Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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Thirty-seven

The situation will improve, the SDO had said, but though they had begun to torture random people all over town, it didn’t.

A series of strikes kept businesses closed.

A one-day strike.

A three-day strike.

Then a seven day.

When Lark’s General Store opened briefly one morning, Lola fought a victorious battle with the Afghan princesses over the last jars and cans. Later that month the princesses could think of nothing but jam, furious about it, in the midst of murder and burning properties: "That thoroughly nasty woman!"

Lola gloated each day as she spread the Druk’s marmalade thin so it would last.

A thirteen-day strike.

A twenty-one-day strike.

More strike than no strike.

More moisture in the air than air. It was hard to breathe and there was a feeling of being stifled in a place that was, after all, generous with space if nothing else.

Finally, the shops and offices didn’t open at all – the Snow Lion Travel Agency and the STD booth, the shawl shop, the deaf tailors, Kan-shi Nath amp; Sons Newsagents – everyone terrorized to keep their shutters down and not even poke their noses out of the windows. Roadblocks stopped traffic, prevented timber and stone trucks from leaving, halted tea from being transported. Nails were scattered on the road, Mobil oil spilled all about. The GNLF boys charged large sums of money if they let you through at all and coerced you to buy GNLF speeches on cassette tapes and Gorkhaland calendars.

Men arrived in trucks from Tindharia and Mahanadi, gathered outside the police station, and threw bricks and bottles. Tear gas didn’t scatter them; neither did the lathi charge.

"Well, how much land do they want?" asked Lola gloomily.

Noni: "The subdivisions of Darjeeling, Kalimpong, and Kurseong, and extending to the foothills, parts of Jalpaiguri and Cooch Behar districts, from Bengal into Assam."

"No peace for the wicked," said Mrs, Sen, knitting needles going, for she was making a sweater for the prime minister out of sympathy for his troubles. Even in Delhi it gets cold… especially in those drafty bungalows in which they house top government officials. But she was not an accomplished knitter. Very slow. Unlike her mother, who, in the course of watching a movie, could knit a whole baby blanket.

"Who’s wicked?" said Lola. "Not us. It’s they who are wicked. And we are the ones who have no peace. No peace for the not wicked. "

What was a country but the idea of it? She thought of India as a concept, a hope, or a desire. How often could you attack it before it crumbled? To undo something took practice; it was a dark art and they were perfecting it. With each argument the next would be easier, would become a compulsive act, and like wrecking a marriage, it would be impossible to keep away, to stop picking at wounds even if the wounds were your own.

***

They were done with their library books, but of course there was no question of returning them. One morning when the trim major who ran the Gymkhana Club arrived, he found the GNLF had scuttled out the librarians and desk clerks and were enjoying the most space and privacy they’d ever had in their lives, sleeping between the bookshelves, cavorting in the ladies’ cloakroom, where, not so long ago, Lola had blown on her puff and delicately powdered her nose.

No tourists arrived from Calcutta in hilarious layers as if preparing for the Antarctic, weaving the cauterizing smell of mothballs through the town. No visitors came, with their rich city fat, to burden scabied nags on pony rides. This year the ponies were free.

Nobody came to the Himalayan Hotel and sat under the Roerich painting of a mountain lit up by the moon like a ghost in bedsheets, to "Experience a Quaint Return to Yesteryears" as the brochure suggested, to order Irish stew, and chew chew chew on the scrawny goats of Kalimpong.

The company guesthouses closed. The watchmen who always had to move at this time of year from their illicit occupation of the main houses during winter into their peripheral huts; who had to alter their expressions from dignity to " Ji huzoor " servitude; replace cupboard locks they had picked to disinter televisions and made-in-Japan electric heaters; this year, they found their comforts uninterrupted.

And while they stayed put, children were being plucked from boarding schools as parents opened the papers to read with horror of the salubrious climate of the hills being disturbed by separatist rebels and guerilla tactics. The mounting hysteria all around was perhaps to blame for the last group of boys at St. Xavier’s disgracing themselves. When instructed to help with the preparation of dinner (cooks having vanished into the mist), they discovered that a chicken’s head was best removed by twisting and popping it like a cork – much better than sawing away with a blunt knife. An orgy of blood and feathers ensued, a great skauwauking kerfuffle, headless birds running about spilling guts and excrement. The boys screamed until they cried with disgraceful laughter, their laughs drowning and struggling in sobs, and sobs bubbling and rising with laughter. The master in charge turned on the hosepipe to blast them into sense with cold water, but of course by now there was no water left in the tanks.

***

No gas either, or kerosene. They were all back to cooking on wood.

There was no water.

"Left the buckets out in the garden," said Lola to Noni, "to fill with rain. We better not flush the toilet anymore. Just add some Sunny Fresh to keep the smell down. For small jobs anyway."

There was no electricity, because the electricity department had been burned to protest arrests made at the roadblocks.

When the fridge shuddered silent the sisters were forced to cook all the perishable food at once. It was Kesang’s day off.

Outside, rain was falling and it was almost time for curfew; drawn by the poignant smell of mutton cooking, a group of passing GNLF boys searching for shelter climbed through the kitchen window.

"Why your front door is locked, Aunty?"

The enormous locks that were usually on the tin trunks containing valuables had been moved to the front and back doors as extra precaution. Above their heads, in the attic, several objects of worth had been left vulnerable. Family puja silver from their preaetheist days; Bond Street baby cups with trowellike utensils that had once gathered and packed Farex into their own guppy mouths; a telescope made in Germany; their great-grandmother’s pearly nose ring; bat eyeglasses from the sixties; silver marrow spoons (they had always been a great family for eating their marrow); damask napkins with a pocket sewn in to enfold triangles of cucumber sandwich – "Just a sprinkle of water, remember, to dampen the cloth before you set off for the picnic…" Magpie things gleaned from a romantic version of the West and a fanciful version of the East that contained power enough to maintain dignity across the rotten offences between nations.

"What do you want?" Lola asked the boys and her face showed them that she had something to protect.

"We are selling calendars, Aunty, and cassettes for the movement."

"What calendars, cassettes?"

Balanced against the forced entry and their rebel camouflage attire was their disconcerting politeness.

The cassettes were recorded with the favorite washing-bloody-kukris-in-the-mother-waters-of-the-Teesta speech.

"Don’t give them anything," hissed Lola in English, feeling faint, thinking they wouldn’t understand. "Once you start, they’ll keep coming back."

But they did understand. They understood her English and she didn’t understand their Nepali.

"Any contribution to the effort for Gorkhaland is all right."

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