Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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When the runners are out of sight there is nothing left for the crowds to gawk at but the journalists, and vice versa. In spite of all their stroking of Mude, they have not been allowed to follow the race. They were informed they could watch the run quite adequately on television on the parked press bus, just like the rest of the world's journalists.

The bus is packed to the door. The American editor stays to argue; the photographer stalks off in a mountainous fit of pique. The writer wanders about the square carrying his chair and seeking inspiration. He finds instead a cluster of Chinese people watching a cardboard box sitting on a folding table. Inside the box is a color TV with a bouncing picture of the front runners. He unfolds his chair and joins the cluster. The beautiful woman from last night's dinner comes to share his seat and translate the TV announcer for him. He takes his thermos of gin and tonic from his bag and pours a cup. This is more like it! Inspiration might yet occur.

11:35. It's Mike Pinocci from the U.S., followed by Bobby Hodge, Inge Simonsen, and Magapius Dasong. Mike snags a bottle from a drink table, drains half, and passes the rest to the tall Tanzanian.

In the midst of the Chinese runners, Yang watches the back of his friend's neck. Too stiff, too tense, poor Zhoa…

20 km. It's Pinocci and Simonsen and the Tanzanian.

25 km. It's still Pinocci, looking good, strong; and tall, black Magapius Dasong still right behind him looking just as strong. An American coach tries to hand Pinocci a cup of Gatorade but he's too late. The Tanzanian takes it instead. After a sip lie comes alongside Pinocci and hands him the cup. The runners grin at each other.

28 km. Pinocci and Magapius Dasong side by side; then Simonsen, struggling a little; then, coming up from the pack, the lanky Swede, Erikstahl.

Nearing 30 km a motorcycle cop shoots past to drive a spectator back toward the curb, and Magapius swerves to avoid the bike and clips Pinocci's heel with his foot. The American trips, rolls across his hip and over his shoulder, and comes back up still running, now third behind the Tanzanian and the Korean, Go Chu Sen. He sticks with the front runners, but his wide eyes reveal the fracture in his concentration.

Magapius lets the Korean pass. He shoots Pinocci a quick look of apology and he falls back alongside.

A stretch of rough road jars something loose in the trailing TV camera. The runners become indecipherable blots of color for a few miles.

The crowd back at the square is finally showing signs of restlessness. A drumming can be heard – a banging of fists on empty metal, relentless and rhythmless. A military wagon bores through a throng to check it out…

The wind tries to stir up some relief, swirling shreds of paper across the enforced emptiness of the square. The wagon comes driving back, a half dozen scuffed teenagers in custody, one with a bloody ear. All aboard stare stoically ahead, the catchers and the caught.

35 km. The camera is repaired. The picture clears. Pinocci is falling back, favoring his hip, Magapius still steady alongside, leaving Simonsen, the Korean, and Erikstahl to fight for the front. In the Chinese pack Yang realizes he has passed the 35-km cut-off point. He will be allowed to finish. He feels fine. He begins to open up – why not? As he passes Zhoa, his laboring friend exhorts him to go on, Yang. Chi oh.

Far, far back, Bling is panting oh shit, shit, shit. He sees he'll never make the 35-km cut-off. That smug mother Mude! Will he ever be delighted to hear Mr. Wise-ass Wu was not even capable of finishing.

The Japanese TV crew is disappointed with the crowd action. They're dead as stumps, these Chinamen! A sound man walks to the middle of the street with a bullhorn and tries to get something worked up. At first the crowd is puzzled. Yell? They have nothing to yell.

1:21. Kjell Erikstahl breaks the tape: 2 hours, 15 minutes, 20 seconds. Far from outstanding but, considering the locale, the rigors, the air, it's enough. Close on his heels is Norwegian Simonsen (2:15:51) and third is Jong Hyon Li of the Democratic People's Republic of Korea (2:15:52). Li is followed by his Korean compatriot Go Chu Sen, then Chuck Hattersly in fifth, the only Yank to take home one of the vases. The limping American and the tall, gliding Tanzanian tie for tenth. They embrace at the finish line.

On the final turn around the huge square Yang is suddenly passing runner after runner, to the crowd's delight. Now they have something to cheer about. The Japanese sound man gets them going – Chi oh! Chi oh! - - causing the police to gather in worried, fidgeting packs. Crowds should keep calm. When Yang passes two Italians and two Japanese right in front of them they really get into the idea; CHI! OH! CHI! OH! CHI! OH!

Yang is not the first Chinese to finish. He is second behind Peng Jiazheng at 2:26:03. But Peng appears shot at the line, green and gasping, whereas little Yang finishes in a full sprint, arms pumping, looking good, his Gypsy eyes flashing. He's the one the crowd pours across the line to raise on their shoulders.

In Beijing, heroes don't necessarily always finish first.

Later, at the 35-km cut-off, three officials ran into the street with a big red flag to stop Bling. He sped up instead. "Clear the track, you yellow pigs!" He dodged through them, quickening his stride. The officials gave pursuit, to the crowd's great pleasure. The people began to cheer for this plucky laggard. Chi oh indeed. Bling poured it on, yelling back at the receding officials, "You'll never take Bee Wing Lou alive!"

Luckily they gave up after a block and Bling coasted on home. After he finished he apologized to all concerned, swore he was sorry that he had held up traffic for nearly an extra hour and, no, he didn't really know why he had done it.

"Maybe I was motivated by that Red Flag."

The next day was a rest day for the runners, another mandatory tour for the press. This time, the journalists were told, to the rural countryside to see marvels even more ancient!

The little bus had stopped on the statue-lined road to Ming's tomb to allow the photographer out for pictures. The writer also dismounted; he was picking up inner rumblings about a Yellow Peril attack. He trotted across the road and back into a pear orchard about five rows, to consult with his colon.

Hunkered among the fallen pears and the waving weeds, he tried to think about the assignment. The team was getting plenty pics and much info, but no story. That's the trouble with the New Policy of the Open Bamboo Curtain – there's too damn much info to get a unifying hook into. What was needed to hang this all on was a good old Pearl Buck plot, he was telling himself, or a fresh inspiration; then he looked closer at the handful of leaves he'd torn from the weeds. Holy shit, there it was all around him, acres of it, waving wild and free. Ming-a-wanna!

He returned to the bus blazing with excitement. He could hardly wait to get through the echoing tombs and chilly temples and back to his private hotel room. It burned in his pockets like money wanting to be spent. There are no headshops in Beijing but plenty pipes, sold as mementos of the Opium War days.

In his room he crammed seeds stems and all in the clay bowl and fired up. He sighed a grateful cloud. By the time his colleagues called at his door to tell him the bus was waiting to take them to the farewell ceremonies at the Peking Hotel, a plot had been conceived, fertilized, and, if he said so himself, well laid. All that was needed now was the hatching.

Bling and the writer's journalistic colleagues were at first understandably opposed.

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