Ken Kesey - Demon Box

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Demon Box: краткое содержание, описание и аннотация

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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Oh, what a roar! Oh oh oh! Not just loud, and long, but high and low and chilling and fiery all to once. The haint hair and the spider webs all froze stiff – it was that chilling! - - whilst the springs boiled dry and the crabapples burned black from the hellheat of it. Even way up in Tricker's tall, tall tree the cottonwood leaves turned brown and looked ready to fall still weeks before their time. Moreover, that roar had startled Tricker out of his snooze so sudden that he stuck startled halfway between ceiling and floor. And hung there, petrified, spraddle-eagled spellbound stiff in midair, with eyes big as biscuits and every hair stabbing straight out from him like quills on a puffed-up porcupine.

"What in the name of sixty cyclones was that?" he asks himself in a quakering voice. "A dream gone nightmare?"

He pinches his nose to check. The spellbind busts and Tricker drops hard to the floor: bump!

"Hmm," he puzzles, rubbing his nose and his knees, "it is like a dream with a little nightmare noise thrown in – like a plain old floating and flying dream dream… except when you get real bumps it must be a real floor."

And right then it cut loose again – "ROAWRRR!" shaking the cottonwood from root to crown till a critter could hardly stand. Tricker crawls cautious across the floor on his sore knees, and very cautious sticks his sore nose out, and very very cautious cranes over to look down into the clearing below.

"Again I say ROARR!"

The sound made Tricker's ears ring and his blood curdle, and the sight he saw made him wonder if he wasn't still dreaming, bumps or no.

"I'm BIG DOUBLE from the high ridges and I'm DOUBLE BIG and DOUBLE BAD and DOUBLE DOUBLE HONGRY a-ROARRR!"

It was a bear, a griz zerly bear, so big and hairy and horrible it looked like the two biggest baddest bears in the Ozarks had teamed up to make one.

"Again I say HONGRY! And I don't mean lunchtime snacktime littletime hongry, I mean grumpy grouchy bedtime bigtime hongry. I live big and I sleep big. When I hit the hay tonight I got six months before breakfast so I need a supper the size of my sleep. I need a big bellyfull of fuel and layby of fat to fire my fulltime furnace and stoke my sixmonths snore a-ROOAAHRRRR!"

When the bear opened his mouth his teeth looked like stalactites in a cavern. When he swung his head around his eyes looked like a doublebarrel shotgun going off at you.

"I ate the high hills bare as a bone and the foothills raw as a rock, and now I'm going to eat the WHOLE! BOTTOM! and everybody in it ALL UP!"

And with that gives another awful roar and raises his paws high above his head, stretching till his toenails strain out like so many shiny sharp hayhooks, then rams down! sinking them claws clean outta sight into the ground. And with a evil snarl tears the very earth wide open like it was so much wrapping paper on his birthday present.

In the sundered earth there was Charlie Charles the Woodchuck, his bedroom split half in two, his bedstead busted beneath him and his bedspread pulled up to his quivering chin.

"Hey you," Charlie demands, in the bravest voice the little fella can muster, "this is my hole! What are you doing breaking into my home and hole?"

"I'm BIG DOUBLE from the HIGH WILD HOLLERS," the bear snarls, "and I'm loading the old larder up for one of my DOUBLE LONG WINTER NAPS."

"Well just you go larding up someplace else, you high hills hollerer," Charlie snarls back. "This aint your neck of the woods…"

"Son, when I'm hongry it's ALLLL Big Double's neck of the woods!" says the bear. "And I AM HONNNGRY. I ate the HIGH HILLS RAW and the FOOTHILLS BARE and now I'm going to EAT! YOU! UP!"

"I'll run," says the woodchuck, glaring his most glittering glare.

"I can run too -oo," says the bear, glaring back with a grin that turns poor Charlie's glitter to gloom. Charlie meets the bear's blistering stare a couple ticks more, then out from under the covers he springs and out acrost the bottom he tears, ears laid low tail hoisted high and little feet hitting the ground sixty-six steps a second… fast!

But the big old bear with his big old feet merely takes one! two! three! double-big steps, and takes Charlie over, and snags him up, and swallers him down, hair hide and all.

High up in his hole Tricker blinks his eyes in amazement. "Yep," he has to allow, "that booger truly can run."

The bear then walks down the hill to the big granite boulder by the creek where Longrellers the Rabbit lived. He listens a moment, his ear to the stone, then lifts one of those size fifty feet as high as his double-big legs can hoist it, lifted like a huge hairy piledriver, and with one stomp turns poor Longrellers's granite fortress into a sandpile all over the rabbit's breakfast table.

"You Ozark clodhopper!" Longrellers squeals, trying to dig the sand out of one of his long ears with a wild parsnip. "This is my breakfast, not yours. You got a nerve, come stomping down here into our Bottom, busting up our property and privacy, when this aint even your stomping grounds!"

"I hate to tell you, cousin, but I'm BIG DOUBLE and ALLLL the ground I stomp is mine. I ate the high hills BARE and the foothills CLEAN. I ate the woodchuck that run and now I'm going to EAT! YOU! UP!"

"I'll run," says the rabbit.

"I can run too -oo," says the bear.

"I'll jump," says the rabbit.

"I can jump too -oo," says the bear, grinning and glaring and wiggling his whiskers wickedly at the rabbit. Longrellers wiggles his whiskers back a couple of ticks, then out across the territory rips the rabbit, a cloud of sand boiling up from his heels like dust from a motorscooter scooting up a steep dirt road. But right after him comes the bear, like a loaded logtruck coming down a steeper one. Longrellers is almost to the hedge at the edge of the Topple pasture when he gathers his long ears and elbows under him and jumps for the brambles, springing up into the air quick as a covey of quail flushing… fast, and far!

But the big old bear with the big old legs springs after him like a flock of rocketships roaring, and takes the rabbit over at the peak of his jump, and snags him up, and swallers him down, ears elbows and everything.

"Good as his word the big bum can certainly jump," admits Tricker, watching bug-eyed from his high bedroom window.

Next, the bear goes down to where Whittier Crick is dribbling drowsy by. He grabs the crick by its bank and, with one wicked snap, snaps it like a bedspread. This snaps Sally Snipsister the Martin clear out of her mudburrow boudoir and her toenail polish, summersetting her into the air, then lands her hard in the emptied creekbed along with stunned mudpuppies and minnows.

"You backwoods bully!" Sally hisses. "You ridgerunning rowdy! What are you doing down out of your ridges ripping up our rivers? This aint your play puddle!"

"Why, ma'am, I'm Big Double and ANY puddle I please to play in is mine. I ate the ridges raw and the backwoods bald. I ate the woodchuck and I ate the rabbit. And now I'm going to EAT! YOU! UP!"

"I'll run," says the martin.

"I can run, too -oo," says the bear.

"I'll jump," says the martin.

"I can jump too -oo," says the bear.

"I'll climb," says the martin.

"I can climb, too -oo," says the bear, and champs his big yellow choppers into a challenging chomp. Sally clicks back at him with her sharp little molars for a tick or two, then off! she shoots like the bullet out of a pistol. But right after her booms the bear like a meteor out of a cannon. Sally springs out of the creekbed like a silver salmon jumping. The bear jumps after her like a flying shark. She catches the trunk of the cottonwood and climbs like an electric yo-yo whizzing up a wire. But the bear climbs after her like a jet-propelled elevator up a greasy groove, and takes her over, and snags her up, and swallers her down, teeth toenails and teetotal.

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