Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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So yes, we'd had a fight on the phone about this matter the night before my pregnancy test. Jason was angry with me for dragging my heels about announcing the marriage, and I was angry with him for wanting to be a - I don't know - a show-off.

And that's as far as I got in my life, my baby as well. I don't think I've concealed anything here, and there's not much left to explain. God owns everything. I was not replaceable, but nor was I indispensable. It was my time.

Dear God,

I am so full of hate that I'm scaring myself. Is there a word to describe wanting to kill people who are already dead? Because that's what's in my heart. I remember last year being in the backyard with my father. We lifted up this sheet of plywood that had been lying on the grass all winter. Underneath were thousands of worms, millipedes, beetles and a snake, all either eating or being eaten, and that is my heart, and the hate and the insects grow and grow blacker by the hour. I want to kill the killers, and I just can't believe that this would be a sin.

Lord,

My son described the blood and water pooling on the cafeteria floor, coating it like Varathane. He told me about the track marks left in blood by running shoes, by bare feet and by bodies either dragging themselves or being dragged away by friends. There's something else he's not telling me - a father knows that - but what could be more horrible than - Oh God, this is not a prayer.

I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason, or that I confused one with the other. Maybe I wasn't truly in love with Jason; maybe it was just an infatuation, or maybe it was only some sort of animal need like any teenager feels.

Listen to me, practical Cheryl, covering my bases, even after death. But I know that when I was alive I did face these questions: I loved Jason, but what I felt for God was different altogether. I kept them separate.

* * *

As Mitchell was aiming at me, there were sirens outside, helicopters, alarm bells throughout the school and water splashing down from the shattered pipe. As well, Duncan was egging Mitchell on to kill Jeremy, too, and my hopes had flip-flopped - now I thought I might survive. Then Jeremy said, "Go ahead, Mitchell, shoot me - like I care."

Mitchell seemed to be short-circuiting. He hadn't anticipated this scenario. He turned a bit to his left, looked down at me and the Bunch, then took his rifle and shot me on my left side. He really wasn't a good shot, because he was five paces away, and I should have been dead instantly. And quite honestly, it didn't hurt, the shooting, and I didn't die immediately, either. Lauren, bless her, lunged away from me, leaving me there on the floor on top of my binder, which the water had sloshed off the tabletop. At my new angle, I could see much better what was transpiring. Mitchell said, "Well, Jeremy, you stud, that's one less girl for you to impress," and Jeremy said, "Dear God, I repent for my sins. Forgive me for all I have done."

In unison, Mitchell and Duncan shrieked, "What?" and turned to Jeremy, blasted him enough to kill him a dozen times over. Then I heard Jason's voice from the cafeteria doors - something along the lines of "Put those guns down now."

Mitchell said, "You have got to be kidding."

"I'm not kidding."

Mitchell shot at Jason and missed, and then I saw something that looked like a lump of gray art-class clay fly through the air and crack Mitchell on the side of his head, so fiercely that I could see his skull implode.

At this point, the boys in the camera club lifted up their table and used it as a shield as they charged against the sole surviving gunman, Duncan Boyle. It was covered with paper bags and some cookies that had been glued in place by blood. They charged into Duncan, pressing him against a blank spot of cinder-block wall. I saw the rifle fall to the ground, and then I saw the boys from the camera club laying the table flat on the ground on top of Duncan and begin jumping up and down on it like a grape press. They were making hooting noises, and people from the other tables came and joined in and the table became a killing game as all of these children, boys and girls, who fifteen minutes earlier had been peacefully eating peanut butter sandwiches and oranges, became savages, killing without pause. Duncan's blood dribbled out from under the table.

Lauren called out, and Jason came over and lifted the table off me like a hurricane lifting off a roof. I know he said something to me, but my hearing was gone. He tried holding me up, but my neck was limp, and all I could see was across the room, children crushing other children. And that was that.

* * *

To acknowledge God is to fully accept the sorrow of the human condition. And I believe I accepted God, and I fully accepted this sorrow, even though until the events in the cafeteria, there hadn't been too much of it in my life. I may have looked like just another stupid teenage girl, but it was all in there - God, and sorrow and its acceptance.

And now I'm neither dead nor alive, neither awake nor asleep, and soon I'm headed off to the Next Place, but my Jason will continue amid the living.

Oh, Jason. In his heart, he knows I'll at least be trying to watch him from beyond, whatever beyond may be. And in his heart, I think, he's now learned what I came to believe, which is, as I've said all along, that the sun may burn brightly, and the faces of children may be plump and achingly sweet, but in the air we breathe, in the water we drink and in the food we share, there will always be darkness in this world.

Part Two

1999: Jason

You won't see me in any of the photographs after the massacre - you know the ones I mean: the wire service shots of the funerals, students felt-penning teenage poetry on Cheryl's casket; teenage prayer groups in sweats and scrun-chies huddled on the school's slippery gym floor; 6:30 A.M. prayer breakfasts in the highway off-ramp chain restaurants, with all the men wearing ties while dreaming of hash browns. I'm in none of them, and if you had seen me, I sure wouldn't have been praying.

I want to say that right from the start.

Just one hour ago, I was a good little citizen in a Toronto-Dominion bank branch over in North Van, standing in line, and none of this was even on my mind. I was there to deposit a check from my potbellied contractor boss, Les, and I was wondering if I should blow off the afternoon's work. My hand reached down into my pocket, and instead of a check, my sunburnt fingers removed the invitation to my brother's memorial service. I felt as if I'd just opened all the windows of a hot muggy car.

I folded it away and wrote down today's date on the deposit slip. I checked the wall calendar - August 19,1999 -and What the heck, I wrote a whole row of zeroes before the year, so that the date read: August 19, 00000001999. Even if you hated math, which I certainly do, you'd know that this is still mathematically the same thing as 1999.

When I gave the slip and the check to the teller, Dean, his eyes widened, and he looked up at me as if I'd handed him a holdup note. "Sir," he said, "this isn't a proper date."

I said, "Yes, it is. What makes you think it isn't?"

"The extra zeroes."

Dean was wearing a deep blue shirt, which annoyed me. "What is your point?" I asked.

"Sir, the year is nineteen ninety-nine, not zero zero zero zero zero zero zero one nine nine nine."

"It's the same thing."

"No, it's not."

"I'd like to speak with the branch manager."

Dean called over Casey, a woman who was maybe about my age, and who had the pursed hardness of someone who spends her days delivering bad news to people and knows she'll be doing it until her hips shatter. Casey and Dean had a hushed talk, and then she spoke to me. "Mr. Klaasen, may I ask you why you've written this on your slip?"

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