Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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Whenever I felt doubts I overcompensated by trying to witness to whoever was nearby, usually my family. And when they even remotely sensed religion coming up, they either nodded politely or they bolted. I can't imagine what they said about me when I wasn't there. In any event, I think in the end it's maybe best to keep your doubts private. Saying them aloud cheapens them - makes them a bunch of words just like everybody else's bunch of words.

* * *

I don't think I fully understood sleaze until Jason and I entered the chilled lobby of Caesars Palace on that day of burning winds and X-ray sunlight. It stank of American cigarettes, smoky blue and tarlike, and of liquor. A woman dressed up like a centurion with balloon boobs and stage makeup asked us for our drink order. She reminded me of a novelty cocktail shaker. The thing is, we said yes, and Jason ordered two gin fizzes - where did that come from? They arrived within moments and there we stood, dumb as planks, while the most desperate sort of gamblers - I mean, this was August in the middle of the desert - slunk past us, serenaded by the endless rattling and dinging of the slot machines. I don't think I'd ever seen so many souls teetering so precariously on the brink of colossal sin. Hypocritical me. We're all equally on the brink of all sins.

We went up to our room: shabby and yellowing. I couldn't figure out why such a splashy place would have such dumpy rooms, but Jason said it was to drive people down into the casinos.

Once the door was closed, it was a bit awkward. Until then, it had all felt like a field trip. We sat on the edge of the bed and Jason asked if I still wanted to get married, and I said yes - I'd caught a sliver of his naked behind through the bathroom door's hinge crack as he changed into his other pair of pants.

As we sat there, we realized our clothes, even in the air-conditioned room, were far too hot for the climate. Jason shed his tie, and I replaced my all-concealing "skin is sin" dress with a jacket and skirt, the only other garments I'd brought - something like you'd wear to work on a Wednesday morning.

Sooner than I'd have liked we were out the door, appearing to the world as if we were headed to a $2.99 all-you-can-eat shrimp buffet or to lose ourselves for a few hours in front of the dime slots with the pensioners. We were alone in the elevator and kissed briefly, and then we staggered through the lobby bombarded again by a wash of noise and sleaze.

Outside it was nearing sunset. An ashtray on wheels picked us up. The cabbie was a fat guy with an East Coast accent and exactly one hair on his forehead, just like Charlie Brown. He slapped the steering wheel when we asked him to take us to a chapel. He told us his name, Evan, and we asked him if he'd be our witness. He said sure, he'd stand up for us, and for the first time that day I felt not just as if I was getting married, but also like a bride.

The chapels were itty-bitty things, and we tried to find one in which celebrities had never been married, as if a celebrity aura could somehow crush the holy dimension of a Las Vegas wedding. I don't know what we were thinking. Evan ended up choosing a chapel for us, mostly because it included a snack platter and sparkling wine in the price of the service.

There was paperwork; our fake IDs aroused no suspicion. Out the little stained-glass window up front the sun was like a juicy tangerine on the horizon. Quickly, a dramatically tanned man in white rayon, who might just as easily have been offering us a deal on a condominium time-share, declared us legally wed.

Nearing the front door, Jason said, "Well, it's not quite two hundred and fifty of our nearest and dearest, is it?"

I was so giddy: "A civil wedding. What would your dad say?"

We went outside, leaving Evan to his snack platter - out into the hot air scented by exhaust fumes, snapdragons and litter, just the two of us, dwarfed by the casinos and dreaming of the future, of the lights, both natural and false, appearing in the sky, and of sex.

* * *

I hoped that both the shooting of the windows and the flooding sprinklers would distract the three boys, but this didn't happen. Instead, they began to fight among themselves. Mitchell was furious with Jeremy for wasting ammunition that could be more effectively used "killing those stuck-up pigs who feed on taunting anybody who doesn't have a numbered sweater." To this end, Mitchell fired across the room, into a huddled mass of younger students - the junior jocks, I think, but I can't be very sure, because the tabletops and chairs blocked my view. I also didn't know whether the gunshots scattered or formed a concentrated beam, but I clearly remember blood from the huddle mixing with the streams of sprinkler water that trickled along the linoleum's slight slant, down to behind the bank of vending machines. The machines made a quick electrical fizz noise and went dead. From the huddle came a few screams, some moans and then silence. Mitchell shouted, "We know that most of you aren't dead or even wounded, so don't think we're stupid. Duncan, should we go over and see who's fibbing and who isn't?"

"I don't know - I could get a bit more pumped about all of this if saggy-assed Jeremy would start pulling his weight."

The two turned to Jeremy, the least talkative of the three. Mitchell said, "What's the matter - deciding to convert into a jock all of a sudden? Gee, won't that make the Out to Lunch Bunch hot for you. A killer with a heart of gold."

Jeremy said, "Mitchell, shut up. Like we haven't noticed that all your shots are missing their mark? The only reason you shot out the windows was because it's impossible to miss them."

Mitchell got angrier. "You know what? I think you're jamming out, and you're jamming out a little bit too late into the game, I think."

"What if I was to jam out?"

Mitchell said, "Watch this," and fired across the room, killing a boy named Clay, whose locker was four down from mine. "There, see? Killing is fun. Jam out now, and you're next."

"I quit."

"No, Jeremy, it's too late for that. Duncan, what would you guess Jeremy's tally up to this moment has been?"

Duncan calculated. "Four definite hits and five maybes."

Mitchell turned to Jeremy: "Ha! And you expect mercy from the world?"

"I quit."

Mitchell said, "What do we have here - a Hitler-in-the-bunker scenario?"

"Call it what you will." Jeremy dropped his weapons.

Mitchell said, "Execution time."

* * *

Being married was wild. It was worth all the delays and pleas and postponement of pleasure, and you know, this isn't some guidance-class hygiene film speaking to you - it's me. I was me. We were us. It was all real, and wild, and it is my most cherished memory of having been alive - a night of abandon on the sixteenth floor of Caesars Palace.

I doubt we said even three words to each other all night; Jason's dewy antler-soft skin made words feel stupid. By six in the morning we were in a cab headed back to the airport. On the flight north, we didn't speak much, either. And I felt married. I loved the sensation, and it's why I remained silent - trying to pinpoint the exact nature of this new buzz: sex, certainly, but more than that, too.

Of course, the Out to Lunch Bunch and all of the Alive! crew could tell right away that something was up. We simply didn't care as much for the group as before, and it showed. The corny little lunchtime confessions over french fries were so dull as to be unlistenable; Pastor Fields's team sports metaphors and chastity pleas seemed equally juvenile to Jason. We knew what we had, and we knew what we wanted, and we knew that we wanted more. Then there was the issue of how we were going to go about telling our families. Jason imagined a formal dinner at a good restaurant during which to break the news - between the main course and the dessert - but I said I didn't want our marriage to be treated like a chorus girl jumping out of a cake. I'm not clear if Jason's desire for a formal dinner was his concept of maturity, or if he wanted to shock a crowd like an evil criminal mastermind. He did have his exhibitionist streak: I mean, in Las Vegas he'd refused to close the curtains and he was always trying to sneak me into the change room at the Bootlegger jeans store. No go.

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