Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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Whuppp . . . Joyce, my faithful white Lab, just bolted upright. What's up, girl, huh? Up is a Border collie with an orange tennis ball in his mouth: Brodie, Joyce's best friend. Time for an interruption - she's giving me that look.

* * *

An hour later:

For what it's worth, I think God is how you deal with everything that's out of your own control. It's as good a definition as any. And I have to ...

Wait: Joyce, beside me on the bench seat, having chewed her tennis ball into fragments, is obviously wondering why we should be parked so close to a beach yet not be throwing sticks into the ocean. Joyce never runs out of energy.

Joyce, honey, hang in there. Papa's a social blank with a liver like the Hindenburg, and he's embarrassed by how damaged he is and by how mediocre he turned out. And yes, your moist-eyed stare is a Ginsu knife slicing my heart in two like a beefsteak tomato - but I won't stop writing for a little while just yet.

As you can see, I talk to dogs. All animals, really. They're much more direct than people. I knew that even before the massacre. Most people think I'm a near mute. Cheryl did. I wish I were a dog. I wish I were any animal other than a human being, even a bug.

Joyce, by the way, was rejected by the Seeing Eye program because she's too small. Should reincarnation exist, I'd very much like to come back as a Seeing Eye dog. No finer calling exists. Joyce joined my life nearly a year ago, at the age of four months. I met her via this crone of a Lab breeder on Bowen Island whose dream kitchen I helped install. The dream kitchen was bait to tempt her Filipina housekeeper from fleeing to the big city. Joyce was the last of the litter, the gravest, saddest pup I'd ever seen. She slept on my leather coat during the days and then spelunked into my armpits for warmth during breaks. That breeder was no dummy. After a few weeks she said, "Look, you two are in love. You do know that, don't you?" I hadn't thought of it that way, but once the words were spoken, it was obvious. She said, "I think you were meant for each other. Come in on the weekend and put the double-pane windows in the TV room, and she's yours." Of course I installed the windows.

* * *

It's a bit later again, still here in the truck, looking again at the invitation to Kent's memorial this evening.

A year ago today, I got a phone call from Barb, your mother, who had married my rock-solid brother, Kent, to much familial glee in 1995. I was driving home along the highway from a Hong Konger's home renovation at the top of the British Properties, and it was maybe six-ish, and I was wondering what bar to go to, whom to call, when the cell phone rang. Remember, this was 1998, and cell phones were a dollar-a-minute back then - hard to operate, too.

"Jason, it's Barb."

"Barb! Que pasa?"

"Jason, are you driving?"

"I am. Quitting time."

"Jason, pull over."

"Huh?"

"You heard me."

"Barb, could you maybe - "

"Jason, Jesus, just pull to the side of the road."

"Sorry I exist, Eva Braun." I pulled onto the shoulder near the Westview exit. Your mother, as you must well know by now, likes to control a situation.

"Have you pulled over?"

"Yes, Barb."

"Are you in park?"

"Barb, is micromanaging men your single biggest turn-on in life?"

"I've got bad news."

"What."

"Kent's dead."

I remember watching three swallows play in the heat rising from the asphalt. I asked, "How?"

"The police said he was gone in a flash. No pain, no warning. No fear. But he's gone."

* * *

Let me follow another thread. On the day of the massacre, Cheryl arrived late to school. We'd had words on the phone the night before, and when I looked out my chem class window and saw her Chevette pull into the student lot, I walked out of the classroom without asking permission. I went to her locker and we had words, intense words over how we were going to tell the world about our marriage. A few people noticed us and later said we were having a huge blowout.

We agreed to meet in the cafeteria at noon. Once this was settled, the rest of the morning was inconsequential. After the shootings, dozens of students and staff testified that I had seemed (a) preoccupied; (b) distant; and (c) as if I had something "really big" on my mind.

When the noon bell rang, I was in biology class, numb to the course material - numb because I'd discovered sex, so concentrating on anything else was hard.

The cafeteria was about as far away from the biology classroom as it was possible to be - three floors up, and located diagonally across the building. I stopped at my locker, threw my textbooks in like so much Burger King trash and was set to bolt for the caf, when Matt Gursky, this walking hairdo from Youth Alive!, buttonholed me.

"Jason, we need to talk."

"About what, Matt? I can't talk now. I'm in a hurry."

"Too much of a hurry to discuss the fate of your eternal soul?"

I looked at him. "You have sixty seconds. One, two, three, go . . ."

"I don't know if I like being treated like a - "

"Fifty-three, fifty-two, fifty-one . . ."

"Okay then, what's the deal with you and Cheryl?"

"The deal?"

"Yeah, the deal. The two of you. We know you've been having, or rather, you've been ..."

"Been what?"

"You know. Making it."

"We have?"

"Don't deny it. We've been watching."

I'm a big guy. I'm big now, and I was big then. I took my left hand and clenched it around Matt's throat, my thumb on top of his voice box. I lifted him off the buffed linoleum and cracked the back of his head on a locker's ventilation slits. "Look, you meddlesome, sanctimonious cockroach . . ." I bounced him onto the floor, my knees locking his arms as surely as cast-iron shackles. "If you dare even hint, even one more time, that you or any other sexless, self-hating member of your Stasi goon squad have any [slug to the face] right to impose your ideas on my life, I'll come to your house in the dead of night, use a tire iron to smash your bedroom window and then obliterate your self-satisfied little pig face with it."

I stood up. "I hope I've made myself clear." I then walked away, toward the caf, climbing up flights of stairs, but I felt like I was walking on an airport's rubber conveyor belt.

I was maybe halfway across the middle floor when I heard sounds like popping fireworks, no big deal, because Halloween was coming up shortly. And then I noticed two grade nine students running past me, and then, some seconds later, dozens of students stumbling over themselves. One girl I knew, Tracy, who took over my paper route from me back in 1981, yelled at me there were three guys up in the cafeteria shooting students. She fled, and I remembered the ship turning upside down in The Poseidon Adventure, and the looks on the actors' faces as they clued into the fact that the ship was flipping: smashed champagne bottles, dying pianos, carved ice swans and people falling from the sky. The fire alarm went off.

Against the human stream, I rounded a stairwell - one with a mural of Maui or some other paradiselike place. The wall was pebble-finished and rubbed my right arm raw. At that point the alarm bell felt like crabs crawling on my head.

At the top of the stairs Mr. Kroger, an English teacher, stood with Miss Harmon, the principal's assistant, both looking besieged; life doesn't prepare you for high school massacres. When I tried to pass, Mr. Kroger said, "You're not going up there." Meanwhile, the gunshots were coming fast and furious around the corner and down the hall in the caf. Mr. Kroger said, "Jason, leave." The sprinklers kicked in. It was raining.

"Cheryl's in the cafeteria."

"Go. Now."

I grabbed his arm to move him away, but he toppled down the stairwell. Oh, Jesus - he went down like a box of junk falling from a top cupboard.

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