Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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Arnaud took a lantern and went to look at the horse. A broken lead rein hung from its head. He touched its neck, and his fingers came away stained. In the light of the lantern, he could see the sweat running down its flanks, and pale patches where the dye had worn off. He had bought back his old horse. In rage and shame he went up into the forest behind his farm and hanged himself.

Massot lit a cigarette, hunching his shoulders and cupping his hands against the wind.

"At the inquest," he said, "someone had a sense of humor. The cause of death was recorded as suicide while the balance of the mind was disturbed by a horse."

Massot grinned and nodded. All his stories, it seemed, ended brutally.

"But he was a fool," Massot said. "He should have gone back and shot the dealer who sold him the horse- paf! -and blamed it on the Mistral. That's what I'd have done." His reflections on the nature of justice were interrupted by the whine of an engine in low gear, and a Toyota four-wheel-drive truck, as wide as the footpath, slowed down briefly to give us time to jump out of the way. It was Monsieur Dufour, the village grocer and scourge of the Lubéron's sanglier population.

We had seen the heads of sangliers mounted on the walls of butchers' shops, and had paid no more attention to them than to any other of the strange rustic decorations that we saw from time to time. But once or twice during the summer the sangliers had come down from the dry upper slopes of the mountain to drink from the swimming pool and steal melons, and we could never look a stuffed head in the eye again after seeing the living animals. They were black and stout and longer in the leg than a conventional pig, with worried, whiskery faces. We loved our rare glimpses of them, and wished that the hunters would leave them alone. Unfortunately, sangliers taste like venison, and are consequently chased from one end of the Lubéron to the other.

Monsieur Dufour was the acknowledged champion hunter, a modern and mechanized Nimrod. Dressed in his combat uniform, his truck bristling with high-powered armaments, he could drive up the rocky trails and reach the sanglier -infested upper slopes while less well equipped hunters were still coughing their way up on foot. On the flat bed of his truck was a large wooden chest containing six hounds, trained to track for days on end. The poor old pigs didn't stand much of a chance.

I said to Massot that I thought it was a shame the sangliers were hunted quite so relentlessly by so many hunters.

"But they taste delicious," he said. "'Specially the young ones, the marcassins. And besides, it's natural. The English are too sentimental about animals, except those men who chase foxes, and they are mad."

The wind was strengthening and getting colder, and I asked Massot how long he thought it would last.

"A day, a week. Who knows?" He leered at me. "Not feeling like suicide, are you?"

I said I was sorry to disappoint him, but I was well and cheerful, looking forward to the winter and Christmas.

"Usually a lot of murders after Christmas." He said it as though he was looking forward to a favorite television program, a bloody sequel to the Mistral suicides.

I heard gunfire as I walked home, and I hoped Dufour had missed. No matter how long I lived here, I would never make a true countryman. And, as long as I preferred to see a wild boar on the hoof instead of on the plate, I'd never make an adopted Frenchman. Let him worship his stomach; I would maintain a civilized detachment from the blood lust that surrounded me.

This noble smugness lasted until dinner. Henriette had given us a wild rabbit, which my wife had roasted with herbs and mustard. I had two helpings. The gravy, thickened with blood, was wonderful.

MADAME SOLIVA, the eighty-year-old chef whose nom de cuisine was Tante Yvonne, had first told us about an olive oil that she said was the finest in Provence. She had better credentials than anyone we knew. Apart from being a magnificent cook, she was olive oil's answer to a Master of Wine. She had tried them all, from Alziari in Nice to the United Producers of Nyons, and in her expert and considered view the oil produced in the valley of Les Baux was the best. One could buy it, she told us, from the little mill in Maussane-les-Alpilles.

When we lived in England, olive oil had been a luxury, to be saved for the making of fresh mayonnaise and the dressing of salads. In Provence, it was an abundant daily treat which we bought in five-liter bidons and used for cooking, for marinating goats' cheeses and red peppers, and for storing truffles. We dipped our bread in it, bathed our lettuce in it, and even used it as a hangover preventative. (One tablespoon of oil, taken neat before drinking, was supposed to coat the stomach and protect it against the effects of too much young pink wine.) We soaked up olive oil like sponges, and gradually learned to distinguish between different grades and flavors. We became fussy and no doubt insufferable about our oil, never buying it from shops or supermarkets, but always from a mill or a producer, and I looked forward to oil-buying expeditions almost as much as trips to the vineyards.

An essential part of a day out is lunch, and before going anywhere new we always studied the Gault-Millau guide as well as the map. We discovered that Maussane was perilously close to the Baumanière at Les Baux, where the bills are as memorable as the cooking, but we were saved from temptation by Madame Soliva. "Go to Le Paradou," she told us, "and have lunch at the café. And make sure you're there by noon."

It was a cold, bright day, good eating weather, and we walked into the Bistro du Paradou a few minutes before midday with appetites sharpened by the smell of garlic and woodsmoke that greeted us. An enormous fire, a long room filled with old marble-topped tables, a plain tiled bar, a busy clatter coming from the kitchen-it had everything. Except, as the patron explained, somewhere for us to sit.

The room was still empty, but he said it would be full within fifteen minutes. He shrugged in apology. He looked at my wife, so near and yet so far from a good lunch, her face a study in tragic deprivation. At the sight of a woman so clearly in distress, he relented, sat us at a table facing the fire, and put a thick glass carafe of red wine between us.

The regulars started coming through the door in noisy groups, going straight to the places they occupied every day. By 12:30 every seat was taken and the patron, who was also the only waiter, was a plate-laden blur.

The restaurant worked on the simple formula of removing the burden of decision from its customers. As in the station café at Bonnieux, you ate and drank what you were given. We had a crisp, oily salad and slices of pink country sausages, an aioli of snails and cod and hard-boiled eggs with garlic mayonnaise, creamy cheese from Fontvielle, and a homemade tart. It was the kind of meal that the French take for granted and tourists remember for years. For us, being somewhere between the two, it was another happy discovery to add to our list, somewhere to come back to on a cold day with an empty stomach in the certain knowledge that we would leave warm and full.

We arrived at the olive oil mill in Maussane two months early. The new crop of olives wouldn't be gathered until January, and that was the time to buy oil at its most fresh. Luckily, said the manager of the mill, last year's crop had been plentiful and there was still some oil left. If we would like to have a look around, he would pack a dozen liters for us to take away.

The official name of the establishment-Coopérative Oléicole de la Vallée des Baux-was almost too long to fit on the front of the modest building that was tucked away at the side of a small road. Inside, every surface seemed to have been rubbed with a fine coating of oil; floors and walls were slick to the touch, the stairs that led up to the sorting platform were slippery underfoot. A group of men sat at a table sticking the Cooperative's ornate gold labels onto bottles and flasks filled with the greenish-yellow oil-pure and natural, as the notice on the wall said, extracted by a single cold pressing.

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