Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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"Is this really - "

"Don't go meek on me now, you sadistic bastard."

I'd seen this side of Barb before and knew she would push this situation way further if she wanted to. Riley made some gesture to stand between her and my father. I went over to Barb and tried removing the chair from her grip, but she clutched it using every sinew she'd developed as captain of the girls' field hockey team.

"Barb. No."

"You heard what he said."

"He's not worth the effort."

"He should die for the things he's done to people. Someone has to stop him."

I looked at my father, into his eye slits, and knew that nothing had changed, that he had no real understanding of what he'd done to deserve this. I would have poured the remains of my wine on him, but that would have been a waste.

Barb said, "I'll pour Drano on your grave, you sick bastard."

Reg took the hint. Some of the wives (not a girlfriend in the bunch) accompanied my father to his car.

I sat with your mother while the Alive! crew scoured the house of memorial residue. I said, "Barb, you never believed me about Reg, about how evil he is. Now you know."

"It's one thing to hear about it, Jason. And another to see it in operation."

"Barb, the thing about Dad is that he'll always betray you in the end. Even if you think you've gotten close to him, earned your way into his bosom the way Kent did, in the end he'll always sell you out to his religion. He's actually a pagan that way - he has to make sacrifices, so he sacrificed his family one by one. Tonight he offered the twins to his God. If he were a dog, I'd shoot him."

And so I picked up Joyce at Mom's where the TV station had kicked into late-night infomercials. She was sleeping it off on the couch. I drove home and I'm going to bed soon.

* * *

I arrived at Ambleside Beach a few minutes ago, and something unusual happened. I was sitting in the truck's cab removing a burr from Joyce's flank, while looking at my stack of pink invoice papers, when this pleasant-enough woman in a purple fleece coat, holding a baby in her arms, comes up to the window and says, "Homework?"

Now, if I met you last week, I'll never remember your name, but if we went through kindergarten together, you're still in my brain for good: "Demi Harshawe!" Demi is the massacre victim I'd last seen on October 4, 1988, having a silver spike jabbed into her unclothed heart.

"How are you doing, Jason?"

"No surprises. You?" Joyce trampled over my lap to lick Demi's face.

"Pretty average, I guess. I got married two summers ago. My last name is Minotti now. This here's Logan." Joyce dragged her tongue right across Logan's face.

"Sorry."

"It's okay. We're a dog family. See - Logan didn't mind it one bit."

"It's so great to see you."

We were both six again, and I felt so innocent and genuinely free, like we'd just quit jobs we hated. After maybe five minutes I asked Demi about her health - she'd been one of the kids shot over by the vending machines, and she'd lost a foot.

"I don't even notice it anymore. I do Pilates three times a week and coach softball with my sister. To be honest, wearing braces back in elementary school was way harder to deal with. How about you?"

Demi knew, in the way everyone knows, about how things went wrong for me in the weeks after the massacre. We're both ten years older, too, so I could describe things to her in non-candy-coated terms. "You know what? I never got over Cheryl. Not ever. I doubt I will. I try really hard to join the real world, but it never seems to work, and lately I think I've stopped trying, which scares me more than anything. I do house renovations on a by-the-hour basis and all my friends are barflies."

She thought this over for a second. "I stopped trusting people, too, after the shootings, and until I met my husband, Andreas, I didn't think I'd ever trust people again. And for what it's worth, I think you're one of the few people I could trust, now that I believe in trust again."

"Thanks."

"No, thank you. After all the junk you had to go through." Demi paused for a second. "I was in the hospital for two weeks after the massacre. I missed all those hand-holding ceremonies and flowers and services and teddy bears et cetera. I really regret that, because maybe it would have made me a better person - or at least maybe I wouldn't go around looking at everybody as evil instead of good."

"I doubt it."

Demi sighed. "When I talk like this, Andreas thinks I'm coldhearted. But then he wasn't there. We were. And if you weren't, you weren't."

We'd hit on something irreducible here, and talking much beyond this point would have felt like a betrayal of our shared memories. We made our quick good-byes, and Demi and Logan headed down to the water, and here I am now in my truck's cab, the scribbler of Ambleside Beach.

* * *

It's an hour later and I'm still sitting in the truck.

I wish I could be as innocent as I was at six, the way I felt just briefly while talking with Demi, but that's childish. I wish humans were better than we are, but we're not. I wish I knew how bad I could become. I wish I could get a printout that showed me exactly how susceptible I was to a long list of sins. Gluttony: 23 percent susceptible. Envy: 68 percent susceptible. Lust: 94 percent susceptible. That kind of thing.

Oh God, it's religion all over again; it's my father's corrosive bile percolating through my soil and tickling my taproot. Be as pious as you want, people are slime, or, as my father might say, we're all slime in the eyes of God. It's the same thing. And even if you decided to fight the evil, to attain goodness or religious ecstasy, not much really changes. You're still stuck being you, and you was pretty much decided long before you started asking these questions.

Maybe clones are the way out of all of this. If Reg is against them, that means they're probably a good idea. And as a clone, you pop off the assembly line with an owner's manual written by the previous you - a manual as helpful as the one that accompanies a 1999 VW Jetta. Imagine all the crap this would save you - the wasted time, the hopeless dreams. I'm going to really think about this: an owner's manual for me.

* * *

It's midnight. I cut short my evening with my barfly construction buddies. We shot a few buckets of balls at the Park Royal driving range, then had a few beers, but I just couldn't bring myself to continue. Writing this document has taken a firm grip of me.

Here's an overview of what happened after the Delbrook Massacre.

The fact that I'd never met the three gun wielders didn't seem to matter. In published transcripts of interviews with the police, on the morning of the event I was "agitated." I walked "cavalierly" out of chem class without so much as a nod to the teacher. I was seen having an "emotional confrontation" with Cheryl. I "assaulted, drew blood from, and gave a concussion to" Matt Gursky from Youth Alive! I also assaulted Mr. Kroger "with seeming forethought," and I "seemingly knew to enter the cafeteria just after Cheryl Anway had been shot."

I think the public was desperate for cause and effect. At first glance, I suppose I'd probably be suspicious of me, too, and I'm pretty sure it was my father's bizarre reaction to the news that got police to thinking about me - from a hero to a suspect. Whatever the cause, the morning after the shootings I saw my yearbook photo on the front of the paper with the headline MASTERMIND?

The only thing missing was motive. The three nutcases with guns were screwed-up geeks lost in a stew of paranoia, role-playing games, military dreams and sexual rejection. They were a slam-dunk. With me, the case seemed to revolve around my relationship with Cheryl, about the fight we had that morning and reasons why I might want her dead. The best police minds couldn't engineer a reason no matter how soap-operatic their thinking.

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