Annie Wang - The People’s Republic of Desire

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Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.
Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.
Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.
In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.
Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.
Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.
If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.
The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.
As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”
With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?
Joanne D. Kiggins
***
From Publishers Weekly
As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

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When I walk along Beijing Street, I run into one Starbucks after another. It seems there are more Starbucks in Beijing than in Berkeley. There is even one in the Forbidden Palace! I see fashionable women in miniskirts talking into mobile phones as they ride their bicycles. Miniskirts and bicycles: socialism with Chinese characteristics. And there are more and more people who look overweight, even by American standards. Young people wear jeans and cotton T-shirts. They consider this the new fashion, although their parents still think cotton is too cheap a fabric for clothes. Boys are growing their hair long and girls are cutting their hair short. Shop signs are in English, with laughable mistakes throughout. Everyone uses Windows 2000 on their computers. Even my retired grandfather knows how to search for fortune-tellers on Yahoo. China 's changes have taken me by surprise.

Luckily I have my childhood friends Lulu and Beibei to reacclimate me to the Chinese way. Lulu and Beibei were my old schoolmates from Beijing 's Jingshan School. Beibei is seven years older than me, and Lulu is four years older. Jingshan included grades one to twelve all on the same school grounds. The three of us met fighting with the boys over the Ping-Pong table.

At that time Beibei was in senior high, Lulu was in junior high, and I was in primary school. I was mature for my age and liked to mix with friends older than me. The three of us got up to all sorts of mischief together, and we've been inseparable ever since.

At the time, China didn't have private schools, but Jingshan was very exclusive. Most of my classmates came from distinguished families. I was born in the United States and returned to China at age five. My family was categorized as "patriotic overseas Chinese," so I was fine. Beibei's grandfather was a high-ranking Old Revolutionary who the government assigned a big courtyard house in the best part of the town, a chauffeur, a nanny, and two assistants. She was fine. Lulu came from an ordinary family in southern China, but she was not only the cutest girl in school but also a child star who knew how to sing well.

Twelve years ago, we three girls made Beibei's grandfather's chauffeur drive us to every five-star hotel in Beijing in the Mercedes 600. At that time, Chinese people were not allowed into five-star hotels, and the doormen, not knowing what to do when they saw three scruffy girls climb out of the Mercedes 600, greeted us in Japanese. At a time when most Chinese households did not have a telephone, at my house, we used our household phone to call up male celebrities, pretending to be the hottest actresses of the time and professing our love for them. We didn't know we were privileged until much later.

Now, Beibei is president of Chichi Entertainment Company, which she founded five years ago; she currently employs five hundred people and represents one-quarter of the top actors and singers in China. Chinese singers make real bucks nowadays. Through Beibei I've learned that they can charge $100,000 for singing four songs in a concert. And this is aftertax money. Beibei keeps telling me that with such a cute face, I went into the wrong business as a reporter.

Lulu is the executive editor of the fashion magazine Women ' s Friends. After she graduated from Beijing University, she was offered many high-paying jobs, but instead she decided to be an editorial assistant at a fashion magazine. At that time, fashion magazines were so new in China that few people could afford to buy them and the pay for working there was low. So many friends told her to try something else. But Lulu has a natural passion for the beauty industry, and she stayed on the job. Now she is the second most important person at her magazine. Although her pay is so-so, she receives perks such as free memberships to gyms, spas, free gifts from Chanel, free trips to Paris, Tokyo, Milan, and New York. She is slim, graceful, and stylish. She has long flowing dark hair that always seems to rest perfectly on her shoulders, no matter what she is doing, and big, deep eyes like a Caucasian, Lulu's lover, Ximu, once described them as "pools of sex." Lulu enjoys wearing expensive high-fashion numbers from designers like Gucci and Versace. These Italian designs make her look powerful, and even a bit intimidating when she is surrounded by her Chinese colleagues and competitors. It's her moment to outshine others and find confidence.

Lulu is the most gentle and feminine of our trio, but she can also be extremely nervy. When she curses someone out, no one can be more rude. She also smokes. She looks at people from behind a cloud of smoke, giving her a vague, misty appearance. Beibei jokingly says she is a Huli Jing walking among men. Lulu is a total sex goddess of the fashion world.

When I returned to China, Lulu immediately realized that my Californian style was too casual: I don't use makeup, and I wear big baggy shirts and pants.

"You're too Americanized, and too ahead of the time in China," Lulu tells me.

"What do you mean?" I'm proud of my blue Ralph Lauren shirt.

"You've got a thin waist and nice skin that men love. But you need perfume, lip gloss, and polished nails, which will make you more feminine. You see people are superficial when you look expensive, they treat you with respect." She critiques my style.

The fashionable Lulu starts to teach me how to make a face mask out of pearl powder and milk, pluck my eyebrows down to only a few hairs, wear Chinese-style lined jackets and pants.

When I first arrived in the United States, I became a slave of American cosmetics. The clerk at the Estée Lauder counter of every Macy's store adored me because I bought whatever was new on the market. The reason was simple: I had never seen these things in China. By the time I left the States for China, I had been too influenced by Berkeley 's feminism and lost my desire to look like a model. Now, in China, I have to go back to my old obsession with makeup and my desire to be a cover girl. It's like time travel.

Lulu loves educating me. "To survive as a girl in big cities such as Beijing, Shanghai, and Hong Kong, a thin waist and perfume are must-haves." She takes me out with her friends from the fashion crowd who are designers, models, and photographers. They are either gay or bisexual. Straight people are not cool in that circle.

Lulu has learned many tricks from me as well. Once she went to a party without wearing a bra. "This is the Berkeley style that I've learned from Niuniu," she said proudly, as everybody stares at her nipples through her silk blouse.

Lulu is stunning, svelte, elegant, with glowing skin and delicate features that every girl is dying for, but she is ill-fated in love. When she was a college girl, she met Ximu, a married man who brought her nothing but bad luck.

Ximu is a talented graduate from Tsinghua University, who went to study in France in 1989. He abandoned his electrical engineering major to take up an art major there. Five years ago, he returned to China, and has since managed to become a well-known performance artist. His wife is French, and lives in France. Ximu and his wife have lived apart for many years, but he has not divorced and does not want to remarry.

He says, "I am very French. I'm a free spirit."

Lulu has fallen for him, and willingly becomes his "little secret." She e-mailed me when I was in the States. She said, "I'd like to be Ximu's Simone de Beauvoir." In those days, she sent me her long reading notes of de Beauvoir and Marguerite Duras, who were must-reads among Chinese city girls. Lulu firmly believes that one cannot judge a genius according to ordinary standards. And Ximu, obviously, is a genius.

Lulu has undergone three abortions because of Ximu. The first was very painful: she felt that she was taking a life. With the second, she was helpless and felt that the heavens were punishing her. The third was a kind of self-destruction, like she was murdering herself.

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