Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"Bling! What about the kid?"

"A fad, like. Here in Beijing it was doctors. They were catching a lot of crap for catering to the landlord element, treating bourgeoisie heart attacks and so forth. Finally, twenty top physicians, the cream of the nation's doctors, man, poisoned themselves by way of protest."

"Some protest."

"Yeah, well, in Yang's province it was teachers. The kid's father was a professor of poetry. He was condemned to humiliation for teaching some damn out-of-favor tome or other. After enough insults he and a dozen other maligned colleagues walked into the provincial university gymnasium in the middle of a Ping-Pong tournament… walked in, lined up, took out their swords, and staged a protest."

"Like dominoes."

Bling nodded. "The man at the end of the line had to do double duty: first dispatch the man in front of him, then do himself. They tried to keep it out of the papers, but there were pictures. And things like that get talked around even in China."

"Jesus."

"That anchor man was the kid's father."

"And that's why the kid went for our plot?"

"That and, of course, the stipend of three thousand huyen… that may have had some influence."

They waited for their Prince and Pauper as long as they dared the next morning. The photographer fiddled with his aluminum camera cases. The writer checked his pockets again to be sure he'd flushed all the wild wanna. The editor paid the phone bill.

They finally ordered a cab.

"I begin to suspect that we've seen the last of Bling, Yang, and your thousand clams."

The editor nodded glumly. "I wonder if the kid gets a cut?"

"I wonder if the kid even got the pitch. Bling may have put a hummer on all of us. Who can tell with these inscrutable pricks?"

The plane was delayed for two hours – emergency work for the flood victims – and they were drinking Chinese beer on the terminal mezzanine when they saw the taxi.

"Hey, look! Here he by God comes!"

"So he does, by God, so he does," the editor admitted, not too much relieved. "And, by God, with those glasses and that cap – he does look a lot like Bling."

The photographer lowered his long-range lens. "That's because it is Bling."

They couldn't get seats together until after the takeoff. "You did what with my money?"

"You heard me. Your three Chinese grand went into young Yang's travel fund to fly him to next year's Nike marathon in Eugene."

"Wait'll bookkeeping comes across that."

"Cheer up. He can still defect when he gets to Oregon."

"But what about you, Bling? Your education, your career ?"

"When I got back to my dorm room last night I found I'd been moved out, girly books and all. You know who was in my bed, all coiled up like a black snake? That damn Tanzanian. Mude must've liked his style. So I decided it might be time for me to do some myself. Tripping."

"Listen, Bling. Be straight with us. Did you even ask the kid, or is this all a shuck?"

"I will not be tempted by doubt." Bling sniffed. He pushed the recliner button and leaned back, fingers laced behind his neck. "Besides, you'll get your money's worth."

"A thousand bucks for a thirty-year-old Pekingese punk? With times most high school girls can beat?"

"Ah! Good houseboy, me. Wash missy's underdrawers. Velly handy."

Yang did not wait for the bus from the Qufu airport. He left his bag and his coat with Zhoa. He would get them later at school.

He loped off down the puddled runway, east, in the direction of his village, feeling very happy to be back in the country. The sweepers smiled at him. The workers in the fields waved to him. Perhaps that was the difference: in Beijing there had been no smile of greeting on the streets. People moved past people, eyes forward to avoid contact. Perhaps it was merely the difference between country and city life, not between governments or nations or races. Perhaps there were only two peoples, city and country.

He rattled over the plank bridge crossing the canal and leaped the hedge of brush. Through the damp air he could see the fengs rising against the descending twilight, and his grandfather there like a scribble of dark calligraphy on the top, contorting through his ancient exercises.

Lofty station is, like one's body,
a source of great trouble.
The reason one has great trouble is that
he has a body. When he no longer
has a body, what trouble will he have?
Thus: he who values his body more than
dominion over the empire
Can be entrusted with the empire.
And he who loves his body more than
dominion over the empire
Can be given custody of the empire.

- Lao-tzu

Tao Te Ching

or

Don't follow leaders,
Watch the parking meters…

– Bob Dylan

Subterranean Homesick Blues

LITTLE TRICKER THE SQUIRREL MEETS BIG DOUBLE THE BEAR

– by Grandma Whittier

Don't tell me you're the only youngsters never heard tell of the time the bear came to Topple's Bottom? He was a huge high-country bear and not only huge but horrible huge. And hairy, and hateful, and hungry! Why, he almost ate up the entire Bottom before Tricker finally cut him down to size, just you listen and see if he didn't…

It was a fine fall morning, early and cold and sweet as cider. Down in the Bottom the only one up and about was old Papa Sun, and him just barely. Hanging in the low limbs of the crabapple trees was still some of those strings of daybreak fog called "haint hair" by them that believes in such. The night shifts and the day shifts were shifting very slow. The crickets hadn't put away their fiddles. The spiders hadn't shook the dew out of their webs yet. The birds hadn't quite woke up and the bats hadn't quite gone to sleep. Nothing was a-move except one finger of sun slipping soft up the knobby trunk of the hazel. It was one of the prettiest times of day at one of the prettiest times of year, and all the Bottom folk were content to let it come about quiet and slow and savory.

Tricker the Squirrel was awake but he wasn't about. He was lazying in the highest hole in his cottonwood highrise with just his nose poking from his pillow of a tail, dreaming about flying. Every now and again he would twinkle one bright eye out through his dream and his puffy pillowhair to check the hazel tree way down below to see if any of the nuts was ready for reaping. He had to admit they were all pretty near prime. All day yesterday he had watched those nuts turning softly browner and browner and, come sundown, had judged them just one day short of perfect.

"And that means if I don't get them today, tomorrow they are very apt to be just one day past perfect."

So he was promising himself "Just as quick as that sunbeam touches the first hazelnut I get right on the job." Then, after a couple of winks, "Just as quick as that sunbeam touches the second hazelnut I'll zip right down with my tote sack and go to gathering." – and so forth, merely dozing and dallying, and savoring the still, sweet air. The hazelnuts get browner. The sunbeam inches silently on – the fif teenth! the twen tieth! – but the morning was simply so pretty and the air hanging so dreamy and still he hated to break the peace.

Well then, the finger just about touches the twenty- sev enth hazelnut, when a holy dadblamed goshalmighty roar came kabooming through the Bottom like a freight druv by the Devil himself, or at least his next hottest hollerer.

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