Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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"Reg, I'm going to tell you a story, okay?"

"A story? Sure. What about?"

I couldn't believe I was saying the words, but here I was. "About something stupid and crazy I did last week. I haven't told anyone about it, and if I don't tell someone I'm going to explode. Will you listen?"

"You always listen to me."

I twiddled a noodle coated with cold Parmesan cheese, and said, "Last week I phoned Chris, down in California."

"He's a good boy."

"He is."

"Why did you call?"

"I wanted to - needed to - ask him a favor."

"What was it?"

"I asked him to give me the names and addresses of the people who made the closest match to Jason in the facial profiling index."

"And?"

"And . . . there was this one guy who lives in South Carolina, named Terry, who's about seventy-five years old, and then there was this other guy, Paul, who lives down in Beaverton, Oregon, near Portland. A suburb."

"Go on."

"Well, it turns out this Paul guy has a long but minor record - a few stolen cars - and he got caught fencing memory chips in northern California."

"You went down there to meet him, didn't you?"

* * *

Oh, Heather, you knew it wouldn't be a good thing.

I drove down 1-5 to Beaverton, an eight-hour trip in migraine-white sun, my sunglasses forgotten back on the kitchen counter. In Washington state my body started to unravel: my elbows began crusting with eczema just north of Seattle; by the time I reached Olympia, I felt as if my arms were caked in dried mud. I cried most of the way down - I wasn't a pretty picture. People who drove past me and saw me at the wheel must have said to themselves, Boy, sometimes life is rough, and they'd be glad they weren't me.

I found a chain motel on the outskirts of Portland and spent an hour in a scratchy-bottomed bathtub, listening to teenagers party one room over. I was trying to rinse the road trip out of my body, as well as build up the courage to go knocking on this Paul guy's door. I was expecting him to inhabit a mobile home that listed on three wheels, with a one-eyed pit bull and a girlfriend armed with a baseball bat and incisors loaded with vinegar - and this was pretty close. I mean, what was I thinking? I'm just this broad who comes out of nowhere, who knocks on this guy's flaking red-painted front door in the dead-yellow-lawn part of town at 9:45 at night. When the door opened, I was struck dumb, because there before me was Jason - but not Jason - hair too dark, maybe a few years older, and with bigger eyebrows, but it seemed like his essence was there.

"Uh, can I help you? Ma'am?"

I sniffled. I hadn't planned for this moment, and the resemblance to Jason stopped me cold, even though it was the reason for my mission.

He said, "Okay. I know what this is. You're Alex's cupcake looking to get his leaf blower back. Well, tell that cheap bastard that until I see my cooler chest and all the beer that was in it, he's not gonna see his leaf blower." Paul's voice was higher than Jason's; no similarity there.

"I -"

"Huh? What?"

"I don't know anybody named Alex."

"Okay, then, lady, who are you? Because I've got Jurassic Park III on pause, and if I start watching it again right now, I'll have just enough time to finish before Sheila gets back from Tae Bo."

"I'm Heather."

Paul looked back at the TV and zapped it off with the remote.

"Heather, do I know you or something? Wait - are you Sheila's crazy half-sister? Just what I need. She said you were in Texas for good."

I couldn't speak, because I was looking at Jason hidden somewhere not far beneath Paul's bone structure.

He said, "So what's the score here? I stopped dealing years ago, so don't even try me there. And if you're here for money, you're at the wrong place."

"I'm not here for anything, Paul. I'm not."

"Yeah. Right."

"No - " I hadn't given this part any real thought, or rather, I'd assumed it would be magic and not need any planning.

"I'm waiting."

I said, "My boyfriend's been missing for three months now, and I don't know what I'm going to do, I miss him so much, and I'm so desperate, and I was able to tap into the government's database of criminal faces, so I did, and I found yours, because you're the one closest to him, and I came down here to - " I lost it here.

"You what?"

I was crying and looking at the ground where the dead yellow lawn met the concrete. "I came here to see if you were like him."

"Are you out of your tree, lady?"

"I'm not 'lady.' My name is Heather."

"Heather, are you out of your tree?"

I was choking and even more of a mess.

"Heather, sit down. Jesus."

I sat down. He leaned against the railing and lit up a cigarette the same way Jason did. "You can really do that -just go into a computer and find the person who looks like you?"

I honked my nose. "Welcome to the future. Yes. You can."

"Whoa.'" He spent a moment obviously contemplating the social ramifications of analogs. I was realizing what a mistake this had been.

"So," he said, "do I?"

"Do you what?"

"Look like him. Your boyfriend."

My body, drained of stress, went limp. I was already driving back up the coast in my head. "Yeah. Pretty much. Not quite twins, but with different hair, three months of dieting, and some tweezers, you could pull it off."

"Huh."

"I should go."

"No. Don't. I'll get you a beer."

"I'm driving."

"So?"

I didn't argue. Paul went into the house and brought me back a can of something and opened it for me. Chivalry. To be honest, I wanted to see his face again. He'd had acne as a teenager, he'd spent too much time in the sun, he had twenty extra pounds, and he had a Celtic cross tattooed on his left shoulder, but it was all mesmerizingly Jason-ish.

"He dumped you?"

"No."

"Sorry. I've gotta ask these things."

We looked at each other.

"So tell me where it is you're supposed to go to find your twin?"

"Your analog."

"Huh?"

"That's what you are. You're an analog of my boyfriend."

"So where do I go to find my analog?"

"You don't. I just fluked out. I have a friend of a friend who works in the place where the facial data's stored." He sat down beside me - too close beside me - on the crumbling concrete front steps. He touched the small of my back and I jumped out of my skin, at which point a black martial-artsy club smacked him on his forehead. It was Sheila.

"You stinking son of a dog - "

"Sheila - this isn't what it looks like."

I ran for my car, and luckily Sheila ignored me. Paul still must have a goose egg on his forehead, and I doubt Sheila's ever going to believe his story. On the other hand, Reg thought it was kind of funny, which made me feel better.

Saturday night 11:45

It's almost midnight, and the kids have finally passed out from sugar fatigue. They must be diabetic by now.

I spend my life in court hearing people yammer away and for once I want to be on the stand. Forget my crazy trip to Portland. I want to talk about what happened yesterday, because that's what's gotten me to writing here. I'd have told Reg, but I have a hunch he doesn't go in for this kind of stuff.

But first, you have to understand that my life before Jason was dull. Not insignificant, mind you, but not many kicks either. I grew up in North Van, seven years ahead of Jason. Have I mentioned that I'm seven years older than he is? At the time of the Delbrook Massacre I was living in Ontario and had just earned all the papers I needed to be a court stenographer. I was already working part time, in Windsor -a friend got me a job there. I was always a good typist, but stenography? It works by phonetics, not letters, and when it's flowing properly, it's as if the things people are telling each other in court are emerging from my own brain in real time. It's like I'm inventing the world! Other stenographers say the same thing - it's like catching the perfect wave. And it's funny, because one of the side effects of being a good stenographer is that you can tell right away when someone's fibbing. Oh yeah: the presiding judge and jury might miss it, but not this gal. I suppose if you asked me what was the one thing that made me different from all other people, that might be it - that I'm a living lie detector.

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