Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Down Tan Da, a street usually full of restaurants, metal bars were pulled across all the doors and windows.

Hard to walk close to the buildings because of the mounds of garbage, hard to walk in the street without being run down. Helen moved ahead of Linh, navigating the easiest path through the debris that littered the street. Broken glass crunched underfoot. People dropped or abandoned things as they went. Clothes everywhere, plastic bags bulging with house hold goods, pieces of furniture and old rusted bicycles, a sewing machine and a frayed bedroll.

Helen guided him to the wall of a building, and Linh crouched, holding his side, and took deep breaths, huffing out air through his open mouth. She watched him suffer and hated herself more each minute.

“You okay?” she asked.

“More air.”

She felt his drenched shirt.

“Give me the bag.”

“You already have the cases.”

“We’ll move faster.”

Linh nodded and handed her the tote.

The traffic stopped ahead, some kind of checkpoint. Helen helped Linh into a doorway of a building and left the bags with him.

Five minutes later, she came back, her face stern as she grabbed the bags. Linh noticed her hands trembling. “Come on, let’s turn around. Some ARVN colonel types are trying to catch deserters. Executing them on the spot. I don’t want them getting hold of your papers.”

They retraced a block and headed down a side street off An Dong Market. Along the sides of the road, more and more old people squatted on the ground, their faces closed down with despair. Children shivered at street corners despite the heat, eyes blinking hard and hands holding tight to whatever toys or clothes they carried, separated from their families. Almost a Danang. It always seemed to come to this moment in a war when the strong fought to survive and the weak fell. Civilization a convenience for peacetime.

Inside her head, a clock ticked off the minutes they were losing. Her shoulders already hurt from the weight of the film cases. Everyone knew Ambassador Martin was delusional, hiding in the embassy, afraid to call it quits. But Helen had calculated that when the hard pull finally came, the U.S. military wouldn’t dare leave until every American and all the related Vietnamese staff were taken out. They could never afford that kind of bad publicity. Days if not weeks of flights. Not like the British embassy that flatly abandoned its Vietnamese staff. Impossible to anticipate the breakdown of the city within hours, having to make it all the way on foot, with bags and a weakening Linh. It wasn’t supposed to fall apart like this.

Two blocks over from An Dong they turned up another street parallel to the checkpoint, weaving back and forth through alleys to avoid soldiers, wasting precious energy. Helen got lost and left Linh several times while she re-checked major street names. Halfway up Tran Hung Dao, at the front of a loose crowd of people, gunfire sounded behind them. The crowd panicked, trampling those in front, and Helen was shoved hard against her back, knocking her down on her hands and knees. She reached for Linh, and together they scrambled to the sidewalk, pressing themselves behind an over-flowing garbage bin. Linh sat on the sodden ground, chest heaving.

Helen moved to the front of the trash bin and looked back south to the head of the street. There were about ten men, drunk and swigging from liquor bottles. Dressed half in uniform, half in civilian clothes, unclear if they were ARVN trying to melt into the civilian crowd or the local coi boi, cowboys, thugs, masquerading as soldiers in order to loot with less interference. They fired into the crowd and laughed as they watched people trample over one another in their desperation to flee.

One of them was dressed in a satin shirt that hung down over camouflage pants with army boots. He pointed a rifle at a group of women cowering on the opposite side of the street from the garbage bin. The men surrounded the girls, pulled one away from the rest and pushed her into the deep alcove of a doorway.

Helen looked up and down the street, hoping for some diversion to rescue the woman. Nothing she could do without getting herself and Linh killed. The always present “white mice,” city police, usually on every corner, now nonexistent.

Her only means taking out her camera, ready to shoot.

An older woman from the group, a mother or aunt, screamed and ran forward toward the alcove, and one of the soldiers shot her. Captured on film. The curse of photojournalism in a war was that a good picture necessitated the subject getting hurt or killed. Helen blinked, tamped emotion.

The men gathered the rest of the women together, guns trained on them, probably planning to execute all witnesses. A frame. The girl from the alcove ran back into the group, face bloodied, pants torn. A frame. One of the men with an angry blade of a face. Frame. He jerked his head around, making sure no one saw what they would do next, and then his eyes locked on Helen across the street. A frame. And another.

“Dung lai! Stop!” he shouted, and the men abandoned the women and ran across the street with their guns aimed. The women, forgotten, clambered away.

Helen stood up. “Bao chi. Press. The press is to have protection.”

Everything went black. When she came to again, she was flat on the ground, the rough surface of the street like nails in her back, her face covered in a warm liquid that turned out to be her own blood. The one who had rifle-butted her in the head screamed and pointed to the camera with his gun, but he seemed far away, everything seemed very far away, and Helen separated from herself, detached, amused by the absurdity of his shooting a camera. Didn’t he realize there were always other cameras? Her only thought that these men must be soldiers because normal street thugs wouldn’t care about pictures. Another soldier, his face round and childlike, with a sprinkling of acne across the cheeks, came and held the point of his rifle so close to her temple she could feel the heat from the muzzle, could tell it was the one used on the dead woman across the street.

Time unraveled. Had she passed out again? She finally found it, a sense of peace after all these years; for what ever reason, she was unafraid, and wasn’t that something remarkable for a poor little scared girl from California? Maybe it was no worse than closing a book. But then everything tunneled again to the present. Again, she was on the street and sick to her stomach. The asphalt under her head, tar from the street, garbage, and the acrid smoke of a fired gun, although she no longer remembered one firing, and she felt a childish fear that she would die in a foreign place.

The Vietnamese believed the worst way to die was far from home, that one’s soul traveled the earth lost forever, but this place was as much her home as California, she had lived out some of the most important moments of her life here, and if that didn’t qualify a place as home, what did? She knew retired military men who had come back to live in Vietnam, married Vietnamese women, and fathered children, with no intention of ever leaving, who still considered Ohio home. That was wrong. California was infinitely far away. California was gone. Even her dreams were shaped by this land-rice paddies stretched flat to the horizon, mountains and jungles, fields of green rice shoots and golden rice harvests like rippling fields of wheat, lead curtains of monsoon rain, bald gaunt hides of water buffalo, and, too, Saigon’s clotted alleyways, the destroyed tree-lined avenues, the bombed-out, flaking, pastel villas, even their small crooked apartment with the peacocks and Buddhas painted on the door. The battered, loving, treacherous people. Her heart’s center, Linh. An undeniable rightness in ending here.

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