Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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"HELLO? HELLO?"

" Noise, noise, "said the watchman’s family, " Can’t hear? "

The cook waved them away angrily, " Shshshshsh " immediately terrified, then, at the loss of a precious second with his son. He turned back to the phone, still shooing them away from behind, almost sending his hand off with the vehemence of his gestures.

They retreated for a moment and then, growing accustomed to the dismissive motion, were no longer intimidated, and returned.

"HELLO?"

"KYA?"

"KYA?"

The shadow of their words was bigger than the substance. The echo of their own voices gulped the reply from across the world.

"THERE IS TOO MUCH NOISE."

The watchman’s wife went outside and studied the precarious wire, the fragile connection trembling over ravines and over mountains, over Kanchenjunga smoking like a volcano or a cigar – a bird might have alighted upon it, a nightjar might have swooped through the shaky signal, the satellite in the firmament could have blipped -

"Too much wind, the wind is blowing," said the watchman’s wife, "the line is swaying like this, like this" – her hand undulating.

The children climbed up the tree and tried to hold the line steady.

A gale of static inflicted itself on the space between father and son.

"WHAT HAPPENED?" – shrieking even louder – "EVERY-THING ALL RIGHT?!"

"WHAT DID YOU SAY?"

"Let it go," the wife said, plucking the children from the tree, "you’re making it worse."

"WHAT IS HAPPENING? ARE THERE RIOTS? STRIKES?"

"NO TROUBLE NOW." (Better not worry him.) "NOT NOW!!"

"Is he going to come?" said the watchman.

"ARE YOU ALL RIGHT?" Biju shrieked on the New York street.

"DON’T WORRY ABOUT ME. DON’T WORRY ABOUT ANYTHING HERE. ARE THERE PROPER ARRANGEMENTS FOR EATING AT THE HOTEL? IS THE RESTAURANT GIVING YOU ACCOMMODATION? ARE THERE ANY OTHER PEOPLE FROM UTTAR PRADESH THERE?"

"Give accommodation. Free food. EVERYTHING FINE. BUT ARE YOU ALL RIGHT?" Biju asked again.

"EVERYTHING QUIET NOW."

"YOUR HEALTH IS ALL RIGHT?"

"YES. EVERYTHING ALL RIGHT."

"Ahh, everything all right," everyone said, nodding. "Everything all right? Everything all right."

Suddenly, after this there was nothing more to say, for while the emotion was there, the conversation was not; one had bloomed, not the other, and they fell abruptly into emptiness.

"When is he coming?" the watchman prompted.

"WHEN ARE YOU COMING?"

"I DON’T KNOW. I WILL TRY…"

Biju wanted to weep.

"CAN’T YOU GET LEAVE?"

He hadn’t even attained the decency of being granted a holiday now and then. He could not go home to see his father.

"WHEN WILL YOU GET LEAVE?"

"I DON’T KNOW…"

"HELLO?"

" La ma ma ma ma ma ma, he can’t get leave. Why not? Don’t know, must be difficult there, make a lot of money, but one thing is certain, they have to work very hard for it… Don’t get something for nothing… nowhere in the world…"

"HELLO? HELLO?"

"PITAJI, CAN YOU HEAR ME?"

They retreated from each other again -

Beep beep honk honk trr butt ock, the phone went dead and they were stranded in the distance that lay between them.

"HELLO? HELLO?" – into the rictus of the receiver.

"Hello? Hello? Hello? Hello?" they echoed back to themselves.

The cook put down the phone, trembling.

"He’ll ring again," said the watchman.

But the phone remained mute.

Outside, the frogs said tttt tttt, as if they had swallowed the dial tone.

He tried to shake the gadget back into life, wishing for at least the customary words of good-bye. After all, even on clichéd phrases, you could hoist true emotion.

"There must be a problem with the line." Yes, yes, yes.

As always, the problem with the line.

"He will come back fat. I have heard they all come back fat," said the watchman’s sister-in-law abruptly, trying to comfort the cook.

***

The call was over, and the emptiness Biju hoped to dispel was reinforced. He could not talk to his father; there was nothing left between them but emergency sentences, clipped telegram lines shouted out as if in the midst of a war. They were no longer relevant to each other’s lives except for the hope that they would be relevant. He stood with his head still in the phone booth studded with bits of stiff chewing gum and the usual Fuck-ShitCockDickPussyLoveWar, swastikas, and hearts shot with arrows mingling in a dense graffiti garden, too sugary too angry too perverse – the sick sweet rotting mulch of the human heart.

If he continued his life in New York, he might never see his pitaji again. It happened all the time; ten years passed, fifteen, the telegram arrived, or the phone call, the parent was gone and the child was too late. Or they returned and found they’d missed the entire last quarter of a lifetime, their parents like photograph negatives. And there were worse tragedies. After the initial excitement was over, it often became obvious that the love was gone; for affection was only a habit after all, and people, they forgot, or they became accustomed to its absence. They returned and found just the facade; it had been eaten from inside, like Cho Oyu being gouged by termites from within.

***

They all grow fat there…

The cook knew about them all growing fat there. It was one of the things everyone knew:

"Are you growing fat, beta, like everyone in America?" he had written to his son long ago, in a departure from their usual format.

"Yes, growing fat," Biju had written back, "when you see me next, I will be myself times ten." He laughed as he wrote the lines and the cook laughed very hard when he read them; he lay on his back and kicked his legs in the air like a cockroach.

"Yes," Biju had said, "I am growing fat – ten times myself," and was shocked when he went to the ninety-nine-cent store and found he had to buy his shirts at the children’s rack. The shopkeeper, a man from Lahore, sat on a high ladder in the center and watched to make sure nobody stole anything, and his eyes clutched onto Biju as soon as he entered, making Biju sting with a feeling of culpability. But he had done nothing. Everyone could tell that he had, though, for his guilty look was there for all to see.

He missed Saeed. He wanted to look, once again, if briefly, at the country through the sanguine lens of his eyes.

***

Biju returned to the Gandhi Café where they had not noticed his absence. "You all come and watch the cricket match, OK?" Harish-Harry had brought in a photo album to show his staff pictures of the New Jersey condominium for which he had just made a down payment. He had already mounted a giant satellite dish smack-bang in the middle of the front lawn despite the fact that the management of this select community insisted it be placed subtly to the side like a discreet ear; he had prevailed in his endeavor, having cleverly cried, "Racism! Racism! I am not getting good reception of Indian channels."

That left just his daughter to worry about. Their friend and competitor, Mr. Shah’s wife, had hooked a bridegroom by making Galawati kebabs and Fed-Exing them overnight all the way to Oklahoma. "Some dehati family in the middle of the cornfield," Harish-Harry told his wife. "And you should see this fellow they are showing off about – what a lutoo. American size – he looks like something you would use to break down the door."

He told his daughter: "It used to be a matter of pride for a girl to have a pleasant personality. Act like a stupid now and you can regret later on for the rest of your life… Then don’t come crying to us, OK?"

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