Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Gary ’s first assignment for Helen was to cover the Buddhist strikes, visiting the pagodas around Saigon. At Xa Loi, the bonzes orchestrated protests against the Ky government. Linh described the marches three years before against Diem, telling her of the chaos then. Monks and nuns using their bodies as tinder throughout South Vietnam, horrifying and alienating the West. In Linh’s village, a nun described how she had daintily tucked her robes around herself in the town square, how a circle of bonzes formed a barrier against outside interference. “What could the military do? Shoot them?” The absurdity in Saigon of antisuicide squads equipped with fire extinguishers patrolling the streets.

Gary wanted Helen to get pictures of daily life in the pagodas. They took pictures of boys in brown robes receiving instruction and old bonzes reclining inside dark rooms, sipping tea and strategizing. Young men ran back and forth in their orange robes like waiters in a busy restaurant, pamphlets fluttering, directing traffic and arranging interviews with the head monks as if they were rock stars.

The noon heat and the thick smell of burning joss sticks drugged Helen, slowed her movements to those of a sleepwalker. When everyone retired for the noon break, she photographed a more peaceful mood-a single white-clad nun sweeping the grounds in front of the carved columns of the building, the shadow of a Buddha statue inside barely perceptible.

Under a banyan tree, Helen leaned back into a cradle of gnarled roots. Her shirt clung to her back. Linh motioned to a vendor who brought them coconuts filled with sweet, brackish juice. When he handed her a straw, she hesitated.

“Drink it.”

She nodded, emptying it in one gulp. “I’m tired of being afraid.”

“The VC are cunning, but they haven’t yet trained the coconut trees to grow poison.”

They watched women, young and old, enter the pagoda grounds carrying prepared dishes or baskets of fresh vegetables.

“Does the community supply food?”

“The community is the pagoda. They bring food or money, what ever they can, what ever is needed.”

“But they don’t have enough for themselves.”

“One is like a brick in a wall, interdependent; one has no meaning outside one’s relation to family and others.”

Helen sat up and pulled the fabric of her shirt away from her back. “Do you know why I came here?”

Linh shook his head, wary of more confidences.

“I wanted to be famous. I had dreams of being the only American to get pictures of the Ho Chi Minh trail. Stupid, huh?”

Linh smiled. “Darrow is very happy every time he gets a cover.”

“Really?” Helen laughed.

“He sits in his room and drinks a glass of scotch and stares at the cover for a half hour. Then he puts the magazine in a drawer and doesn’t look again.” Linh shrugged. “But he’s passed up shots that could have been his, too. And he mourns every death until it seems impossible that he can continue.”

“That’s why I love him,” she said.

He couldn’t stand hearing more. How could he go on day after day listening to this woman bare her soul to him? “I should go back to the office with the film.”

“Where is your family? I mean, what you said earlier, bricks in a wall?”

“I don’t want to insult. We are different from Americans. We only share important things with people who have earned our trust. Otherwise we dishonor our memories.”

She flushed, chastised, and tried to brush it off. “I ask too many questions. Join me for dinner to night?”

“I’ll meet you in front of the hotel early tomorrow.”

She turned back to the pagoda to hide her hurt feelings.

***

Linh walked down the crowded street and stopped at an outdoor café. He motioned to a busboy and paid him to run the film over to the office, then ordered tea and nursed it. He felt guilty about his gruffness toward her, but he had changed since coming to Saigon, grown a second skin that insulated him from others. It would have been smarter to be kinder. After all, that is what he liked about the Americans-their innocence, their willingness to share their life story with a stranger. After fifteen minutes, he crossed the street and surveyed the pagoda grounds.

The area was still empty, but he spotted her in a deserted courtyard. She sat alone, crying. He felt discomfited, her face so naked, as if she stood before him unclothed, and he knew the right thing would be to leave unobserved, yet he stood rooted to the spot. He recognized such pain. The reason-Darrow had told of her losing a brother to the war-was it enough to cause her to put herself in danger’s way? A place not fit for a man, much less a woman. He made a show of reentering the compound and stood in front of her. When she saw him, she showed no surprise, simply held her hand out to him.

“I’m sorry about prying. I hate when people ask about my father. Having to say that I hardly remember him. Or my brother.”

He pulled out a cloth handkerchief from his pocket and handed it to her. “I think telling a friend this story is a great honor.”

She gave him a sly, crooked grin. “ Cam on.”

Before he could react, she stood and hugged him. No one had held him in a very long time. His head felt light, blood rushed hot to his skin. He made an awkward, panicked escape.

“I will be gone for a few days. A week at most.”

“But we have the story to cover.”

“Can’t be helped. You’ll be fine.”

Back at the café, he ordered a whiskey. He was meeting with Mr. Bao the next day in Tra Vinh, and had to have his head clear. He would gather maps and stop by the American commissary and pick up Mr. Bao’s new passions: two cartons of Marlboros and four loaves of Wonder Bread.

Linh allowed Mr. Bao to believe that they were having an effect on the American reporting of the war, although the reporters ended up being far more disillusioned by the truth than anything Linh could craft. “You just can’t manage to stick to one side,” Mr. Bao had said after finding him. Ironically, Linh’s intelligence gathering now included Mr. Bao, too, and his new sideline of drug trafficking, using the military for protection. He was making millions. Besides his dabbling in small-time brothels. His corruption made him the ideal partner for Linh-a man always open to compromise.

A week later, the helicopter dropped Helen and Linh off at Pleiku in the early morning. The change in geography was startling: the sultry flatness of the Mekong, with its inland oceans of rice paddies and white-hot sky, all replaced by the thinner, cooler air of the Central Highlands with its burned gold of elephant grass, olive drab of bamboo and scrub, its ancient menace of mahogany and teak forests.

Inside the military compound, a mission was being patched together to rescue an earlier convoy headed for a Special Forces camp on the Cambodian border. According to the last radio dispatches, only a few survivors were holding out.

Helen argued with the head sergeant, Medlock, a hound-faced man, and finally got permission to accompany the rescue. She felt jittery but swallowed the fear, already getting used to having Linh at her shoulder.

“You willing to share some of that?” Helen asked a first lieutenant, Reilly, sitting on an ammunition crate eating a chocolate bar.

“Sure.” He broke off a piece and handed it to her. “Need my energy for this baby.”

Helen nodded and put a piece of soft, melted chocolate on her tongue.

“You and I better keep our hats on.” He pointed to his own hair, the color of red-licked flame. “Our heads are like target practice.” He pulled out a beaten-up bush hat. “This here is my lucky one. Some shaman or something blessed it by pissing on it.”

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