Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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"Kent should never have married her."

"Barb? Why not?"

"No respect. Not for her elders."

"Meaning you."

"Yes, meaning me."

"You actually think you deserve respect after what you said to her?"

He rolled his eyes. "From your perspective - from the way you look at the world, no."

"What's that supposed to mean?"

"It means, relax. It means Kent ought to have married someone closer to his own heart."

I huffed.

"Don't play dumb with me, Jason. It always looked bad on you. Kent needed a more devoted wife."

I was floored. "Devoted?"

"You're being obtuse. Barb could never fully surrender to Kent. And without surrender, she could never be a true wife."

I fidgeted with his water decanter, which seemed to be made of pink pencil eraser material. Why does everything in a hospital have to be not just ugly, but evocative of quick, premature and painful death? I said, "Barb has a personality."

"I'm not saying she doesn't."

"She's the mother of your two grandchildren."

"I'm not an idiot, Jason."

"How could you have gone and said something so insensitive last night - suggesting that one of the kids might not even have a soul. Are you really as mindlessly cruel as you seem?"

"The modern world creates complex moral issues."

"Twins are not complex moral issues. Twins are twins."

"I read the papers and watch the news, Jason. I see what's going on."

I changed the subject. "How long are you in here?"

"Maybe five days." He coughed, and it evidently hurt. Good.

"Are you sleeping okay?"

"Last night like a baby."

A mood swept over me, and as with any important question in life, the asking felt unreal, like it came from another person's mouth: "How come you accused me of murder, Dad?"

Silence.

"Well?"

Still no reply.

I said, "I didn't come in here planning to ask you this. But now that I have, I'm not leaving until you give me a reply."

He coughed.

"Now don't you play the little old man with me. Answer me."

My father turned his face away, so I walked to the head of the bed, squatted down and grabbed his head, forcing him to lock eyes with me. "Hi, Dad. I asked you a question, and I think you owe me an answer. Whaddya say, huh?"

His expression wasn't hate and it wasn't love. "I didn't accuse you of murder."

"Really now?"

"I merely pointed out that you had murder in your heart, and that you chose to act on that murderous impulse. Take from that what you will."

"That's all?"

"Your mother, as you'll recall, stopped the dialogue at that point."

"Mom stood up for me."

"You really don't understand, do you?"

"What - there's something to understand here?"

My father said, "You were perfect."

"I was what?"

"Your soul was perfect. If you'd died in the cafeteria, you'd have gone directly to heaven. But instead you chose murder, and now you'll never be totally sure of where you're headed."

"You honestly believe this?"

"I'll always believe it."

I let go of his head. The guy in the next bed was rousing. My father said, "Jason?" but I was already through the door. From his cracked and bruised chest he yelled the words, "All I ever wanted for you was the Kingdom."

He'd stuck his saber through my gut. He'd done his job.

* * *

It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me.

Back to the massacre.

Two weeks after the attack, videocassettes were mailed to the school's principal, to the local TV news programs and to the police. They had been made by the three gunmen using a Beta cam they'd rented from the school's A/V crib. It pretty much laid out what they were going to do, how they were going to do it, and why - the generic sort of alienation we've all become too familiar with during the 1990s.

You'd have thought these tapes would have cleared me completely, but no. Someone had to arrange for the tapes to be mailed, and someone had to be filming these three losers spouting their crap: it was a hand-held camera. So even when I was cleared, in the public mind I was never spotlessly cleared. There was never any doubt with the police and RCMP, thank God, but let me tell you, once people get a nutty idea in their head, it's there for good. And to this day, whoever shot the video and mailed the dubs remains a mystery.

A few celebrities emerged from the massacre, the first being me, semi-redeemed after two weeks of exhaustive investigation revealed my obvious innocence. But of course, for the only two weeks that really mattered, I was demonized.

The second celebrity - and the biggest - was Cheryl. When she wrote GOD IS NOWHERE/GOD IS NOW HERE, she'd finished with GOD IS NOW HERE, which was taken for a miracle, something I find a bit of a stretch.

The third celebrity was Jeremy Kyriakis, the gun boy who repented and was then vaporized for doing so.

During the weeks I spent in motel rooms, I often had nothing to do except reread the papers and watch TV while I exceeded my daily allotment of sedatives and thought of Cheryl, about our secret life together and - I can't express what it felt like to be trashed for two weeks while at the same time Jeremy Kyriakis was being offered as poster boy for the it's-never-too-late strain of religious thinking. It was Jeremy who took out most of the kids by the snack machines - and shot off Demi Harshawe's foot, too - as well as producing most of the trophy case casualties, but he repented and so he was forgiven and lionized.

In the third week after the massacre, Kent returned to Alberta and we moved back into the house. Now I was a semi-hero, but at that point screw everybody. On the first Monday, around 9:15 in the morning, just after the soaps had started on TV, Mom asked if I was going to go back to school. I said no, and she said, "I figured so. I'm going to sell the house. It's in my name."

"Good idea."

There was a pause. "We should probably move away for a while. Maybe to my sister's place in New Brunswick. And change your hair like they do on crime shows. Find a job. Try and put time between you and the past few weeks."

I made some forays into the world, but wherever I went I caused a psychic ripple that made me uncomfortable. At the Capilano Mall, one woman began crying and hugging me, and wouldn't let go, and when I finally got her off me, she'd left a phone number in my hand. Downtown I was spotted by a group of these dead Goth girls, who followed me everywhere, touching the sidewalk where my feet had just been as if their palms could receive heat from the act. As for school-related activities like sports, they were off the menu, too. Nobody ever phoned to apologize for abandoning me. The principal showed up on Tuesday - the For Sale sign was already on the lawn by then - and there were still eggs and spray-painted threats and curses all over the house's walls. Mom let him in, asked if he'd like some coffee and settled him at the kitchen table with a cup, and then she and I went through the carport door and drove down to Park Royal to shop for carry-on baggage. When we got back a few hours later he was gone.

A week later I was out in the front yard with a wire brush, dishwashing soap and a hose, trying to scrape away the egg stains; the proteins and oils had soaked into the wood, and scrubbing was turning out to be pointless. A minivan full of charismatic Youth Alive! robots pulled into the driveway. There were four of them, led by the intrusive jerk Matt. They were wearing these weird, desexed jeans that somehow only Alive!ers seemed to own. They all had suntans, too, and I remembered an old brochure: "Tans come from the sun, and the sun is fun, and Youth Alive!, while being a serious organization charged with the care of youth, is also a fun, sunny, lively kind of group, too."

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