Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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As soon as there was wine in my glass I asked her what message Jason had given her, but she raised her hand in a warding-off motion (very professional) and said, "It's not good to mix eating with the spirit world." It was all I could do not to throttle her. She talks about the afterlife like it was Fort Lauderdale.

As Allison didn't want to contaminate her perceptions by asking me about my life, I learned - over the appetizer, the lamb entree, and some Key lime sorbet - about Glenn, who had worked for the Port Authority's inspection division, further details of which make me ache for sleep. She has three ungrateful daughters, all in their twenties, who seem to shack up with anything on two legs. To hear Allison's side of the story, her life has been nothing but person after person abusing her sweet, generous nature. Of course, I don't believe her for a moment, but that doesn't get me anywhere. She's got the sole existing phone line to Jason, and I'll be damned if some passive-aggressive menopausal old bat is going to cheat me out of hearing what Jason's been saying to me.

When the dishes were cleared, Allison did what I used to do back in college, which was keep a sharp eye attuned to the restaurant's till so as to see when the check might be arriving, and once the check was in motion toward the table, flee to the bathroom. When she returned, she found me putting on my sweater and readying my purse.

"Oh, did the bill come?"

"My treat."

"How sweet of you."

"Maybe we could go to a coffee place and discuss, you know - these things you've been receiving."

"That's an excellent idea."

We found a nearby café inhabited by local teens primping and strutting and turkey-cocking, all of which made me feel older than dirt. Allison ordered the most expensive coffee on the menu, whereupon I gave her my most penetrating stare. "Can we talk now about Jason?"

"Of course, dear. But I wish it didn't feel as silly as it does to say these things to you."

"No, not at all. So what did he say?"

Allison inhaled and delivered the words like an embarrassing truth. "Glue."

"What?"

"Glue. Glue glue glue glue glue."

I was floored. It was the Quails speaking. The Quails were yet more characters created by Jason and me - a blend of Broadway gypsies and intelligent children, greatly given to repetitive tasks and themed costumes. But the Quails spoke only their own language, which had only one word, glü, with a jaunty, Ikea-like umlaut on the ü.

Allison said, "After all your kindness, Heather, that's the only message I have for you. I think maybe I am a fraud after all."

I sat stunned.

"Heather? Heather?"

"What? I - "

"I take it this means something to you."

"Yeah. It does."

"That's a relief."

Allison, I suppose, was wondering what kind of genie had been let out of the bottle. I asked her, "Nothing else? Nothing at all?"

"Sorry Heather. Just 'Glue glue glue glue.'"

"When do you normally pick up your messages, so to speak?"

"It has to be during the night."

"So tonight you'll get more?"

"I can only wait and see."

"Will you call me if you get anything?"

"Of course I will. But I think it's because of my car and money worries that I'm blocking more than I could otherwise receive."

"I'll help you out with your car. And of course I'll pay you your normal psychic fees."

"You're very kind, Heather. And after tonight's lavish meal, too."

Oh, brother. I took ten twenty-dollar bills from my bag and gave them to Allison. "This is for today. And also, I'll cover your car's repair bill this time. How does that sound?"

"Such kindness! But really Heather, you - "

I was swept away in the emotion of hearing Quails from the dead. "It's my pleasure. Can I ask you to keep your phone on tomorrow, Allison? It's so frustrating to be unable to reach you sometimes."

"Of course I will, dear."

And so I came home, where I'm sitting now trying to make sense of Jason's happy message from beyond. Glü glü glü glü glü glü glü glü glü glü glü glü glü.

I'm wondering if I should just jump off Cleveland Dam and get to him right away, but that would probably somehow disqualify me.

So I think I just need to sit here, enjoy the glow and then take two sleeping pills because tomorrow's a working day.

Just before I fall asleep . . .

I've been thinking. I'm older. I'm on the other side of thirty-five, and I have a better notion of wasted time and energy than I did even two years ago. If somebody wastes my time these days, I get mad. I'm also seven years older than Jason, but after about thirty-three, we're all the same age in our heads, so it's not the big deal it looks like. At least not from the inside looking out. And as Jason was almost thirty-three, we were almost the same. And anyway, a few decades after your first kiss and your first cigarette, I don't care if you're rich or poor, life leaves the same number of bruises on you. Most people might view Jason as a failure, and that's just fine. Failure is authentic, and because it's authentic, it's real and genuine, and because of that, it's a pure state of being. I thought Jason was as pure and bright as a halo, and no, I'm not trying to make excuses for the guy. God only knows he snored through enough morning jobs, and he clocked out early once a week to watch the games down at the pubs. But Jason never curried favor with people he didn't like. He never tried to fake being busy so he'd look good, and he never fudged his opinion to suit the temperature of the room.

In failure, Jason could be truly himself, and there's a liberation that stems from that. Leave that shirt untucked. Wash your hair tomorrow. Beer with lunch? Sure.

I wish I could say that success turns people into plastic dolls, but the truth is that I don't know any successful people. The people in the courts are the closest I might come to knowing success stories, but they're all vermin.

At first I wondered if I should take Jason and clean him up and turn him into a gung-ho PowerPoint-driven success story, but that was never going to happen. I figured that out quickly, so I never pushed him. That I didn't try to force him to change might have been my biggest attraction - that and my manicotti Florentine - and the fact that I never judged him harshly, or even judged him at all. I simply let him be who he was, this sweet, screwed-up refugee from a past that was so extreme and harsh, and so different from my own. And he was so lonely when I met him - oh! He almost hummed with relief in the mornings when he learned we could talk at breakfast. Apparently, that was forbidden growing up. Reg must have been pretty gruesome back then.

Jason also had this thing called the glory-meter. A glory-meter was an invisible device Jason said almost everybody carries around with them, a Palm Pilot-ish gadget that goes ding-ding-ding whenever we come up with a salve to try to inflate our sense of importance. Examples would be "I make the best sour cherry pie in Vancouver"; "My dachshund has the silkiest fur of all the dogs in the park"; "My spreadsheets have the most sensibly ordered fields"; "I won the 500-yard dash in my senior year." You get the picture. Simple stuff. Jason never saw anything wrong with this kind of thing, but when he pointed the meter to himself, the ding-ding-ding stopped, and he'd pretend to whack it, as if the needle were broken.

"Jason, you must have something in you to activate the glory-meter."

"Sorry, honey. Nada."

"Oh, come on . . ."

"Zilch."

This was his cue for me to say how much I loved him, and I'd spend the next ten minutes girlishly telling him all the goofy things I like about him, and he felt so much better because of that. So, if that's fixing someone, yup, I fixed the man.

Wednesday morning 10:30

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