Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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She stood staring at the chickens, unsure of what to do.

***

Chickens, chickens, chickens bought to supplement a tiny income. The birds had never revealed themselves to her so clearly; a grotesque bunch, rape and violence being enacted, hens being hammered and pecked as they screamed and flapped, attempting escape from the rapist rooster.

Several minutes passed. Should she leave, should she stay?

The door was pushed open farther, and a girl of about ten came out of the house with a cooking pot to scrub out with mud and gravel at the outside tap.

"Does Gyan live here?" Sai asked despite herself.

Suspicion shadowed the girl’s face. It was an old, unsurprised sure-ness of ulterior motives, a funny look in a child.

"He’s my mathematics tutor."

Still looking as if someone like Sai could only mean trouble, she set down the pot and went back into the house as the rooster rushed forth to peck the grain stuck at the bottom, climbing right inside, giving the hens a reprieve.

At that moment, Gyan came out, caught her expression of distaste before she had a chance to disguise it, and was outraged. How dare she seek him out to find her indulgence in pity! He had been feeling guilty about his extended silence, was considering returning to see her, but now he knew he was quite right. The rooster climbed out of the pot and began to strut about. He was the only grand thing around, crowned, spurred, crowing like a colonial.

***

"What do you want?"

She saw his thoughts recast his eyes and mouth, remembered that he had abandoned her, not the other way around, and she was bitterly angry.

Dirty hypocrite.

Pretending one thing, living another. Nothing but lies through and through.

Farther away, she could see an outhouse made of four bamboo poles and threadbare sacking over an alarming drop.

Perhaps he’d hoped he’d wheedle his way into Cho Oyu; maybe his whole family could move in there, if he played his cards right, and use those capacious bathrooms, each as big as his entire home. Cho Oyu might be crumbling, but it had once been majestic; it had its past if not its future, and that might be enough – a gate of black lace, the name worked into imposing stone pillars with mossy cannonballs on top as in To the Manor Born.

The sister was looking at them curiously.

"What do you want?" Gyan’s refrigerated voice repeated.

To think that she had come to call him momo, cosy scoop of minced mutton in charming dimpled wrapping, that she had come to climb into his lap, ask why he hadn’t forgiven her as before at the Christmastime fight, but she wouldn’t satisfy him by admitting any vulnerability now.

Instead she said she had come about Father Booty.

***

Her outrage at the injustice done to her friend returned to her in a rush. Dear Father Booty, who had been forced onto a jeep leaving for the Siliguri airport, having lost everything but his memories: the time he had given a lecture on how dairies might create a mini Swiss-style economy in Kalimpong and had been greeted with a standing ovation; his poem on a cow in the Illustrated Weekly; and "Nothing so sweet, dear friends" – evenings on Uncle Potty’s veranda, when the music ended on a drawn-out note of honey, and the moon – it was whole – sailed upward, an alchemist’s marvel of illuminated cheese. How fast the earth spun! It was all over.

How was he to live where, he despaired, he would be snipped into an elderly person supported by the state and packaged in a very clean box alongside other aged people with supposedly everything in common with him -

He had left his friend Uncle Potty in mourning, drinking, the world breaking in waves about him; chair going one way, the table and stove the other; the whole kitchen rocking back and forth.

***

"Look at what you people are doing," she accused Gyan.

"What am I doing? What have I to do with Father Booty?"

"Everything."

"Well, if that’s what it will take, so be it. Should Nepalis sit miserably for another two hundred years so the police don’t have an excuse to throw out Father Booty?" He came out of the gate, marched her away from his house.

"Yes," said Sai. "You, for one, are better gone than Father Booty. Think you’re wonderful… well, you know what? You’re not! He’s done much more than you ever will for people on this hillside."

Gyan became seriously angry.

"In fact, good thing they kicked him out," he said, "who needs Swiss people here? For how many thousands of years have we produced our own milk?"

"Why don’t you then? Why don’t you make cheese?"

"We live in India, thank you very much. We don’t want any cheese and the last thing we need is chocolate cigars."

"Ah, that same old thing again." She wished to claw him. She wanted to pluck out his eyes and kick him black-and-blue. The taste of blood, salty, dark – she could anticipate its flavor. "Civilization is important," she said.

"That is not civilization, you fool. Schools and hospitals. That is."

You fool – how dare he!

"But you have to set a standard. Or else everything will be brought down to the same low level as you and your family."

She was shocked at herself as she spoke, but in this moment she was willing to believe anything that lay on the other side of Gyan.

"I see, Swiss luxury sets a standard, chocolates and watches set the standard… Yes, soothe your guilty conscience, stupid little girl, and hope someone doesn’t burn down your house for the simple reason that you are a fool. "

Again he was calling her fool -

"If this is what you’ve been thinking, why didn’t you boycott the cheese instead of gobbling it down? Now you attack it? Hypocrite! But it was very nice to eat the cheese when you got a chance, no? All that cheese toast? Hundreds of pieces of cheese toast you must have eaten. Let alone the chocolate cigars… So greedy, eating them like a fat pig. And tuna fish on toast and peanut butter biscuits!"

By now, with the conversation disintegrating, his sense of humor began to return to him, and Gyan began to giggle, his eyes to soften, and she could see his expression shift. They were falling back into familiarity, into common ground, into the dirty gray. Just ordinary humans in ordinary opaque boiled-egg light, without grace, without revelation, composite of contradictions, easy principles, arguing about what they half believed in or even what they didn’t believe in at all, desiring comfort as much as raw austerity, authenticity as much as playacting, desiring cozi-ness of family as much as to abandon it forever. Cheese and chocolate they wanted, but also to kick all these bloody foreign things out. A wild daring love to bicycle them into the sky, but also a rice and dal love blessed by the unexciting feel of everyday, its surprises safely enmeshed in something solidly familiar like marrying the daughter or son of your father’s best friend and grumbling about the cost of potatoes, the cost of onions. Every single contradiction history or opportunity might make available to them, every contradiction they were heir to, they desired. But only as much, of course, as they desired purity and a lack of contradiction.

***

Sai began to laugh a bit as well.

"Momo?" she said, switching to a pleading tone.

Then, in a flash he veered back, was angry again. Remembered this was not a conversation he wished to end in laughter. The infantile nickname, the tender feel of her eyes – it aroused his ire. Her getting him to apologize, trying to smother him, swaddle him, drag him to drown in this pish pash mash, sicky sticky baby sweetieness… eeeshhh…

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