Kazuo Ishiguro - Nocturnes - five stories of music and nightfall

It was during this phase that Gracie first told me Lindy Gardner was next door. Had she brought this news in my earlier, euphoric phase, I’d have greeted it with delight. I might even have taken it as the first indicator of the glamorous life I was now headed for. Coming when it did though, just as I was falling into my trough, the news filled me with such disgust it set off another bout of nausea. If you’re one of Lindy’s many admirers, I apologise for what’s coming up here. But the fact was, at that moment, if there was one figure who epitomised for me everything that was shallow and sickening about the world, it was Lindy Gardner: a person with negligible talent-okay, let’s face it, she’s demonstrated she can’t act, and she doesn’t even pretend to have musical ability-but who’s managed all the same to become famous, fought over by TV networks and glossy magazines who can’t get enough of her smiling features. I went past a bookstore earlier this year and saw a snaking line and wondered if someone like Stephen King was around, and here it turns out to be Lindy signing copies of her latest ghosted autobiography. And how was this all achieved? The usual way, of course. The right love affairs, the right marriages, the right divorces. All leading to the right magazine covers, the right talk shows, then stuff like that recent thing she had on the air, I don’t remember its name, where she gave advice about how to dress for that first big date after your divorce, or what to do if you suspect your husband is gay, all of that. You hear people talk about her “star quality,” but the spell’s easy enough to analyse. It’s the sheer accumulation of TV appearances and glossy covers, of all the photos you’ve seen of her at premieres and parties, her arm linked to legendary people. And now here she was, right next door, recovering just like me from a face job by Dr. Boris. No other news could have symbolised more perfectly the scale of my moral descent. The week before, I’d been a jazz musician. Now I was just another pathetic hustler, getting my face fixed in a bid to crawl after the Lindy Gardners of this world into vacuous celebrity.

The next few days, I tried to pass the time reading, but couldn’t concentrate. Under the bandages, parts of my face throbbed awfully, others itched like hell and I had bouts of feeling hot and claustrophobic. I longed to play my sax, and the thought that it would be weeks yet until I could put my facial muscles under that kind of pressure made me even more despondent. In the end, I worked out the best way to get through the day was to alternate listening to CDs with spells of staring at sheet music-I’d brought the folder of charts and lead sheets I worked with in my cubicle-and humming improvisations to myself.

It was towards the end of the second week, when I was starting to feel a little better both physically and mentally, my nurse handed me an envelope with a knowing smile, saying: “Now that ain’t something you’ll get every day.” Inside was a page of hotel notepaper, and since I’ve got it right here beside me, I’ll quote it just the way it came.

Gracie tells me you’re getting weary of this high life. I’m that way too. How about you come and visit? If five o’clock tonight isn’t too early for cocktails? Dr. B. says no alcohol, I expect same for you. So looks like club sodas and Perrier. Curse him! See you at five or I’ll be heartbroken. Lindy Gardner .

Maybe it was because I’d become so bored by this point; or just that my mood was on the up again; or that the thought of having a fellow prisoner to swap stories with was extremely appealing. Or maybe I wasn’t so immune myself to the glamor thing. In any case, despite everything I felt about Lindy Gardner, when I read this, I felt a tingle of excitement, and I found myself telling Gracie to let Lindy know I’d be over at five.

LINDY GARDNER HAD ON even more bandages than I did. I’d at least been left an opening at the top, from which my hair sprang up like palms in a desert oasis. But Boris had encased the whole of Lindy’s head so it was a contoured coconut shape, with slots only for eyes, nose and mouth. What had happened to all that luxuriant blonde hair, I didn’t know. Her voice, though, wasn’t as constricted as you’d expect, and I recognised it from the times I’d seen her on TV.

“So how are you finding all this?” she asked. When I replied I wasn’t finding it too bad, she said: “Steve. May I call you Steve? I’ve heard all about you from Gracie.”

“Oh? I hope she left out the bad part.”

“Well, I know you’re a musician. And a very promising one too.”

“She told you that?”

“Steve, you’re tense. I want you to relax when you’re with me. Some famous people, I know, they like the public to be tense around them. Makes them feel all the more special. But I hate that. I want you to treat me just like I’m one of your regular friends. What were you telling me? You were saying you don’t mind this so much.”

Her room was significantly bigger than mine, and this was just the lounge part of her suite. We were sitting facing each other on matching white sofas, and between us was a low coffee table made of smoked glass, through which I could see the hunk of driftwood it rested on. Its surface was covered with shiny magazines and a fruit basket still in cellophane. Like me, she had the air-conditioning up high-it gets warm in bandages-and the blinds low over the windows against the evening sun. A maid had just brought me a glass of water and a coffee, both with straws bobbing in them-which is how everything has to be served here-then had left the room.

In answer to her question, I told her the toughest part for me was not being able to play my sax.

“But you can see why Boris won’t let you,” she said. “Just imagine. You blow on that horn a day before you’re ready, pieces of your face will fly out all over the room!”

She seemed to find this pretty funny, waving her hand at me, as though it was me that had made the wisecrack and she was saying: “Stop it, you’re too much!” I laughed with her, and sipped some coffee through the straw. Then she began talking about various friends who’d recently gone through cosmetic surgery, what they’d reported, funny things that had happened to them. Every person she mentioned was a celebrity or else married to one.

“So you’re a sax player,” she said, suddenly changing the subject. “You made a good choice. It’s a wonderful instrument. You know what I say to all young saxophone players? I tell them to listen to the old pros. I knew this sax player, up-and-coming like you, only ever listened to these far-out guys. Wayne Shorter and people like that. I said to him, you’ll learn more from the old pros. Might not have been so ground-breaking, I said to him, but those old pros knew how to do it. Steve, do you mind if I play you something? To show you exactly what I’m talking about?”

“No, I don’t mind. But Mrs. Gardner…”

“Please. Call me Lindy. We’re equals here.”

“Okay. Lindy. I just wanted to say, I’m not so young. In fact, I’ll be thirty-nine next birthday.”

“Oh really? Well, that’s still young. But you’re right, I thought you were much younger. With these exclusive masks Boris has given us, it’s hard to tell, right? From what Gracie said, I thought you were this up-and-coming kid, and maybe your parents had paid for this surgery to get you off to a flying start. Sorry, my mistake.”

“Gracie said I was ‘up-and-coming’?”

“Don’t be hard on her. She said you were a musician so I asked her your name. And when I said I wasn’t familiar with it, she said, ‘That’s because he’s up-and-coming.’ That’s all it was. Hey, but listen, what does it matter how old you are? You can always learn from the old pros. I want you to listen to this. I think you’ll find it interesting.”