Annie Wang - The People’s Republic of Desire

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Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.
Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.
Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.
In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.
Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.
Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.
If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.
The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.
As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”
With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?
Joanne D. Kiggins
***
From Publishers Weekly
As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

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But apparently, May May is not only narcissistic but also competitive. If I wear a Bebe T-shirt to dinner, next time May May wears the same T-shirt in a different color. If I carry a new cell phone, May May will make sure to bring a newer model next time. Once I take May May to the Rose Garden, where she has never been before. A few weeks later, she brings me back to the Rose Garden. "You should thank me for taking you to this in place," she says, as if doing me a favor.

"Wait a minute. I was the one who took you here," I think, but I check myself. What's the point? After a cup of English tea, I leave the bar. After I get home, I call my friend Lulu right away, recounting the story.

"May May is typical of the one-child generation," says Lulu. "Their problem is that they want to be number one. They see everyone as rivals, not friends. They've lost their ability to keep friends."

80 The New Chinese Woman

Human beings have their own rules for games. It doesn't matter what culture we are living in, there are certain rules we all observe. For example, we should not sleep with our bosses. We should not sleep with our girlfriends' boyfriends. And we should not sleep with married men, in their bedrooms or anyplace else.

China has been a conformist society for too long. Perhaps that explains why the new generations want to be different. They defy conformity by breaking the rules and testing the limits. But sometimes, they challenge the rules set not only by Chinese standards but by Western standards as well.

May May is such a rule-breaker. She doesn't believe in the existence of limits. She has many hobbies, one of which is sleeping with middle-aged M.B.A.s – men who are married but available.

She tells me about her theory in a hot-pot restaurant called the Imperial Mama. "Young men are like grapes and middle-aged men are like wine. Their bellies may grow bigger, and the number of hairs on their heads may become fewer, but they are more attractive; they make me feel intoxicated."

"Why is that?" I ask. I come from a different school of thought. As a woman who is reaching her thirties, I become more and more interested in younger men, the so-called boy toys.

"Middle-aged men tend to be more generous in bed than younger men, who often don't want to control their desires. Middle-aged men tend to be more successful financially. They can buy you expensive gifts, whereas young boys can only send you flowers or a box of chocolates. Since middle-aged men have been around, and they have more status and more networks, they can help you with your career. They also understand women and know very well how to please us." May May speaks as if she is giving a lecture at a university.

I say, "Well, what you say might explain why you love middle-aged men, but it doesn't explain why you always go out with the married ones."

May May laughs. "Don't you think that middle-aged M.B.A.s are a more desirable group than those who are still single?"

"That can be true in China." I nod.

May May continues with a smile. "Our parents' generation is the generation of obedience. I like to live on the edge. I like to sleep with married men because the thrill of stealing makes the sex even more exciting! It's so cool to do it in their own bedrooms during the day when their wives are at work."

"In the same bed that they share with their wives? Not a motel or something? Don't you think it's an intrusion into the wives' territory?" I ask.

"That's exactly the point. I am like an invader. Society encourages us to be competitive! I hate losing. It feels so good that these smart men are willing to betray their women and come to me. It's called charm."

"Do you think they like you because you're so irresistible?" I ask.

"Well, I'm a modern liberal woman. I can give them the level of passion that their wives can't. In return, I get the uninhibited, carnal sex that I want," May May says proudly.

I can sense that May May believes totally in her unconventional lifestyle and her ability to entice men into bed. She considers herself superior to the wives because she has the fun and none of the work relating to marriage.

"May May," I ask, "do you think that the M.B.A.s' attraction to you comes from the fact that you're a plaything for them and they don't have to be serious with you. That they are merely on the hunt for another good time, a cheap thrill that they can brag about to their buddies?"

May May replies with a sneer. "So what, it beats having a bowl of instant noodles and renting a movie while home alone by myself. If men can brag about their conquests, why can't I?"

Her speech echoes that of Colorful Clouds.

"May May, do you know Colorful Clouds?" I can't help asking.

"Yes. I know of her. Both of us publicize our sexual adventures on a Chinese blog. I've got far more hits than she has. Apparently, she's a bore. Her pictures are ugly too. I have the talent and charisma. Plus, I believe I'm younger."

Just then, a good-looking couple comes into view. May May notices and says to me, "I wonder what she sees in him? When I find out, I'll give you all the details." May May starts to preen and adjust her clothing. She is about to enter another playground.

81 A Good Life Needs to Be Told

There is a regular get-together of some of the nouveaux riches in Beijing. Often, the less rich – the reporters, models, and authors – are invited to party with them as their guests.

Just as Hollywood celebrities sometimes need groupies and paparazzi to create certain scenes, the new Chinese bourgeoisie need those who are not quite as rich to be their listeners. It is simply not good enough to enjoy the good life in private. A rich life has to be told and retold, and then gossiped about.

On a Tuesday evening, just a regular hot summer's day in Beijing, Beibei and I attend a party organized by these parvenus in a house that is located in a discreet and well-manicured suburban neighborhood.

When we arrive, some investment bankers have already gathered to discuss plans while sipping Jack Daniels. Their long-term goal is to retire at forty-five and their short-term goal is to improve their golf games. Everyone agrees that their approach shots and their putting techniques could be better.

Apparently, this is all standard talk in such gatherings of the newly rich, and part of the game. The thinking is that the good life needs to be told, especially to those who are have-nots. The hangers-on play their part too. Their envy and attentiveness are all part of the same game.

An interesting conversation between two female authors gets the attention of both Beibei and me.

One of them is called Andrea. "My English lover has a ranch in New Zealand. I love to do my writing there."

The other female author named Yani raises one eyebrow. "Really? Then, we're neighbors! I write from my beach house in Australia. If we have an attack of writer's block, we can fly over and meet for coffee."

An attentive female listener who looks a bit unsophisticated and naive like a college student exclaims, "Wow, you guys are real international freemen – no, free women! So cool! It's my first time to meet such people. I'm honored."

The two authors' faces radiate pleasure, the pleasure of being admired and envied. Yani smiles at the listener. "Well, I might be an international woman. But it doesn't matter where I go, I always like China the best."

"I know why she likes China the best: only China can guarantee her an audience when she brags." Beibei says under her breath to me.

As we walk around, we hear more hilarious lines popping up from the newly rich and famous. Some are quite creative and subtle:

"My life has been crazy! Breakfast in Hong Kong, lunch in Singapore, and dinner in Beijing!" "I only eat fresh vegetables from my own garden." "I walk nine holes every day." And so on. Always, there are listeners who show great admiration and envy.

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