Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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As for Cheryl, I quickly learned that she could pop up anywhere. We'd be watching TV and *blink* there she was, her yearbook photo on the screen and a voice-over talking about crime and youth, or spiraling crime rates or crime and women. This was always jarring for me, but never for Jason. He'd smile slightly and say, "Don't worry." But you know, I saw his face. He was still in love with her. It's there.

What's bizarre is that I (being alive) have the competitive edge over her (being dead). Yet at the same time she (being dead) has the edge over me (alive but aging quickly, and not very well at that).

And then there's religion. Even though Jason said he'd shunned religion, I have this feeling that life, for him, was just a waiting game, and that he believed if he could squeak through the rest of his life, he'd meet up with Cheryl. How do I know that his disdain for religion wasn't short-term? I tried talking to Jason about Cheryl, but his answers were politician's answers: "She was someone in my life so long ago. I was a kid." But she died in his arms in a lake of blood!

Jason also said a few things over the years to make me wonder if the tree, having been chopped down to the ground, was now sending new shoots out from the soil. For example, we saw a childhood friend of his, Craig, on the highway driving a Ferrari or one of those cars. Jason said, "Well you know, you can accumulate all the stuff you want in this life, but stuff alone can't make you happy. Craig there has to go around acting like he's a complete man, now. Right."

"You're just jealous."

"No, I'm not."

And he wasn't.

Reg hasn't tried to convert me in the past months, nor even edge in that direction. He's far too preoccupied with the state of his own soul. Ironically, his honesty about his doubts has made him genuinely spiritual and has made me far more open to his ideas than I might have been otherwise. I don't think Reg has realized this. When I'm around him, I find myself cross-examining my motives for everything I do. I think I'm a moral person, yet I'm always wondering if there's the ghost of Cheryl out there, watching me, saying, "Look out, Heather, don't confuse your morality with God's demands."

So it all comes back to Cheryl and my (let's face it) jealousy. Here's what I think: the five most unattractive traits in people are cheapness, clinginess, neediness, unwillingness to change and jealousy. Jealousy is the worst, and by far the hardest to conceal. Around Jason I made myself conceal it, because what else could I do? But I don't know how to kill jealousy. I fully expect it to turn into little steel fangs that'll clutch me like a leghold trap the moment I need to be most tender or forgiving. Jealousy is the one emotion that lies in wait.

Thursday morning 6:00

No sleeping pills last night, and Allison has revealed the full length of her fangs. First, a call came in from my car guy down on Pemberton: "Hi, Heather, it's Gary."

"Gary, hi."

"Heather, I've got some lady came in here, jittery old thing, like a librarian with the clap - got a whole bunch of repairs done on this old boat of a Cutlass, and then she says you're the one who's supposed to be paying for all of it. I'm in the back room right now, and I just have to ask you if this is the case or what."

"How much, Gary?"

"With taxes, just over two grand."

"Holy - "

"That's what I thought."

I paused before saying, "Gary, I'll pay."

"You sure about that, Heather?"

"Yeah, I'm sure."

I put down the phone and tried to appraise my new situation coolly. I was her slave. Trust me, having one's paranoia confirmed can be a relaxing, almost sedative sensation.

The first thing I did was stop phoning her. I knew she'd phone me, and she'd only do so when she knew the time was right to strike. This freed me to do things I'd been neglecting. I cleaned up the place, as though performing an FBI crime scene sweep: I put everything of Jason's that held his smell in extra-large Ziploc freezer bags. All his toiletries - his razors, his brushes: bagged. His wallet by the fruit bowl: bagged. I bagged his dirty underwear and T-shirts and shoes. I also bagged all the clothing that was in his hamper. Once I'd isolated all his personal effects, I opened each bag and held it up to my face and inhaled for all I was worth. I wondered how much longer his odor would last. The smell of his cheap underarm deodorant made me cry. I drank most of a bottle of Bailey's and passed out - much better than sleeping pills. I was woken up around nine this morning by a phone call from Larry, asking if I was okay. I said I was sick. I am sick.

I looked at the pile of Jason's things. I knew I had to start my life all over again from scratch. I could go to work, sure, but I'd be a husk. There was no way I'd ever meet anybody again, and in real life I'd become the invisible blank of a person I pretended to be in the courtroom.

So where do you start when you want to start your life again? At least when you're young you're also stupid. But me? Tick tick tick.

I made coffee and was going to call Barb when the phone rang.

"Hello?"

"Hello, Heather. It's Allison."

"Hello, Allison." My voice was stripped of spark, a prisoner's voice.

"I thought I'd call. See how you're doing. I had another message come to me."

"You did, did you?"

"Yes. And it was quite a long one."

"That's nice."

"Should we get together?"

"Yes, Allison, we ought to get together. Why don't I come to your office or wherever it is you work."

"I work from home."

"Why don't I come to your house?"

"Oh, no - I never let clients come here."

"How much is your rate for the session going to be, Allison?"

This was the clincher.

"Allison?"

"Five thousand dollars."

"I figured as much."

"So then where do you think we should meet?"

I knew that someplace private where I could wallop the crap out of her wasn't an option, so I suggested a restaurant at Park Royal that catered mostly to older diners who liked buttery European food. She seemed to like this.

"Oh, and Heather - "

"Yes, Allison?"

"Cash, please."

At one in the afternoon I met her there. It was odd pretending to be civil when she was in the midst of vile extortion. Allison said, "All this butter and oil - you'd think pensioners would take better care of their hearts."

"They're just waiting to die, Allison. Give it a rest."

Wiener schnitzels appeared on the table, but I didn't touch mine; Allison's vanished as though eaten by a cartoon wolf. As she downed her last bite, she said, "There. Now shall we get down to business?"

"Yes, Allison, let's."

"Do you have the payment?"

I showed her the money, in twenties, taken from the shared account Jason and I were using to save for a down payment on a small house. It was inside one of the leftover Ziploc bags. "Here."

She appraised it quickly. "Fine. I had a message last night. I don't known what any of this means, but here goes . . ." She then began mouthing the words she'd received. It was one of our favorite set pieces, involving Henry Chickadee, "Heir to the Chickadee Seed Fortune." Henry's story is that he spent his days in Aisle 17 of the local Wal-Mart saying, "Hello! Welcome to Aisle 17. I'm Henry Chickadee, might I entice you to sample our wide variety of Chickadee Seed products?" Sometimes Henry would be in his perch beside a small mirror, and when he went back and forth on his swing, he'd say "Hello!" every time he saw himself. Henry didn't understand what mirrors were, or what they did, and if other characters tried to explain it, he'd just gap out. Pure silliness.

And so Allison sat there, in the middle of this geriatric restaurant reeking of buttery foods, saying "Hello! Hello! Hello." Even though this woman was evil, she delivered the goods.

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