Annie Wang - The People’s Republic of Desire

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Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.
Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.
Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.
In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.
Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.
Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.
If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.
The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.
As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”
With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?
Joanne D. Kiggins
***
From Publishers Weekly
As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

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But in the last twenty years, some Chinese scholars have claimed that China 's long history and cultural roots have impeded its modernization. For the modern Chinerse, history is just so much cultural baggage. So the new Chinese way to answer is to name the birthplace, not of your father's ancestors but of your father. The American answer goes one step further: you simply point to your own birthplace.

So this is what is going through minds of the returnees when you ask them where they come from: Should returnees follow the traditional Chinese, the modern Chinese, or the American model? Or should they go one step further, and say that they come from California or London? Well, in China, smart people leave things vague. It's called nandehutu.

Twenty-something Niuniu is one such returnee. If you've been to Beijing, you might have seen her. She's no different from all the other members of the trendy young xin xin renlei - the "new" new generation. Her hair is short, like a boy's, and spiked up with gel, sometimes dyed red, sometimes purple. Her hands are covered with all kinds of unusual white-gold rings, with little feet, apples, skeletons, snakes, and so on. Black nails, dark brown lipstick, baggy trousers, a colorful Swiss Army watch, yellow Nokia mobile phone, palm pilot, IBM notebook, JanSport backpack, and a Louis Vuitton purse, which always holds two condoms – not for herself, but in case one of her girlfriends needs one urgently.

Everybody in China has a dangan ,or personal file, which is kept by the government and details their political, family, educational, and employment background. I have one, too.

Let's take a look at my dangan. Top secret.

Height: 5'2"

Age: Twenty-something Weight: 110 pounds

Marital Status: Single and fully detached Birthplace: United States

Mother: Wei Mei, daughter of revolutionary opera performers. Born in Beijing, half Han and half Manchurian, granddaughter of a Manchu minister. Married three times. Moved to the United States during first marriage in mid-1970s. Currently the wife of the chief representative of an American oil company. Mother of Niuniu and a pair of Eurasian twins, Dong Dong and Bing Bing. A former Hooligan girl and shop clerk during the Cultural Revolution. Currently a social butterfly in Beijing 's expatriate circle, involved in some high-level diplomatic exchanges and movie projects. No higher education, speaks fluent English.

Father: Chen Siyuan, orphan from Taiwan. Arguably Chinese, adopted by an American missionary and converted to Christianity. Ph.D. in electronic engineering from MIT. Former employee of Hewlett-Packard. Currently CEO of the Chen Computer Company. Twice married, currently to his former secretary, Jean Fang, who is eight years older than Niuniu and soon to have a baby.

Twin Sisters: Dong Dong, age nine, and Bing Bing, age nine. Students of Beijing Lido International School.

Education: B.A. in journalism from the University of Missouri at Columbia. GPA 3.8. M.A. in journalism from the University of California at Berkeley.

Profession: Reporter for the World News Agency in Beijing.

Religion: Buddhism, light.

Smoker: Nonsmoker.

Drinker: Started at fourteen. Now occasional drinker.

Sexual History: Lost virginity at sixteen. Had sex with twenty-two partners. Currently sexually inactive.

Psychological Background: Suffered from depression while in the United States after being dumped by her boyfriend, the moderately successful eye doctor Len, a third-generation Chinese American who holds an M.D. from Johns Hopkins. Six sessions with a shrink, who taught her about the eye movement treatment, about which she remained highly skeptical. Eventually she left United States for a makeover in China as an alternative strategy.

Probably, you've guessed by now that Niuniu is me. From my dangan, you can see why people call me a cosmopolitan woman. I love the word "cosmopolitan" as much as the drink. "Cosmopolitan" is a trendy word to toss around in China at the moment: China is building cosmopolitan megacities and luring people with a cosmopolitan background.

In a country where background and history are so important, it's increasingly popular in China to fake one's identity, origin, and accent. For one hundred yuan, you can get a fake ID, a dangan ,or a diploma from any school in the world as easily as you can pick up a fake Rolex in Shenzhen nowadays.

Last week, I was in Shanghai, at a bar called CJW, owned by a friend's friend, where several native Shanghainese were complaining about "some peasants claiming to be native Shanghainese after being here less than three months."

Two weeks earlier, I was in a Hong Kong teahouse where the waitresses bad-mouthed a chic patron carrying a black Prada bag, who had just walked out the door.

"She can't be a local as she claims. Her Cantonese is far from perfect!"

"She must be a beigu - a northern auntie!"

"Northern aunties are so bold nowadays. They'll do anything, even steal other women's husbands. Shameless."

Upon hearing the exchange, I came to the conclusion that where you come from is a political question. In China during the Cultural Revolution, one's background could determine one's fate. Many of those who were unfortunate enough to be from educated families associated with the old guard were systematically purged by the state. The leaders of the Cultural Revolution wanted to start the country over from a blank slate, and that required the elimination of intellectuals and families with backgrounds that were deemed "undesirable."

Today, family background is no longer that important, but place of origin means status. The success of years of class struggle in China has made the Chinese particularly class-conscious. Faking one's birthplace is the quickest way to diminish the discrepancy between classes, between men and women, between city and countryside. It serves its purpose as conveniently as a fake Chanel bag.

Being a returnee, I am sometimes called a fake too. Local Chinese call me a jia yangguizi - fake foreign devil.

POPULAR PHRASES

DANGAN: Personal files, containing details of their political, family, educational, and employment background. Everyone in China is required to have one.

BEIGU: Northern auntie, a derogatory expression for mainland girls.

NANDEHUTU: An ancient Chinese saying meaning, Leaving things ill-defined is better. The closest English equivalent is, Ignorance is bliss.

JIA YANGGUIZ: Fake foreign devil. A word used by ultra-patriots to refer to westernized Chinese.

XIN XIN RENLEI: The "new" new generation: Gen Xers and Gen Yers whose lifestyle includes bar culture, multiple sex partners, and the Internet. A far cry from the simpler and traditional lives of their earlier generations.

2 Fashion and Abortion

The Chinese media often complain that the Western media don't give a full picture of China. Some Chinese scholars have used the popular word yaomohua ,or "demonizing," as in: "The Western media try to demonize China because they fear the rise of a strong modern China."

Whether the Western media have painted an accurate picture of China or not, China has its own faults. It has moved forward too damned fast, beyond the average person's normal comprehension. Even Chinese returnees like me, who left the country for only seven years to earn one or two advanced degrees, cannot recognize Beijing after they get back.

Chinese TV is full of languid, pouting skinny models and small-time actors with Taiwanese accents, dressed up like Japanese cartoon characters and playing the fool. These opium-addict-looking models would be deemed totally unhealthy by the Old Revolutionary beauty standard. After all, China suffered two humiliating opium wars. And despite winning the civil war that drove the Nationalists off the Chinese mainland and onto bucolic Taiwan over fifty years ago, mainlanders now consider a Taiwanese accent a fashion asset. You can't think of China with logic.

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