Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"And I will wager," he says, "you can't guess which one." His words some way more extravagant than's even usual for him. I don't answer. I heard it then. "They are going to sing that version of 'Were You There' that you used to like so much." I say "You remember that? Why, it's been twenty years since I had that record if it's been a day." "More like thirty," he says. He said al- so as far as the ride went they had a special bus with a full-size bed in it coming for me at four on the dot. "So don't give me any more of that bad back baloney. This is your day to party!"

I realized what it was then, to some extent. There was somebody else with him, standing near at the other end of the line so he was grooming his voice for more than just his granny. Not Betsy, nor Buddy. Somebody else.

"In fact it could be your night to party as well. Better throw some stuff in a sack."

After we hung up I was in a kind of dither to think who. I started to turn my program back up, but it was the ad for denture stickum where the middle-aged ninny is eating peanuts. So I just switched the wretched thing clean off and stood there by the window, looking down at Eugene's growing traffic situation. Zoom zoom zoom, a silly bunch of bugs. The Towers is the highest building in all Eugene unless you count that little one-story windowless and doorless cement shack situated on top of Skinner's Butte. Some kind of municipal transmitter shack is I guess what it is. It was up there just like it stands today the very first time Emerson T and me rode to the top of the butte. We drove if I'm not mistaken a spanking brand-new 1935 Terraplane sedan of a maroon hue that Emerson had bought with our alfalfa sales that spring. Eugene wasn't much more than a main street, just some notion stores and a courthouse and Quackenbush's Hardware. Now it sprawls off willy-nilly in all directions as far as a person can see, like some big old Monopoly game that got out of hand. That little shack is the only thing I can think of still unchanged, and I still don't know what's in it.

I picked up Emerson T's field glasses from my sill and took them out of their leather case. They're army glasses but Emery wasn't in the army; when they wouldn't let him be a chaplain he became a conscientious objector. He won the glasses at Bingo. I like to use them to watch the passenger trains arrive Monday nights, but there isn't much to watch of a Friday noon. Just that new clover-leaf, smoking around in circles and, O, whyever had I let him make me say yes? I could still hear my pulse rushing around his words in my ears. I turned the glasses rear-way-round and looked for a while that way, to try to make my heart slow its pit-a-pat (nope, it hadn't been Betsy or Buddy, nor none of his usual bunch that I could think of offhand), when, without so much as a by-your-leave or a kiss-my-foot, there, right at my elbow, sucking one of my taffy-babies and blinking those blood-rare eyes of hers up at me was that dadblessed Miss Lawn!

"Why Mrs. Whit tier -"

Made me jump like a frog. Her eyes, mainly. Vin rose bloodshot. She puts away as much as a quart before lunch somedays; she told me so herself. "- don't you realize you are looking through the wrong end again?" She shuffles from foot to foot in those gum-rubber slippers she wears then, in a breath that would take the bristles off a hog, she coos "I heard your television go off, then when it didn't come back on I was worried something might be the mat ter…?"

She wears those things for just that purpose, too: slipping. I know for a fact that as soon as she hears my toilet flush or one of my pill bottles rattle she slips into her bathroom to see if my medicine cabinet is left open. Our bathrooms are back-to-back and the razor-blade disposal slot in her medicine cabinet lines right up with the razor-blade disposal slot on my medicine cabinet, and if she don't watch out one of these days I'm going to take a fingernail file and put one of those poor bloodshot eyeballs out of its misery. Not actually. We're old acquaintances, actually. Associates. Old maids and widows of a feather. I tell her if she must know I turned it off to talk over the telephone.

"I thought I heard it ring," she says. "I wondered if it might be Good Book Bob dialing you for dollars again."

Once KHVN phoned and asked me who it was said "My stroke is heavier than my groaning." I remembered it was Job because the Book of Job was the only book of the Bible Uncle Dicker ever read aloud to me (he claimed it was to help me reconcile my disfigurement but I personally think it was because of him constantly suffering from his rupture), and when I answered right and won forty dollars and a brass madonna of unbreakable Lucite, Miss Lawn never got over it. If I was in the tub or laid down napping and the phone rang more'n once she'd scoot all the way around from her place in time to answer the third ring, just in case it might be another contest. That's how she thinks of me and of what she refers to as my "four-leaf-clover life." Sometimes she comes in and waits for it to ring. She swears up and down that I must be hard of hearing because she always knocks before she comes in; all I say is it must be with a gum-rubber knuckle.

"Well, it was not Good Book Bob," I assure her, "it was my grandson."

"The famous one?"

I just nodded and snapped the field glasses away in their case. "He's coming in a special bus this afternoon to take his grandmother to a big surprise party everybody's giving her." I admit I was rubbing it in a bit but I swear she can aggravate a person. "I'll probably be away to the festivities all evening," I says.

"And miss Reverend Poll's special service? and the donuts and the Twylight Towers Trio? Mrs. Whittier, you must be delirious!"

I told her I was attending an other service, and instead of those soggy donuts was having a fan tastic cake. But I didn't have the heart to Lord it over her about the Sounding Brass, though. Them eyes were already going from red to green like traffic lights. In the entire year and a half she's lived in the apartment next door I believe the only visits she's had from the outside is Jehovah's Witnesses. I says, I am, Miss Lawn: dee- lirious, and that I was going to have myself a good long hot soak in Sardo before I popped with delirium. So, if she would excuse-a pliz - - and went strutting into the bathroom without another word.

I like Miss Lawn well enough. We went to the same church for years and got along just fine, except her seeming a little snooty. I reckoned that came from her being a Lawn of the Lawn's Sand & Gravel Lawns, a rich old Oregon family and very high society around Eugene. It wasn't till Urban Renewal forced her to follow me to the Towers that I realized what a lonesome soul she actually was. And jealous … she can't hardly stand how people make over me. She says the way people make over me you'd think I was the only one in the building. I always say, Ah, now, I don't know about that, but I am glad people like me. Well, she says, they ought to like me; I never done anything to make people dislike me! I say, All I do is try and be nice and she says, Yeah, but you're too nice with them, gushy, whether they're good folks or bad; if I had to get friends by being too gushy like that I don't want 'em. Actually, I'm pretty snippy with people, but I say, Yeah, well, if you're gonna make friends you're gonna make 'em by loving thy neighbor, not all the time acting like you're passing judgment on him. Besides, I never ran into anybody I didn't think but was good folks, you get deep enough down. And she says, Well, when you been around as much as me you sure will find different; something will happen someday and you'll find out that there are some people who are rotten all the way down! "Then," she says, "we'll see how that mushy love-thy-neighbor way of yours holds up."

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