Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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"No. Not words."

"What do you mean, 'not words'?"

"Just what I said. The voice - male, fifties maybe? - says 'Oh I say,' and then there's this weird laughter. But it's not like real laughter. It's fake."

"Oh, Jesus." I put the phone down. I could hear Allison on the other end calling "Heather? Heather? Heather?"

"Allison, where are you calling from? What's your number?"

She gave it to me. I asked if we could meet soon. She couldn't make it today, so tomorrow it is - in the morning, down at the beach.

It was bedtime. We'd see what tomorrow would bring.

Sunday afternoon 3:30

Oh Lord. What am I to do? I arranged to meet her at the fish-and-chips stand between Ambleside Beach and the soccer field. Jason always liked going there, so I figured it would increase the chance of a Jason vibe. Did I just write the word "vibe"? I hope that doesn't betoken the start of something bad. I was bleary-eyed and freezing, and the twins didn't seem to notice or care - oh, to be young and have a proper thermostat again. So I waited for this Allison woman.

The stand was closed, and we were alone save for a few unambitious seagulls trolling the metal litter drums for snacks. The air was salty and nice, clean smelling. I turned to look at the waves, at the little tips of whitecaps, and I turned around, and there was Allison, older than I'd thought, about sixty, and smaller too, her body like a pit inside a large prune of teal-green fleece and zippers. She wore tight black leggings so maybe she was a walker. Do I care? Yes. I care. This woman was my lifeline.

"Allison?"

"Heather?"

"I'm glad you could come meet me here."

Allison said, "How could I miss it? This is the first interesting thing to happen in my life since my husband died."

"I'm sorry to hear that."

"Don't be. It was horrible for him. When he went it was a blessing."

"Is that when you first decided to try your hand at being psychic?"

"At first. I missed him like I'd miss sight or taste or hearing — he was an extra sense for me. I felt like I'd been blinded. I wanted him returned to me any way I could manage."

We all walked toward the soccer field. "What happened then?"

"First I went to other so-called psychics; they all checked me out and picked up on the fact that I'd recently lost Glenn. Something in my eyes, or maybe the fact that I hadn't bothered to pretty myself up. I know all the signs now.

These psychics would mostly milk Glenn's death - 'I think it was a quick death - no! It was a slow death. He wanted you to be brave and not to worry.' None of it was of any consequence, but it made me feel good at a time when other things weren't working. You don't need to be a psychic to know that, but when the message comes from the spirit world, wow, you almost swoon from the illusion of contact."

"Why did you decide to do it yourself? Don't you think it's sort of mean for pseudo-psychics to lead people on?"

"Mean? No. Like I told you last night, it's harmless stuff, and even the worst psychic made me feel a heckuva lot better than all the Wellbutrin or Tia Maria I swallowed. Psychics are no different from quack vitamins or aromatherapy or any of that stuff you see ads for. And I'll tell you this: When people come to me, I really do help them. And you'd be amazed at the problems everybody has."

"I work as a court stenographer. I think I see more problems than most people."

It was becoming windy, and our voices were being swept away. Allison said to me, "Heather, please don't tell me anything about yourself. Please. If I'm going to be genuinely psychic here, I don't want the results to be influenced."

Just then the kids found a dead crow and shouted, "Aunt Heather!" and I looked at Allison and said, "Well, now you know at least that much."

I suggested we go talk someplace warm. We went to the café adjacent to the ball pit at Park Royal mall, where the twins romped among filthy colored-plastic balls with germ loads reminiscent of the Black Plague.

Allison said, "I'll be frank with you. I don't know if you're married or single or divorced or lesbian or anything else. And I'll say it again: I don't know where I got these voices, or why."

She paused. I tried to conceal my hunger for more contact from Jason. "Allison, did you get any more, uh, messages last night or this morning?"

Allison said, "I did. One."

"What was it?"

She sighed. "I can tell you, if you like, but I have no idea what it means."

"What is it? What did you hear?"

She screwed up her head as if she was about to sing an aria, but instead she spoke in a high, cartoonish voice: "Hey! I'm in dreamland and I got the best table here." She repeated the phrase and then relaxed her head. "That's what I heard."

"Hey, I'm in dreamland and I got the best table here" was a running gag of Froggles, which we used at night before going to sleep. Hearing the words made me high and low at the same time, like a cough syrup high. My face felt like it was morphing into some other face, and my emotions were trying to escape through my bones.

Allison asked me, "Shall I say it for you again?"

"No!" I fairly yelled. I asked Allison to watch the kids for me and I ran out of the small café area beside the pit and headed to the bathroom, where I sat for ten minutes and cried. It's a credit to the human race that several women knocked gently on the door and asked if there was anything they could do. But there wasn't. I sat on the toilet and finally realized that Jason is probably dead; to keep thinking otherwise is simply delusional. The effort I've been putting in, being the rock, keeping it together for the sake of Barb, the kids, Reg and Jason's mom. Nobody else has to go back to an apartment where there's a man's wallet with credit cards collecting dust on the counter by the banana bowl, or a bar of orange English soap that's begun to crack beside the bathroom window. I've been trying to keep Jason's aura alive, but every night after work I walk into that apartment and it's leaked away just that much more. His clothes don't look like they're ever going to be worn again, but I can't give them away. So I keep his stuff there. I dust his shoes so they don't look . . . dead. I keep his wallet beside the fruit bowl because it looks casual, so when he returns he can say, "Ha-ha, there's my wallet!"

Just listen to me. I'm crazy. I wasn't going to let this happen to me. I wasn't. I was going to be cool, but that's not an option anymore.

Finally, Allison knocked on the stall door. She said she was sorry, but she had to leave. I asked her not to, but she said she didn't have a choice. "I told the girl at the ball pit entry way to keep the kids there until you return."

"Thanks."

* * *

I am not a stupid woman. I am aware that there is a world out there that functions without regard to me. There are wars and budgets and bombings and vast dimensions of wealth and greed and ambition and corruption. And yet I don't feel a part of that world, and I wouldn't know how to join if I tried. I live in a condo in a remote suburb of a remote city. It rains a lot here. I need groceries and I go to the shopping center. Sometimes they'll be rebuilding a road and putting those bright blue plastic pipes down in holes; there'll be various grades of gravel in conical piles, and I almost short-circuit when I think of all the systems that are in place to keep our world moving. Where does all the gravel come from? Where do they make blue plastic pipes? Who dug the holes? How did it reach the point where everyone agreed to be doing this? Airports almost make me speechless, what with all of these people in little jumpsuits eagerly bopping about doing some highly qualified task. I don't know how the world works, only that it seems to do so, and I leave it at that.

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