Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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It was the queerest thing. I sailed right up out of my body while Doctor Ogilvie was saying, I'm sorry, Topple, she's gone – sailed right over the town through the night right on up to Heaven where the streets were lit with pure gold and the angels were playing harps and the moth I presume did not corrupt. Heaven. But when I started to go through the gates that were all inlaid pearl precisely like they are supposed to be this huge tall angel with an enormous book says to me, Wait a minute, little girl; what's your name? I says Becky Topple and he says Becky Topple? Rebecca Topple? I thought so, Becky; you have been marked by the Blood of the Lamb of God Almighty and you aren't due up here for another good seventy-seven years! The Son of Man Hisself has you down for not less than one entire century of earthly service! You're to be a saint, Rebecca, did you know that? So you got to go on back, honey. I'm sorry…

And sent me sailing back through the clouds and the stars to Arkansas and Pine Bluff and Dr. Ogilvie's house all fluttering at the parlor windows with torches and lamps like big angry millers and right down through the roof. I swear it was absolutely the queerest sensation, seeing my body in that room with all my folks and family crying and little Emerson T struggling with his papa to get to me, crying Becky aint dead aint dead cant be dead as I just drifted back into my body like so much smoke being sucked back down a chimney and took a breath opened my eyes and sat up and told them that the mute boy had not harmed me. No. Quite the contrary. That I'd been fooling around that gully and fell into the scrap iron and he had come along and seen me and saved me, thank the Lord (I had my fingers crossed, and said another Thank the Lord to myself) and I have never bothered you about another single thing since that, Jesus, as I solemnly promised. What was there for me to ask, actually? I have never doubted that angel with the book. Not from that instant to this have I ever faced mortal danger, nor never thought I would have to, either - - leastways till nineteen eighty-something rolled around. And I always figured that by then I would be more than tickled to be getting shut of this wore-out carcass and battered old mug anyhow. So I swear to You with God and that tall angel as my witness that I am not shivering scared here on my knees like some dried-up old time miser pinchin life like her last measly pennies. Because I'm not. What I am asking for is I guess a sign of some kind, Lord; not more time. Running out of time simply is not what I'm scared of. What I am afraid of I can't put a name to yet, having just this day encountered it like finding a new-hatched freak of nature, but it is not of dying. Moreover I am not even sure whether my fear is of a real McCoy danger or not. Maybe the simple weight of years has finally made its crack in my reason like it has in poor Miss Lawn and in loony Mr. Firestone with his Communists behind every bush and in so many other tenants at the Towers lots of whom I know are way younger than me - - made its cruel crack in my mind so that all these sudden fears these shades and behind-every-bush boogers and all this dirty business that seems to have leaked in are nothin more than just another wild black mistake from Borneo this old white hen is making… is what I'm wanting to know, Lord Jesus, is the sign I'm praying for

I stopped when I heard something way off. Oh. Just that old log train tooting at the Nebo junction. Bringing the week's logging down from Blister Creek. Unless they had changed their schedule sometime since those sleepless nights years ago it meant it was getting near midnight. Good Friday's about to turn into what I guess a body might call Bad Saturday. It sure didn't feel like Eastertime. Too warm. This was the first time Easter would be late enough in April to have Good Friday fall on my birthday since it must of been the first spring after marrying Emery. That first Oregon spring. It was hot and peculiar then, too. Maybe it'd cool some yet, bring down the usual shower on the egg hunt. Still, driving out from Eugene this afternoon I noticed a lot of farmers already irrigating. And the night air dry as a bone. Blessed strange.

I clenched my lips and reminded myself in a calm voice, This isn't strange at all, Old Fool. This is me-and-Emery's old cabin, our old Nebo place. But another voice keeps hollering back, Then why's everything seem so hellish strange? Well, it must be because this is the first night away from Old Folks Towers in about a century. No, that don't account for it. I spent last Christmas and New Year's at Lena's and things was no stranger than usual. Besides, I felt it before I left the apartment. The moment my grandson phoned this morning I told him I didn't want to go. I says, "Why, boy, tonight the Reverend Dr. W. W. Poll is having an Inspiration Service down in the lobby that I couldn't miss!" Having accompanied me a time or two, and knowing that the doctor's services are about as inspirational as a mud fence, he just groans, ugh.

"Sweetheart, think of it as medical," I says. "Reverend Poll's sermons are as effective as any of my sleeping prescriptions," I says trying to kid him away from it.

So I felt it then. He kept at me, though. He's like his grandpa was that way, when he gets a notion he thinks is for somebody else's good. I carried the phone over to turn down Secret Storm, making excuses one after another why I can't go till at length he sighs and says he guesses he'll have to tell me the secret.

"The real reason, Grandma, is we're all having a birthday party – a surprise birthday party if you weren't such a stubborn old nannygoat."

I says, "Honey, I sure do thank you but when you get past eighty a birthday party is about as welcome a surprise as a new wart." He says that I hadn't been out to visit them in close to a year, blame my hide, and he wants me to see how they've fixed the place back up. Like for a grade, I thought: another trait of his grandpa's. I told him I was sorry but I did not have the faintest inclination to aggravate my back jouncing out to that dadgummed old salt mine (though it isn't really my back, the doctor says, but a gallbladder business aggravated by sitting, especially in a moving car). "It was forty years out there put me in this pitiful condition."

"Baloney," he says. "Besides, the kids have all baked this fantastic birthday cake and decorated it for Great-Grandma's birthday; their dear little hearts will be broken." I tell him to bring them and their dear little hearts both on into my apartment and we'd drink Annie Green Springs and watch the people down in the parking lot. Ugh, he says again. He can't stand the Towers. He maintains our lovely low-cost twenty-story ultra-modern apartment building is nothing more than a highrise plastic air-conditioned tombstone where they stick the corpses waiting for graves. Which it is, I can't deny, but plastic or no I make just enough on my Social Security and Natural Gas royalties to pay my way if I take advantage of Poor People's Housing. My own way.

"So I appreciate the invitation, sugar, but I guess I hadn't better disappoint the Reverend W. W. Poll. Not when he's just a short elevator ride as opposed to a long ordeal in an automobile. So you all bring that cake on over here. It'll do us old geezers good to see some kids." He tells me the cake's too big to move. I says " too big?" and he says that they was having not only my party, see, but a whole day-long to-do with music and a service their ownselves and quite a few people expected. A sort of Worship Fair, he called it. "Al-so," he says, in that way he used to twist me around his finger, "the Sounding Brass are going to be here."

Grandkids always have your number worse than any of your own kids, and the first is the worst by a mile. "Don't you flimflam me, Bub! Not thee Sounding Brass." He says cross his heart; he picked them all up at the bus depot not three hours ago, swallowtails, buckteeth, and all, and they have promised to sing a special request for my birthday, even though they don't usually dedicate songs and haven't done it in years.

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