Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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Oh Lord, when is this morning's session going to end?

And Heather, aren't you the one who's up the creek, paddle-free, once they read this transcript? Screw it. Nobody ever does.

What has happened to me? I've gone crazy. I have. Allison isn't evil. She's just stupid. She probably forgot to recharge her phone. Why all of a sudden do you accuse her of treachery when stupidity may be her only failing? Wait a second - Allison is way too young a name for a woman aged sixty-ish. She ought to be called Margaret or Judy or Pam. Allison? Only women my age are called Allison. Or Heather. When we all start dying in another forty years, they'll look at the obituaries, see our names and say to themselves, "Isn't it weird? All the Heathers are dying."

A bit later

Okay, there was one time when I suspected something dodgy with Jason, just one time, down in Park Royal maybe two months before he disappeared. We were walking down the main atrium in the south mall, returning a shirt, and in mid-conversation Jason froze. I looked at whatever it was he was seeing; there was just this guy sitting there eating ice cream on a bench with a woman who looked to be his mother. He was a big guy, kind of Eastern European looking, and his clothes - they were like what a nightclub bouncer in Vladivostok might choose, thinking that this was how hip Americans dress. His mother was like something from the tuberculosis ward on Ellis Island circa 1902.

"Jason?"

"Don't move."

"Huh."

"I said, don't - "

"Jason, you're scaring me."

The guy looked our way, and in slow motion put down his ice cream. He then rolled up his pants leg, and I thought he was going to pull out a handgun, but instead I saw that he had a metal prosthesis. The guy knocked on it, looked up at Jason and gave a creepy smile.

The next minute Jason had whisked me away and we were standing in front of the Bootlegger jeans store. He was obviously stressed out, and when he saw that we were in front of the Bootlegger store, he became even more so - he said, "Not this place." So we escalatored up to the next level. I looked down, and the one-legged guy was looking up at us.

By then I was curious but also quite angry. "Jason, what was that all about?"

"A guy I used to work with."

"It doesn't look to me like you were friends with him."

"He burnt me on some money he owes me. He's a crazy Russian guy. Those people will do anything."

"That's racist."

"Whatever. That guy is bad news."

I saw the wall slam down. I didn't bother pursuing the question, as past experience had taught me the futility of trying to breach the wall.

Jason said, "Let's go to the parkade."

"What? We just got here. We haven't even returned this shirt."

"We're going."

And so we left.

And for the weeks after that, Jason was jumpy and tossed in his sleep. Maybe there was no connection to the disappearance. What am I saying? I don't have a clue. But if I ever see that guy again, he's got a lot of questions coming his way.

Tuesday afternoon 1:30

Back in my little stenography booth looking, to all the world, like the picture of industry.

I listened to Allison's message over lunch hour:

"Oh, hello, uh, Heather, this is Allison. I think you might have been trying to reach me. I couldn't find your number because it was in the cell phone's memory and the phone was in the car, which died, and so I've been trying to rustle up some money to get the starter motor fixed, and, well, you know how complicated things can get ..."

Do I? Do I? Allison, stop feebly toying with the trivialities of your life, accomplishing nothing, pretending that your tasks are so complex that only God could handle them. Just go fix your effing car, and shut up. And yes, Allison, I do know how complicated things can get, but they could be bloody well easier if you'd stop pretending to be a cretinous fake helpless girly-girl about matters that take only ten minutes to solve.

". . . Anyway, yes, I did have a remarkable statement for you come through last night, and it was for you, no mistake there. Would you like to get together maybe at the end of the day? I know you work nine to five. Here's my number, give me a call . . ."

Hag.

As if I didn't know her number. I phoned it and got no response. Lunch hour went by in what seemed to be three minutes as I dialed it over and over, for a few minutes from the bathroom because I got a bit dizzy and had to sit in silence. What is it about Allison that has me sitting in public bathroom stalls all the time?

So now I'm back in the courtroom supposedly documenting this frivolous and endless land deal trial. These men should all be tarred and feathered and be flogged as they walk naked down the street for screwing around with the lives of common people the way they do.

In my peripheral vision I'm also noticing that people are looking at me to see if my cell phone is going to ring again. As if. But I have to admit, it's a bit flattering to be the temporary star in the courtroom, instead of these blowhards who drag things out so they can bill for countless hours. The law is a lie. It's a lie. A lie.

Tuesday afternoon 2:45

Back in my little booth stenographing away.

My phone just rang again. Right in the middle of a freighted moment engineered by one of these hawklike balding Glennoids. The judge spoke to me quite harshly -too harshly, really; I mean, it's only a cell phone ringing in front of the court. Professionally it's a huge humiliation, but you know what? I could care less. I told his honor that I'd just signed up for a new cell phone program and that I was unfamiliar with their system. And he bought it.

And so here I am, chastened, and to look at me, I'm beavering away at my job, humiliated and belittled by the powers above. Sure. I just want to get out of this psychic garbage dump.

Tuesday night 10:00

Allison finally answered her phone. I pretended to be all-innocent, as if I hadn't phoned her two thousand times in the past forty-eight hours.

"Allison?"

"Heather. We connect. How are you?"

Like a Ryder truck full of fertilizer and diesel fuel, with a detonator set at thirty seconds and ticking. "Okay. Getting by. The usual. You?"

"Oh, you know - this car of mine. Cars are so expensive to maintain."

"What do you drive?"

"A '92 Cutlass."

Well, of course it's expensive to maintain. It's a decade old - what do you expect? The quality revolution hadn't happened then. It's one big hunk of pain you're driving. Throw it away. Buy a Pontiac Firefly for $19.95 -I don't care what you do, but for God's sake, don't drive the wind-up toy you're using now. I said, "Cars are getting better these days, but they can still be a bother."

"The money I make from being a pretend psychic is so small."

"I could help you out, maybe."

"Could you?"

I said, "Sure. It's probably going to cost less than you thought. I can set you up with my repair guy, Gary, down on Pemberton Avenue."

"That'd be kind of you."

"So can we meet tonight?"

"I think so."

I asked, "What time works for you?"

"Seven o'clock"?

"Where? How about my place?"

"Oh . . ."

"Allison - is everything okay?"

"It's just that seven is when I usually eat dinner."

We agreed to meet at a slightly formal Italian place on Marine Drive. When I arrived, it was evident she'd been there a while, as only the dregs remained in what I already saw was a bottle of the restaurant's priciest merlot. She told me I looked relaxed, which is always a successful ploy, because it invariably relaxes the person you say it to. I asked if she liked the wine; she did - she'd better - and she ordered another bottle, although you'd never imagine such a tiny dragon could hold her booze so well.

Heather, try to be nice to this woman. You're only jealous because Jason chose to speak through her and not directly to you.

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