Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
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Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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Was her affection for Gyan just a habit? How on earth could she think of someone so much?

The more she did, the more she did, the more she did.

Summoning her strength, she spoke directly to her heart. "Oh why must you behave so badly?"

But it wouldn’t soften its stance.

There was grace in forgetting and giving up, she reminded it; it was childish not to – everyone had to accept imperfection and loss in life.

The giant squid, the last dodo.

One morning, her cold on the wane, she realized her excuse would no longer hold. As curfew was lifted, in order to salvage her dignity, Sai started out on the undignified mission of searching for Gyan.

Forty

He wasn’t anywhere in the market, not in the music and video shop where Rinzy and Tin Tin Dorji rented out exhausted tapes of Bruce Lee and Jackie Chan movies.

"No, haven’t seen him," said Dawa Bhutia sticking his head out from the steam of cabbage cooking in the Chin Li Restaurant kitchen.

"Isn’t in yet," said Tashi at the Snow Lion, who had closed down the travel side of the business, what with the lack of tourists, and set up a pool table. The posters still hung on the walls: "Experience the grandeur of the Raj; come to Sikkim, land of over two hundred monasteries." Locked at the back, he still had the treasures he took out to sell to the wealthier traveler: a rare thangkha of lamas sailing on magical sea beasts to spread the dharma to China; a nobleman’s earring; a jade cup smuggled from a Tibetan monastery, so transparent the light shone through making a green and black stormy cloudscape. "Tragic what is happening in Tibet," the tourists would say, but their faces showed only glee in the booty. "Only twenty-five dollars!"

But now he was forced to depend on local currency. Tashi’s retarded cousin was running back and forth carrying bottles between Gompu’s and the pool table, so the men could continue drinking as they played and talked of the movement. A sud of vomit lay all around.

Sai walked by the deserted classrooms of Kalimpong college, dead insects boiled in piles against rimy windows, bees noosed by spiders’ silk, blackboard still with its symbols and calculations. Here, in this chloroformed atmosphere, Gyan had studied. She walked around to the other side of the mountain that overlooked the Relli River and Bong Busti, where he lived. It was two hours downhill to his house in a poor part of Kalimpong quite foreign to her.

He had told her the story of his brave ancestors in the army, but why didn’t he ever speak of his family here and now? In the back of her mind, Sai knew she should stay home, but she couldn’t stop herself.

She walked by several churches: Jehovah’s Witnesses, Adventists, Latter-day Saints, Baptists, Mormons, Pentecostals. The old English church stood at the town’s heart, the Americans at the edge, but then the new ones had more money and more tambourine spirit, and they were catching up fast. Perfect practitioners, too, of the hide-behind-the-tree-and-pop-out technique to surprise those who might have run away; of the salwar kameez disguise (all the better to gobble you up, my dear…); and if you joined in a little harmless chat of language lessons (all the better to translate the Bible, my dear…), that was it – they were as hard to shake off as an amoeba.

But Sai walked by unmolested. The churches were dark; the missionaries always left in dangerous times to enjoy chocolate chip cookies and increase funds at home, until it was peaceful enough to venture forth again, that they might launch attack, renewed and fortified, against a weakened and desperate populace.

She passed by fields and small clusters of houses, became confused in a capillary web of paths that crisscrossed the mountains, perpendicular as creepers, dividing and petering into more paths leading to huts perched along eyebrow-width ledges in the thick bamboo. Tin roofs promised tetanus; outhouses gestured into the ether so that droppings would fall into the valley. Bamboo cleaved in half carried water to patches of corn and pumpkin, and wormlike tubes attached to pumps led from a stream to the shacks. They looked pretty in the sun, these little homes, babies crawling about with bottoms red through pants with the behinds cut out so they could do their susu and potty; fuschia and roses – for everyone in Kalimpong loved flowers and even amid botanical profusion added to it.

Sai knew that once the day failed, though, you wouldn’t be able to ignore the poverty, and it would become obvious that in these homes it was cramped and wet, the smoke thick enough to choke you, the inhabitants eating meagerly in the candlelight too dim to see by, rats and snakes in the rafters fighting over insects and birds’ eggs. You knew that rain collected down below and made the earth floor muddy, that all the men drank too much, reality skidding into nightmares, brawls, and beating.

A woman holding a baby passed by. The woman smelled of earth and smoke and an oversweet intense smell came from the baby, like corn boiling.

"Do you know where Gyan lives?" Sai asked.

She pointed at a house just ahead; there it stood and Sai felt a moment of shock.

It was a small, slime-slicked cube; the walls must have been made with cement corrupted by sand, because it came spilling forth from pock-marks as if from a punctured bag.

Crows’ nests of electrical wiring hung from the corners of the structure, split into sections that disappeared into windows barred with thin jail grill. She could smell an open drain that told immediately of a sluggish plumbing system failing anew each day despite being so rudimentary. The drain ran from the house under a rough patchwork of stones and emptied over the property that was marked with barbed wire, and from under this wire came a perturbed harem of sulfurous hens being chased by a randy rooster.

The upper story of the house was unfinished, presumably abandoned for lack of funds, and, while waiting to stockpile enough to resume building, it had fallen into disrepair; no walls and no roof, just a few posts with iron rods sprouting from the top to provide a basic sketch of what was to have followed. An attempt had been made to save the rods from rust with upturned soda bottles, but they were bright orange anyway.

Still, she could tell it was someone’s precious home. Marigolds and zinnias edged the veranda; the front door was ajar and she could see past its puckered veneer to a gilt clock and a poster of a bonneted golden-haired child against a moldering wall, just the kind of thing that Lola and Noni made merciless fun of.

There were houses like this everywhere, of course, common to those who had struggled to the far edge of the middle class – just to the edge, only just, holding on desperately – but were at every moment being undone, the house slipping back, not into the picturesque poverty that tourists liked to photograph but into something truly dismal – modernity proffered in its meanest form, brand-new one day, in ruin the next.

***

The house didn’t match Gyan’s talk, his English, his looks, his clothes, or his schooling. It didn’t match his future. Every single thing his family had was going into him and it took ten of them to live like this to produce a boy, combed, educated, their best bet in the big world. Sisters’ marriages, younger brother’s studies, grandmother’s teeth – all on hold, silenced, until he left, strove, sent something back.

Sai felt shame, then, for him. How he must have hoped his silence would be construed as dignity. Of course he had kept her far away. Of course he had never mentioned his father. The dilemmas and stresses that must exist within this house – how could he have let them out? And she felt distaste, then, for herself. How had she been linked to this enterprise, without her knowledge or consent?

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