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Douglas Coupland: Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father. Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca From Publishers Weekly Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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I recognized all of the boys - working on the yearbook is good for that kind of thing. There was Mitchell Van Waters. I remembered seeing him down at the smoke hole by the parking lot with his fellow eleventh-grade gunmen, Jeremy Kyriakis and Duncan Boyle.

I watched Mitchell, Jeremy and Duncan walk from table to table. Take away the combat fatigues and they looked like the kid who mows your lawn or shoots hoops in the driveway next door. There was nothing physically interesting about them except that Mitchell was pretty skinny and Duncan had a small port-wine birthmark inside his hairline - I knew about this only because we'd been looking at photos as part of paste-up and layout during class.

As the three walked from table to table, they talked among themselves - most of what they said I couldn't make out. Some tables they shot at; some they didn't. As the boys came nearer to us, Lauren pretended to be dead, eyes open, body limp, and I wanted to smack her, but I was just mad at myself, perhaps more than anything for being afraid. It had been drilled into us that to feel fear is to not fully trust God. Whoever made that one up has never been beneath a cafeteria table with a tiny thread of someone else's blood trickling onto their leg.

* * *

One contradiction of the human heart is this: God refuses to see any one person as unique in his or her relationship to Him, and yet we humans see each other as bottomless wells of creativity and uniqueness. I write songs about horses; you make owl-shaped wall hangings; he combs his hair like some guy on TV; she knows the capital city of every country on earth. Inasmuch as uniqueness is an arrogant human assumption, Jason was unique, and because of this, he was lovable. To me. First off, he was terrific with voices - ones he made up and ones he mimicked. As with the girls from my summer job, I was a sucker for anyone who could imitate others. Jason with even one beer in him was better than cable TV. He used his voices the way ventriloquists use their dummies — to say things he was too shy to say himself. Whenever a situation was boring and there was no escaping it - dinner with my family, or party games organized by Pastor Fields's wife that incorporated name tags and blindfolds - Jason went into his cat character, Mr. No, an otherwise ordinary cat who had a Nielsen TV ratings monitor box attached to his small black-and-white TV. Mr. No hated everything and he showed his displeasure by making a tiny, almost sub-audible squeaking nee-yow sound. I guess you had to be there. But Mr. No made more than a few painful hours a treat.

Jason could also wiggle his ears, and his arms were double-jointed - some of his contortions were utterly harrowing, and I'd scream for him to stop. He also bought me seventeen roses for my seventeenth birthday, and how many boys do you know who'd do that?

I was surprised when Jason did propose - in his dad's Buick on a rainy August afternoon in the White Spot parking lot over a cheeseburger and an orange float. I was surprised first because he did it, then second because he'd concocted a secret plan that was so wild that only the deadest of souls could refuse. Basically, using money he'd stockpiled from his summer job, we were going to fly to Las Vegas. There in the car, he produced fake IDs, a bottle of Champale and the thinnest of gold rings, barely strong enough to retain its shape. He said, "A ring is a halo for your finger. From now on, we no longer cast two shadows, we cast one."

"Fake IDs?" I asked.

"I don't know the legal age there. They're for backup."

I looked, and they seemed to be convincing fakes, with our real names and everything, with just the birth dates changed. And as it turned out, the legal age was eighteen, so we did need the fakes.

Jason asked me if I wanted to elope: "No big churchy wedding or anything?"

"Jason, marriage is marriage, and if it were as simple as pushing a button on the dash of this car, I'd do it right now."

What I didn't go on about was the sexiness of it all. Sex -finally - plus freedom from guilt or retribution. My only concern was that Jason would develop chilly feet and blab to his buddies or Pastor Fields. I told him that blabbing would be a deal wrecker, and I made him vow, under threat-of-hell conditions, that this would be our secret. I'd also recently been reading a book of religious inspiration geared mainly to men, and I'd dog-eared the chapter that told its readers, essentially, to trust nobody. Friends are always betrayers in the end - everybody has the one person to whom they spill everything, and that special person isn't always the obvious person you'd think. People are leaky. What kind of paranoid creep would write something like that? Well, whoever it was, it helped further my cause.

The important thing is that we were to marry in the final week of August in Las Vegas. I greased the skids at home and told my folks I was attending a hymn retreat up the coast; I told Lauren and the Alive! crew I was driving to Seattle with my family. Jason did the same thing. It was set.

Dear God,

I'm trying to take my mind off the slayings, but I don't know if that's possible. I'll forget about them for maybe a minute and then I'll remember again. I tried finding solace looking at the squirrels in the front yard, already gathering food for the winter - and then I got to thinking about how short their lives are - so short that their dreams can only possibly be a full mirroring of their waking lives. So I guess for a squirrel, being awake and being asleep are the same thing. Maybe when you die young it's like that, too. A baby's dream would only be the same as being awake - teenagers, too, to some extent. As I've said, I'm grasping here for some solace.

Lord,

I know I don't have a fish sticker, or whatever it is I'm supposed to have on my car bumper, like all those stuck-up kids who think they're holier than Thou, but I also don't think they have some sort of express lane to speak to You, so I imagine You're hearing this okay. I guess my question to You is whether or not You get to torture those evil bastards who did the killings, or if it's purely the devil's job and You subcontract it out. Is there any way I can help torture them from down here on earth? Just give me a sign and I'm in.

What I now find odd is how Jason and I both assumed our marriage had to be a secret. It wasn't from shame, and it wasn't from fear, because eighteen is eighteen (well, almost) and the law's the law, so in the eyes of the taxman and the Lord, we could go at it like rabbits all day as long as we paid our taxes and made a few babies along the way. Sometimes life, when laid out plainly like this, can seem so simple.

What appealed to me was that this marriage was something the two of us could have entirely to ourselves, like being the only two guests in a luxury hotel. I knew that if we got engaged and waited until after high school to marry, our marriage would become something else - ours, yes, but not quite ours, either. There would be presents and sex lectures and unwanted intrusions. Who needs all that? And in any event, I had no pictures in my head of life after high school. My girlfriends all wanted to go to Hawaii or California and drive sports cars and, if I correctly read between the lines on the yearbook questionnaires they submitted, have serial monogamous relations with Youth Alive! guys that didn't necessarily end in marriage. The best I could see for myself was a house, a kid or two, some chicken noodle soup at three in the afternoon while standing at the kitchen sink watching clouds unfurl coastward from Vancouver Island.

I was sure that whatever Jason did for a living would amply fulfill us both - an unpopular sentiment among girls my age. Jason once halfheartedly inquired as to my career ambitions, and when he was certain I had none, he was relieved. His family - churchier than Thou - looked down on girls who worked. If I was ever going to get a job, it would only be to annoy them, his parents - his dad, mostly. He was a mean, dried-out fart who defied charity, and who used religion as a foil to justify his undesirable character traits. His cheapness became thrift; his lack of curiosity about the world and his contempt for new ideas were called being traditional.

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