Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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A shabbier conclusion than even Darrow had foretold.

Now she walked through the same gates unopposed, ignored, made her way home down the deserted streets as if in a dream. Too incredible that the whole thing was finally over. Rumors were that the NVA would arrest any Western journalists and shoot them on the spot, the “bloodbath” that the Americans warned of, but she figured the reality would fall something short of that.

She came alone to the moon-shaped entrance of the alley, puddled from rain, then entered the narrow, dark throat of the cobbled path. At her crooked building, she looked up and saw her window lit, the red glow of the lampshade, and her heart, not obeying, quickened. Their old signal when Darrow had come in from being in the field. Except that he had been dead seven years now. With Linh gone, time collapsed, and it felt strangely like the start of the story and not the end. Exhausted, Darrow would be sleeping in their bed, damp from a shower, and she would enter the apartment and go to him.

She reached the lacquered Buddha door and found the brittle wood crushed in at knee level as if someone had kicked it hard with a boot. After all this time to finally be broken now. No one bothered stealing from this building. She wondered if Chuong had done it in spite after they had left. She ran her fingers over the worn surface, now splintered, touching the peacocks and the lotus blossoms that signified prosperity and long life and wisdom. She looked at the various poses of the Buddha in his enlightenment. Saigon in utter darkness this last night of the war. A gestating monster. Her letter to Linh had been simple: I love you more than life, but I had to see the end.

This was the way one lost one’s homeland. The first things lost were the sights, then the smells. Touch disappeared, and, of course, taste was quick to follow. Even the sounds of one’s own language, in a foreign place, evoked only nostalgia. Linh had no memory of the final helicopter flight over Saigon. No feeling of this being the end of his war. When he tried to recall anything, he saw, or rather felt, the beating of the rotors overhead in slow motion, like the pulsing of the wings of a great bird. A heartbeat. Darkness, then blinding light, then darkness. A strong mechanical wind that drove small bits of stone and dirt into his skin as he was pushed into the belly of the bird. Her broken face.

There was the familiar lifting of the helicopter, stomach dropping into feet, but for the first time he didn’t feel his inside righting itself after gaining altitude. He feared he might be dying, afraid that in lifting off from the embassy roof, his soul had dropped away. The images of his family, mother and father, brothers and sisters, Mai, Darrow and all the countless others, all passed before his eyes. And Helen had slipped between his fingers at the last minute, lost. Idly he wondered as he flew through the night if it might not be better to die right then.

The American ship rose and fell with the waves, but despite his fever, Linh held on to the railing. After the doctors had bandaged him up, he slowly made his way on deck. The sick room reminded him of a coffin. The medication they had given him made him faint-headed, but he had to see the sky, breathe the air.

He squinted to see the last of the dim landmass like the humped back of a submerged dragon through the hazy air, but the ship had already begun the long journey to the Philippines. He could not tell if it was the shadowy form of land on the horizon or merely the false vapor of clouds.

Superstition held that if one traveled too far from one’s birthplace, one’s soul would fly out and return home, leaving one nothing more than a ghost, but if that were true the whole world would be filled with nothing more than wanderers, empty shades. Women’s superstition.

He felt an isolation that would grow to become a new part of him, an additional limb. Among the Americans on board, he was a Vietnamese, but even among the refugees, he had little in common. Most were happy to have escaped. Some had sacrificed everything, including families, to be on board. But he had never taken sides. His only allegiance was to Helen, and she had forsaken him.

A young man walked up to shake his hand, and Linh had a dim memory of his face aboard the helicopter. A full, childish face with skin too tender and unformed for a beard.

“Shouldn’t you be down below?” the young man said. He had been moping around for hours, sorry for himself that he had missed the war and thinking of how to make an interesting story of the little that he had seen. When he saw Linh, his eyes lit up with possibility.

“Do you know where Helen is?” Linh’s legs were shaky, and he gripped the railing to keep standing.

“Not to worry. I gave the cases to a reporter from your office. They’re being transferred as we speak. I had no idea who she was. Man, she’s a legend.”

“Is she on board?” Linh repeated, sterner, closing his eyes with the strain of thought in his addled brain.

“No, not on this ship at least, no. Isn’t she staying to cover the changeover?”

Linh said nothing, simply looked into the opaque blue surface of the water. He had suspected that she might try such a thing, but he never guessed that she would try it without him.

“I just arrived in Saigon two weeks ago.” He glanced at Linh hopefully. Linh remained silent. Over the years, he had doubted her love, if that love could only exist in war, if she insisted on staying partly because their love was only possible in his own country. But now he knew that she did love him. Clear now that she was as dependent as any addict on the drug of the war. He had underestimated the damage in her.

“I mean, I hurried! Left the day I graduated college.” He laughed. “And I missed the whole damned war.”

How would Linh manage to get back to her?

“Maybe we can talk? Later? When you’re feeling yourself? Fill me in. What it was like? I found out who you are. You’ve worked with everyone.”

Linh made a sweeping gesture with his hand, letting go of the railing, his legs slipping out from under him.

The young man grabbed him as he was about to slide under the railing. “Watch it there, mister! You’re coming with me down to sick bay.” He took Linh’s arm. “That was close.”

“I’m fine,” Linh said, although it was obvious to them both he was too weak to stand alone.

“Sorry, but I’m responsible for you. Don’t worry about her. Rumor is she’s charmed. They’ll probably be kicked out of the country within twenty-four hours. She’s well-known. The Communists don’t want any bad publicity.”

Linh closed his eyes and saw sun-bleached fields of elephant grass, the individual blades prostrating themselves, bowing over and over in supplication. That was how one survived, and yet Helen had never learned to bow.

“What they don’t want are any witnesses to what happens next.”

TWO. Angkor

1963

Once there was a soldier named Linh who did not want to go back to war. He stood outside his parents’ thatched hut in the early morning, the touch of his wife’s lips still on his, when he smelled a whiff of sulfur. The scent of war. This part of Binh Duong was supposed to be safe. He had heard no shots, but nothing remained secure for long in Vietnam.

Mai’s voice could be heard rising from inside the hut, defiant, rising, the song tender and lovely among the tree leaves, threading its way through the air, a long, plaintive note spreading, then the flourish of the trill in the refrain that they had rehearsed over and over. An old widowed man, coming out from his hut on the other side of the river, stopped at the sound, which was like a bow gliding across a reed, recalling his own beloved wife’s face, a tight rosebud from forty years earlier.

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