Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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He scribbled something on his clipboard. “Absolutely.” He scratched his head and turned to the Marine. “Medical evac. Get someone to escort them to the front of the line. And get someone else to explain why to everyone they’re bumping in front of. Tell ’em he’s a defector or something.”

“You’re the first person today who’s actually done what he said,” Helen said.

“I’m a big fan of yours, Ms. Adams.”

“I didn’t know I had any.”

“You covered my older brother. He was a Marine in ’sixty-eight. Turner. Stationed in I Corps.”

“Did he-”

“Back home running a garage in Reno. Three kids. The picture you took of him and his buddies on the wall. He talked about meeting you. I’ve been following your work since.”

“Thank you for this. Good luck,” she said.

“We’re going to need a whole lot more than luck.”

One Marine carried the film cases and another half-carried Linh up the jammed staircase. They went through a thick metal door and more stairs, waited, then climbed up a flimsy metal ladder staircase and were on the roof. The air filled with the smells of exhaust and things burning, a spooky camp-fire. To the north and west, Helen saw the reddish glow of hundreds of fires and the few streaks of friendly red tracers going out against the flood of blue enemy tracers coming in. The odds visibly against them. The throbbing of her head had become a constant buzz, but she didn’t want to take anything, wanted her mind to keep clear.

The helicopter jerked down onto the roof, landing like a thread through the eye of a needle, and her body went rigid. The beating rotors and the screaming of the engine so loud, the Marines shouting unintelligible boarding instructions that she didn’t have time to explain to Linh. His eyes fluttered half-closed. A young man from one of the wires stood next to them, going out on the same flight.

The Marines signaled their group to move out, and they crouched and ran under the hot rotor wind. At the helicopter door, Helen grabbed the young newsman’s arm.

“Get these to someone from Life on board the ship.”

“Sure. But why?”

“I’m going out on a later flight.” Until the words fell out of her mouth, she hadn’t accepted that she had made room for this possibility.

The Marine started heaving the film bags on, the tape coming loose and hanging off like party streamers. “Hurry up, people. Ma’am, get on.”

Helen backed away. Her stomach heaved, sick in soul.

“Look after him,” she yelled to the stranger. “His name is Nguyen Pran Linh. He works for Life. Get him a doctor immediately.”

Linh looked up confused, not comprehending Helen wasn’t boarding. When he did, he struggled back out of the helicopter. “You can’t-”

“Stop him!” Helen screamed, backing away, blood pounding in her ears, sick that she was capable of betraying again. The Marine and the young man forced Linh back inside and buckled him in. She watched as, weak as a child, he was strapped into the webbing, saw his head slump to the side, and was relieved he had passed out. She ran to the helicopter, crouched inside, begged a pen and scribbled a quick few lines on paper. She put his papers and the note inside a plastic bag, tied it with a string around his neck, the same way she had handled the personal effects of countless soldiers.

In front of the waiting men, Helen bent and put her lips to Linh’s forehead and closed her eyes. “Forgive me. Em ye’u anh. I love you.”

Back out on the landing pad, the wind whipped her hair and dug grit into her skin, but the pain came as a relief.

The Marine stood next to her. “Get on the next helicopter out. Everyone here is not going to leave.”

“What about them?” she said, shrugging her shoulder at the great filled lawn below.

“Better a live dog than a dead lion. And they eat dogs in ’Nam.”

The helicopter’s door closed, and the Marine crouched and guided Helen back to the doorway, and he shook his head as she made her way back down the stairs.

Helen stood on the lawn and watched the dark bulk of the machine hover in midair for a moment, the red lights on its side its only indicator. Because of the danger of being fired on, the pilots took off in the dark and used projector lights on the roof only for the last fifteen feet or so of the landings.

A mistake, she thought to herself, a mistake not to be on that helicopter. Wrong, wrong, wrong. Her insides tingling electric as if there were bubbles running through her blood.

As much as she had prepared herself for this moment, she was at a loss. What was she looking for? What did she think she could accomplish? If she had not found it yet, what were the chances that a few more days would change that? She had always assumed that her life would end inside the war, that the war itself would be her eternal present, as it was for Darrow and for her brother. The possibility of time going on, her memories growing dim, the photographs of the battles turning from life into history terrified her.

Blood had been shed by one side; blood had been shed by the other. What did it mean?

The helicopter swayed and the nose dipped, a bubble of shuddering metal and glass, and then it glided off across the nearby tops of buildings. Safe. Tiny and fragile as an insect in the night sky. Helen felt bereft, betraying Linh, and all she could hope for was the cushion of delirium before he realized what she had done.

The Vietnamese on the grounds of the compound grumbled about the length of the wait, complaining that the Americans were not telling them anything but “It’ll be okay. You’ll be taken care of.” When they protested their thirst, the Marines directed them to the pool. The sight of Helen standing outside on the grass reassured those close-by-obviously the evacuation wasn’t over until every American, especially a woman, was gone.

Helen dreaded a repeat of the mob scene outside, the potential for it to turn violent, and made her way to one of the outer concrete walls of the compound and lay down on the cool, dead grass under a tree. The roaring grew quieter and quieter, the calming outside conflating with her state inside, until she almost felt herself again. In the middle of chaos, she slipped into a deep sleep and woke up to rusty clouds of smoke passing the faint stars and moon.

She took her camera, attached a flash, and began taking pictures. The Vietnamese watching her grew visibly disgruntled. A journalist wasn’t a real American; everyone knew they were crazy.

In the early hours of the morning, when many of the evacuees had fallen into a disjointed sleep, Helen noted a thinning in the ranks of Marines on the grounds of the compound.

An hour before dawn, the last perimeter guards withdrew, and as Helen followed, taking pictures, the barricade slammed down and was bolted-a final rude barking of metal-locking her and everyone else out. The first to notice the lack of guards were the people still outside the embassy, who had never gone to sleep, who remained frantic and now tore at the gates. The people inside the compound heard the roar and rushed the building only to find tear gas and a steel wall between them and escape.

Canned dreams and cynical promises crushed underfoot like bits of paper.

The outside gates were scaled and burst open from the inside as the last helicopters loaded on the roof. People poured in, flooding the compound in a swell of rage. Helen took a picture of a Vietnamese soldier aiming his machine gun at the disappearing helicopters, pulling the trigger, tears running down his face. Bullets sprayed the night air now tinged by dawn to the east. Understanding that their chance was gone, the crowd destroyed and looted. Helen watched a small Vietnamese woman haul a huge desk chair upside down on her head out the compound driveway. A man left with a crate of bagged potato chips.

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