Annie Wang - The People’s Republic of Desire

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Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.
Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.
Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.
In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.
Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.
Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.
If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.
The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.
As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”
With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?
Joanne D. Kiggins
***
From Publishers Weekly
As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

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I realize that it's not just the lives of my friends and me that have changed so dramatically, but the whole society as well.

Vegetarianism is cool now. Restaurants that used to make a lucrative business by butchering wild animals have lost money and closed down. Some see SARS as the revenge of the animal kingdom on greedy human beings.

Bar girls, karaoke girls, and travel agents are out of jobs.

I feel that SARS has made China more like the States: people flush the toilet after they use it. They wash their hands more often. They don't stand as close when they speak. They tend not to flock into places anymore. Shops and restaurants close earlier than before – around seven o'clock. Doctors have gained respect. The economy has slowed down, and the country is cleaner, less crowded, more environmentally conscious – the slow, laid-back pace seems a little unnatural here.

76 SARS Wars

Are humans born good or evil? Why does it make some people feel better about themselves when they put others down? Why is a sense of superiority needed to boost these people's egos? Regional discrimination is common in China, which has become even more evident during the SARS outbreak. SARS makes us wear masks as a protective measure. At the same time, the disease helps unmask our true nature, normally hidden behind the soft veils of personalities. Now, every raw emotion is exposed.

As usual, I log on to a popular Internet chat room to gather information for my stories and discover that a heated debate is raging.

It started with a provocative message from someone called Hong Kong Babe. Hong Kong Babe posts her message on the Web site owned by a mainland company. The message reads:

"You mainlanders make the Chinese look bad in front of the world. You mainlanders are so backward! We Hong Kong people are forced to suffer with you now. We want to go back to British rule!"

As could be expected, and probably hoped for, Hong Kong Babe's message creates a stir. Northern Love responds: "You must be a skinny flat-chested babe who is not civilized enough to speak putonghua. Don't you understand that the whole thing started because people in your region eat anything with legs except tables, anything that flies except airplanes, and anything that swims except ships? Because of your eating habits, we northerners catch the germs from you, who catch the germs from animals!"

Before Hong Kong Babe can reply, a message from Spring Ocean appears: "Hi, anybody from Taiwan? I'm from Taipei. Our situation in Taiwan is not as bad as Hong Kong because we aren't cramped; we have more space. We aren't as bad as the mainland because Taiwan is more advanced, medically and politically."

Hong Kong Babe finally posts a reply: "FYI: I live in the Mid-Levels on Hong Kong Island. Here, life is better than on the Kowloon side. Those who live in old, dirty, inexpensive places are more likely to get infected. The area where I live has many foreigners." Surprisingly, Hong Kong Babe does not draw more hostile responses. Instead, the message board evolves into a tug of war between two mainland cities.

Louis Vutton: "Hi, I'm from the mainland. To be specific, I'm from Shanghai. I feel safe living in Shanghai. Once again we've done a better job than Beijing."

Magic Dragon: " Beijing 's situation is so bad because so many sick people from out of town have come to Beijing to get treated in the hospitals. When they need help, the first place they think of is Beijing, not Shanghai. Beijing people have never been as selfish as the Shanghainese!"

Seeing the situation disintegrate, someone named American Passport posts his message: "Guys, stop fighting. It doesn't matter if you are from Hong Kong, Taiwan, Beijing, or Shanghai – you are all deemed the same here in the United States! Nobody is better than anyone else. Do you know that many U.S. Chinatown businesses have dropped severely? So has the business in the Japanese enclave near my house. Some of my American coworkers think everyone with an Asian face might have relatives who live with pigs."

Following American Passport, I post my own message. I give myself the name, China Doll.

China Doll: "A Taiwanese author once said that each Chinese individual is a dragon, but when the Chinese group together, they become a fat worm. Do you know why? The Chinese have never been united. They always try to categorize themselves and others. The city people look down on the country people; the rich look down on the poor. It is so stupid!"

Domestic Love posts a response: "Who are you? Writing slogans here? Where are you from? How dare you refer to the Chinese as 'they'? How dare you call us stupid?" I feel funny, but being attacked online doesn't upset me. Instead, it is entertaining for some reason. I understand why Hong Kong Babe has written those provocative messages. She must be bored and wants attention. Under a new identity, you can do anything you want and say anything you want.

So China Doll writes: "I'm a Chinese American. My family tree consists of a Taiwanese father, a stepmother from northeast China, and a Beijing mother who married an American. In one word, I'm Chinese."

Louis Vutton: "This 'China Doll' sounds suspicious with such a complicated background. Might be an American spy. We'd better report her to the online police."

77 The (Brief) Return of Ximu

It takes Lulu seven months to finish her first book, Lover ' s Socks. The book originally was called Love in the Time of SARS., but by the time the book is out, SARS is passe. Inspired by Sade's Lovers Rock, the publisher has given the book this current name. Lover ' s Socks is based on Lulus six-year on-and-off relationship with her former boyfriend, Ximu. The male character, Daiwu, goes to France to study fashion with his new-lywed wife after graduating from a top university in China. In France, like many Chinese emigre couples, the wife abandons the husband, marries a Frenchman, and stays in France. Somehow, the wife's decision sets Daiwu free.

He returns to China and soon emerges as a top fashion designer. He has no difficulty hooking up with beautiful young women, but his soulmate and confidante is a young fashion magazine editor named Jade, who worships him wholeheartedly. Smart and understanding, Jade never pushes Daiwu to marry her because he claims to be a free spirit who would not want the fetters of marriage. But Daiwu betrays Jade by secretly getting married to a woman who is half Chinese and half French. This is his way to get even with his ex-wife.

The publisher is keen on promoting Lulu, the young, fashionable, and talented author. They plan to list the book as semi-autobiographical, a method sure to generate more buzz and sales. But Lulu wants to change the location from France to Japan to make the characters less identifiable. Her editor persuades her not to. "Don't be afraid of reve aling your private life. You see, even Hillary Clinton has to write about Monica Lewinsky in order to sell her book. Victims like her, and Nicole Kidman, get a lot of sympathy. Your book will be a tear-jerker. You'll get a lot of supporters, especially sympathetic female readers who 'll rally behind you against those heartless womanizers. But to get this effect, you have to make us believe it's a real story."

Lulu says, "But I'm not concerned about my own privacy. I'm concerned about Ximu's."

The editor says, "If you worry about us getting involved in lawsuits, don't. We'd be thrilled if he sued us. It's called free publicity! If he were to sue, we'd invite all the journalists and hold press conferences – way more effective than book signings to pump the sales."

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