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Douglas Coupland: Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father. Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca From Publishers Weekly Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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Anyway, in the end, Heather twigged onto this psychic's game plan. In doing so she told me about your characters; I had no idea you had this other world inside your head, and if you ever read these words, I imagine you'll blush as you do so, but don't. Froggles! Bonnie! Gerard! The characters are pure delight - they're lime sherbet and maraschino cherries -they're almost holy. Your characters - that was the sort of thing I ought to have been telling you at bedtime rather than squeezing out of you your daily list of trespasses. God, I was a grim old sucker. Just so you know, Heather quit her job at the courts, and she's now working full-time making children's books using your characters. They're good little books, and one might even be published locally. Heather and Barb allow me to read them to the twins, so I come out of this a winner. And again, I have to say how much the twins resemble you. I wonder what Kent would have thought? He's fading from my memory, you know. Sometimes I have to work to conjure up his face or his voice. I oughtn't be telling you that, because it means that I'll forget your face and voice someday, too. (But don't take it that way.)

I'm in a Kinko's writing this. I haven't said that yet. It's downtown and open twenty-four hours. It's maybe one A.M. and I'm the only customer here on this side of the store. Two other people - homesick German tourists, I'm guessing - are across the room trying to send a fax.

I think heaven must be a little bit like this place - everybody with a purpose, in a beautiful clean environment. They even have those wonderful new full-spectrum lights that make you look like you've just returned from a stroll in an Irish mist.

Why am I here? I'm here because I still don't have a computer, and I'm here writing this because today I got a call from the RCMP out in Chilliwack. They called to say that they'd found your "highly weathered" flannel shirt, and in its pocket, your Scotiabank debit card. It was tangled in some bulrushes in a swamp beside a forest out there, found by some kids shooting BB guns. I asked the RCMP if they were going to organize a manhunt, and while they didn't laugh aloud, they made it clear that one was not being planned. How dare they. All they gave me was a map.

And so I'm typing this letter out. I'm going to print it and make a thousand copies, and come sunrise I'm going to go out to that swamp and its surrounding forest and I'm going to tack these letters onto the trees there with a pack of brightly colored tacks I saw up by the front desk when I registered to use this machine.

I know that kind of forest so well, and at this time of year, too: spiderwebs vacant, their builders snug inside cocoons; sumac and vine maples turned yellow and red, smelling like chilled candy. The hemlocks and firs and cedars, evergreen but also everdark. The way sounds turn into shadows, and how easy it is to stay hidden forever should that be your wish. You're the Sasquatch now, searching for someone to take away your loneliness, dying as you live with your sense of failed communion with others. You're hidden but you're there, Jason. And I clearly remember from when I was growing up, the Sasquatch was never without hope, even if all he had to be hopeful about was bumping into me one day. But isn't that something?

You might ask me whether I still believe in God; I do - and maybe not even in the best sense of the word "believe." In the end, it might boil down to some sort of insurance equation to the effect that it's three percent easier to believe than not to believe. Is that cynical? I hope not. I may sell insurance, but I grieve, I accept. I rebel. I submit. And then I repeat the cycle. I doubt I can ever believe with the purity of heart your Cheryl once had.

Cheryl.

We never once spoke about her. We never even spoke, period. I never told you that her mother phoned me about eight years ago - I'm listed in the book - and she said that

until that day she'd always believed you were involved in the shootings, but then, "It's the funniest thing. I was making coffee this morning, I went to put an extra apple in Lloyd's attaché case, because the apples are so good this time of year, and inside his case, between two folders was a paperback about the massacre, and it was open to the page with Jason's photo - I hadn't seen that image in years. I don't know why, but I finally realized Jason was innocent." Stupid, stupid woman, but a woman whose daughter was lost in the worst imaginable way. As you were never a father, you can never imagine what it is to lose your child. That's not a challenge -how grotesque if it were. It's a simple statement of fact.

But I haven't lost you, my son. No no no. And you will find one of these letters. I know you will. You never missed a trick of mine, so why stop now? And when you do find this letter, you know what? Something extraordinary will happen. It will be like a reverse solar eclipse - the sun will start shining down in the middle of night, imagine that! - and when I see this sunlight it will be my signal to go running out into the streets, and I'll shout over and over, "Awake! Awake! The son of mine who once was lost has now been found!" I'll pound on every door in the city, and my cry will ring true: "Awake! Everyone listen, there has been a miracle - my son who once was dead is now alive. Rejoice! All of you! Rejoice! You must! My son is coming home!"

A Note on the Author

Douglas Coupland is the author of the novels Generation X, Miss Wyoming, and most recently All Families Are Psychotic, among others, as well as the nonfiction works Polaroids from the Dead, City of Glass, and Souvenir of Canada. He grew up and lives in Vancouver.

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