Multnomah Stadium a couple of years back?"

"You're the one who did that?"

"From goal line to goal line. It took nineteen rattle cans and most of the night. Some of the words were ten yards big."

"So, you're the famous phantom field-writer? Far damn out. The paper said the writing was completely illegible."

"It was dark! I've got a shaky pen hand!"

"You were plenty legible the other afternoon," I prompted. I wanted to keep her talking. I saw her cheeks color at the compliment, and she started rocking back and forth, hugging her knees.

"I was plenty ripped is what I was," she said. "Besides, I recite better than I handwrite."

She rocked awhile in thought, frowning straight ahead. The sun was almost out of sight in the ridgeline across the river, and the light in the room had softened. The chrome trim was turning the color of butter. All of a sudden she clapped her hands.

"Now I remember!" She aimed a finger at me. "Where I know your melancholy mug from: the dust jacket of your goddamn novel! So far-damn-out to you too!"

She started to rock again. It wouldn't have surprised me to see her put her thumb in her mouth.

"I'm something of a writer myself," she let me know, "when I'm not something else. Right now I'm an astral traveler on layover. Too far over, too, after two days of Miss Seal's Bed and Breakfast."

I told her she didn't look nearly as far laid over as the others I saw up there. This made her blush again.

"I cheek the tranqs," she confided. "I never swallow anything they give me. Watch -"

She felt around between her ragged deck shoes until she found a big shard of glass. She tossed it to the back of her mouth and swallowed. She opened wide to show nothing but teeth and tongue, then a moment later spat the shard tinkling across the new tile. "Want to know the reason they hauled me in here? Because I dropped three big blotter Sunshines and went paradin' around the rotunda at the capitol. Want to know why I got so ripped? I was celebrating the completion of my new novel. Want to know the name of it?"

I told her that as a matter of fact I would like to know the name of her novel. I couldn't help but feel that somebody was getting their leg pulled, but I didn't care. I was fascinated.

"I called it Teenage Girl Genius Takes Over the World! Not too shabby a title, huh?"

I conceded that I'd heard worse, especially for first novels. "First your ass! This is my goddamn third. My first was called Tits & Zits and my second is Somewhere Ovary Rainbows. Shallow shit, those first two, I admit it. Juvenile pulp pap. But I think Girl Genius has got some balls to it. Hey, let me ask you something! My publisher wants to reprint the first two and bring all three out as a package. But I'm not so sure. What's your thinking on that plan, as one novelist to another?"

I didn't know what to think. Was she on the level or lying or crazy or what? She sounded serious, but that could have been like the frown. I couldn't get over that feeling of a pulling sensation on my leg. I avoided her question with one of my own.

"Who's your publisher?"

"Binfords and Mort."

If she'd named off some well-known New York house like Knopf or Doubleday I'd have started shoveling pantomime manure. But Binfords & Mort? That's a specialty house for high-class historic stuff, and hardly known outside of the Northwest. Would she pick such company to lie about? Then again, would they pick her?

"I think you could do worse than follow the advice of Binfords and Mort," I averred, trying to probe her eyes. I couldn't get past the glass. I'd have to try another test.

"Okay, Girl Genius, I've got one for you."

"It'll have to be quick, Slick. I think my chariot has just arrived."

A black sedan had indeed just pulled up at the no standing curb. She must have heard it. An ambitious-looking young legal-type flunky got out and started for the lobby door.

"Quick it is," I said. "I'd like to know what's your thinking – just off the top of your I.Q. – on the Second Law of Thermodynamics?"

If I hoped to see her thrown by this, I was disappointed. She got very deliberately to her feet and stood in front of me. She bent her face down until it was almost touching mine. The thin lips were starting to stretch at the corners. The eager pad of driver's footsteps stopped a few feet away but neither the girl nor I turned.

"Melissa?" I heard him say. "Everything's cleared, Sweetie. Your father wants us to go to the Leaning Tower and order a couple giants – a pepperoni for him. He'll join us as soon as he gets rid of that damned delegation from Florence's fishing industry – they're still singing the blues about the salmon regulations. How does Canadian bacon sound for the other one? It's smoke cured…?

The lenses never wavered from me. But the lips continued to stretch, wider and wider, until it seemed her whole head might be split in half by her grin. The blush raged across her cheeks and neck, and her eyes flashed around their crystal cages like giddy green parakeets. She finally cupped her hand so we were shielded from the driver's eyes.

"Entropy," she whispered behind her hand, like a resistance fighter passing a vital secret under the very nose of the enemy, "is only a problem in a closed system." Then she straightened and spoke up. "What's more, a singing fisherman from Florence sounds better to me than a singed pig from Canada. How about you, Slick?"

"Much better," I agreed.

She nodded curtly. The scowl snapped back into place. Without another word she turned on her heel and stalked unaided past the waiting flunky, across the lobby, and straight out the door toward the sedan, majestically, or as majestically as possible for a knobby-jointed maybe-crazy half-green-haired nearly-completely-blind girl-thing from another dimension.

"If you're ever in Mt. Nebo," I called after her, "I'm in the book!"

She kept going. The flunky caught up to her but she disdained his help. She nearly stumbled when she stepped off the curb, but she caught the rear fender and felt her way to the door handle and got in. It was then I realized that, in her show of majesty, she'd left her cane.

They were pulling away as I ran out. I waved the feathered staff, but of course she couldn't see me. I thought of honking the thing after them but they were already to the gate, and the traffic was loud.

Besides, I knew it was the very sort of something I was supposed to bring back. It was absolutely neat. Caleb would love it. He would take it to school, show it off, brandish it, twirl it, honk it. His classmates would admire it, covet it, want one of their own. On their next trip to the Magic Kingdom they would look for them at all the Main Street souvenir shops, ask after them in all the little information kiosks…

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