Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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There were seagulls flying above - rare for that altitude, and -Well, I've seen all the photos a million times like everyone else, but they just don't capture the way it felt to be there -the sunlight and the redness of the blood: that's always cropped out of magazines, and this bugs me because when you crop the photo, you tell a lie.

I was thinking, Okay. I guess I should just go home and wash up and get on with things. Up the hill, hundreds of students were being held back by police barricades. When I looked to my left, a medic plunged a syringe like a railway spike into the chest of a friend of mine, Demi Harshawe. A few steps away, an attendant running with a plasma tree tripped over a varsity coat soaked in coagulating blood.

In my pocket I felt my car keys, and I thought, If I can just find my car, I'll be able to leave here, and everything will be just fine. When I walked down to the auxilary lot where I'd parked that day, nobody stopped me. I'd later learn that I'd accidentally fallen through every crack in the security system, which was for a time interpreted as having sneaked through every crack in the system. Regardless, nobody called my name, and, by the way, those grief counselors they always talk about on TV? Oh, come on.

I was headed for my car, but then I saw Cheryl's white Chevette - it looked so warm in the sunlight, and I just wanted to be near it and feel warmth from it, so I went and lay down on the hood. The sun was indeed warm, in that feeble October way, and I curled up on the car's hood, leaving red rusty finger-painting swishes, then fell into whatever it is that isn't sleep but isn't wakefulness, either.

A hand shook me, and when I opened my eyes, the sun was a bit further to the west. It was two RCMP officers, one with a German shepherd, and the other with a rifle speaking into a headset: "He's alive. Not injured, we don't think. Yeah, we'll hold him."

I blinked and looked at the men. I was no longer "the guy"; I was now merely "him." I tried lifting my right arm, but the blood had bonded it to the hood. It made a ripping-tape sound as I pulled it away. My clothes felt made of plasticine. I asked, "What time is it?"

The officers stared at me as if their dog had just spoken to them. "Just after two o'clock," one of them said.

I didn't know what to say or ask. What was the grand total? I blanked, and two very nice-seeming women ran down to the lot toward us carrying large red plastic medical boxes.

"Are you shot?"

"No."

"Cut?"

"No."

"Have you been drinking alcohol or using drugs?"

"No."

"Are you on any medications?"

"No."

"Allergies?"

"Novocaine."

"Is the blood on your body from a single source?"

"Uh - yes."

"Do you know the name of the person?"

"Cheryl Anway."

"Did you know Cheryl Anway?"

"Uh - yes. Of course I did. Why do you need to know that?"

"If we know the relationship then we can more precisely evaluate you for stress or shock."

"That makes sense." I felt more logical than I had any right to be.

"Then did you know Cheryl Anway?"

"She's my . . . girlfriend."

My use of the present tense flipped a switch. The women looked at the RCMP officers, who said, "He was sleeping on the hood."

"I wasn't asleep."

They looked at me.

"I don't know what I was doing, but it wasn't sleep."

One of the women asked, "Is this Cheryl's car?"

"Yeah." I stood up. The fire alarms were still clanging, and the concertlike sensation of thousands of people nearby was distinct.

The other female medic said, "We can give you something to calm you down."

"Yes. Please."

Alcohol chilled a patch of skin on my left shoulder and I felt the needle go in.

* * *

Like anyone, I've seen those movies about army barracks life where evil drill sergeants, with cobra venom for spinal fluid, sentence privates to six years of latrine duty for an improperly folded bedsheet corner. But unlike most people, I have to leave the theater or switch the channel because it reminds me of my life as a child.

You're nothing, you hear me? Nothing. You're not even visible to God. You're not even visible to the devil. You are zero.

Here's another thought from the mind and mouth of Reg: You are a wretch. You are a monster and you are weak and you will be passed over in the great accounting. As can be clearly seen, my father's primary tactic was to nullify my existence. Maybe today's banking adventure with zeroes stems from that.

Kent, however, was never nothing. At the very least, he was always expected to join my father's insurance firm after college - which he did - get married to a suitable girl - which he did - and lead a proud and righteous life - which he did, until exactly one year ago, when a teenager in a Toyota Celica turned him into a human casserole up by the Exit 5 off-ramp near Caulfeild.

I miss Kent, but God, I wish he and I had been genuinely close as opposed to Don't-they-look-nice-together-in-the-airbrushed-family-portrait close. He was always so bloody organized, and his efforts at all activities always made my own efforts pale. Kent was also righteous; he was sent home from school in sixth grade for speaking up against Easter egg hunts (pagan; trivializes God; symbols of fertility that secretly promote lust). Granted, lust is purely theoretical in grade six, but he knew how to spin things the Alive! way. He was a born politician.

Dad left scorch marks behind him as he jetted off to the school's offices that pre-Easter afternoon, of course to take Kent's side. Through bullying and threat of litigation (he was an imposing, hawklike man), he was able to get Easter egg making banned in Kent's classroom. The school caved simply because they wanted a demented nutcase out of their way. That night at dinner, there was extra praying, and Kent and Dad discussed Easter egg paganism in detail, way too far over my head. As for my mother, she might as well have been watching the blue-white snows of Channel 1.

Here's another thought, this one about Reg: when I was maybe twelve, I got caught plundering the neighbors' raspberry patch. Talk about sin. For the weeks that followed, my father pointedly pretended I didn't exist. He'd bump into me in the hallway and say nothing, as if I were a chair. Kent the politician always stayed utterly neutral during this sort of conflict.

The bonus of being invisible was that if I didn't exist, I also couldn't be punished. This played itself out mostly at the dinner table. My mother (on her sixth glass of Riesling from the spigot of a two-liter plastic-lined cardboard box) would ask how my woodwork assignment was going. I'd reply something like, "Reasonably well, but you know what?"

"What?"

"There's this rumor going around the school right now."

"Really?"

"Yeah. Word has it that God smokes cigarettes."

"Jason, please don't ..."

"Also, and this is so weird, God drinks and he uses drugs. I mean, he invented the things. But the funny thing is, he's exactly the same drunk as sober."

Mom recognized the pattern. "Jason, let it rest." Kent sat there waiting for the crunch.

Taunting my father was possibly the one time where I became vocal. Here's another example: "It turns out God hates every piece of music written after the year 1901." The thing that really got to Dad was when I dragged God into the modern world.

"I hear God approves of various brands of cola competing in the marketplace for sales dominance."

Silence.

"I hear that God has a really bad haircut."

Silence.

During flu season and the week of my annual flu shot: "I hear that God allows purposefully killed germs to circulate in his blood system to fend off living germs."

Silence.

"I hear that if God were to drive a car, he'd drive a 1973 Ford LTD Brougham sedan with a claret-colored vinyl roof . . . with leather upholstery and an opera window."

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