Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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The crew chief gave her a thumbs-up and passed her a flask, and she took a long drink of whiskey, drank it down like water, only the good burning sensation down her throat registering. They flew high above the jungle canopy, out of reach of danger, and Helen wished the flight would never end, that they would never have to come down and touch earth again.

When she got out of the helicopter, Robert was waiting for her in a taxi. “Tell me everything. Olsen already radioed the incident in. I’m writing the story while the photos are developed. The package needs to be couriered to Hong Kong ASAP. The censors will never transmit it out.”

She stood in the darkroom, the size of a closet, bumping her head on shelves filled with plastic chemical bottles, watching Arnie, the wire’s office manager, develop the film. He said it was too important to let her or the assistants do it. Arnie was potbellied and married, his wife and kids back home in London. The office’s assortment of freelancers were his misfit orphans. He had spent a lot of time explaining composition technique to Helen.

“You’re catching on, damn it!”

The pictures were properly framed and shot, a whole sequence from alive to dead villager, and then a muzzle below the outraged face of Captain Tong, the end of the gun pointed straight at the camera and the person behind it.

Looking at the pictures, Helen broke out in shivers again, seeing what had been invisible before, a devouring shade as if a cloud had passed before the sun-the mystery she was chasing, the one she’d glimpsed at MacCrae’s funeral. Now she understood what he’d said to her that night: that the mystery came in its own language to each person, and you had to decipher it on your own. She had been so scared at the moment she might as well have been blind.

“Too bad,” Arnie said. “This kind of work under pressure. Incredible. So good they’re probably going to throw you out of the country, and I’ll lose another promising photographer.”

“They’re good?” The tension in her body unspooling fast now.

“I wouldn’t have believed it without seeing them. But I talked to the office in New York, who said if they were half as good as they sounded, they’d think over offering you a full-time job with the wire service.”

“Are they half as good?” Part of the dread those last few months had been the fear that she was incapable of doing what she had come for, that she would be found lacking. As a freelancer, she could stay out as long as it took to get a shot. Captain Tong had just happened, her actions unpremeditated. Now would she feel the pressure to take such risks again and again?

“Two hundred percent as good. I might even have to give you a raise to thirty per shot. Don’t get greedy.”

She frowned. “They can’t throw me out now, can they?”

“They can. They’ve done it to others.”

“Okay.” That was enough for now.

“I agreed to share the pics with Life. If that’s okay by you. They can print the whole series in next week’s issue. That philistine, Gary, pays a bit more than we do. You can actually survive on what they pay.”

Helen nodded, unhearing, and left the darkroom for the office’s tepid air-conditioning and lumpy couch. She stretched out and plunged into a dreamless sleep.

That night Helen met Robert in the bar of the hotel. He was a little bit amazed and a little bit delighted but mostly afraid for her.

The tables were crowded, spilling out along the sidewalk. The city’s electricity had gone out, and the room was lit by oil lamps, opening out onto the dark street. After her night out in the rain, the city felt luxurious even in the dark in a way no city had ever felt before. Waiters floated between the tables with small flashlights. Everything seemed uniquely fine. She felt at ease, perfectly in the moment. The danger of the incident with Tong faded into the background, and all that was left was her shining invincibility.

A bottle of champagne appeared, and the old Vietnamese bartender in his white coat opened it with great ceremony, nestling it in a bucket on the corner of the bar. Robert and she toasted, and at her insistence, the bartender joined them for a glass. Ed and some of the other journalists came by and stopped to congratulate her.

Matt Tanner came and stood behind her. He was a recent ex-Marine who had re-upped so many times the joke was that the Marines had finally thrown him out. The rumor was that he simply loved war too much and brought his bloodlust along with him to journalism. He was always competitive when another reporter did well, as if they were stealing his chance at glory. When he was jealous and drunk, which he was at present, his face thinned to an even more wolflike aspect.

“Nice little publicity stunt this morning. Who’d you pay to snap the pics, huh?”

“Get lost, Tanner,” Robert said, standing up.

“G.I. Jane, eh? Nice angle.”

“Maybe you should take a break from trampling over other people’s backs to get the story first,” Helen said.

“Nice talking to you,” Robert said to him. “Sorry you have to go.”

Tanner squinted at Robert, deciding if he was in the mood for a brawl. “All I’d like to know is who she had to screw this time.”

“Why?” Helen said. “Do you want his number?”

“That’s enough,” Robert said.

“We all know you’re not getting it from Bobby here,” Tanner said, and stalked out of the bar.

Robert sat back down on the bar stool, emptied his glass, and poured another.

“I wish the Marines would take him back,” Helen said.

“I’m your friend. It’s none of my business about you and Darrow. But you have to be careful. Tanner is a competitor. Not like me, too scared to leave Saigon and the official junkets. There’s going to be sore feelings if you don’t sweeten up.”

“You’re smart enough not to need the attention.”

Robert stiffened. “You don’t have to throw me a bone.”

Helen drank down her glass and looked into the bottom as if she might find answers down there. “If I was a guy, you wouldn’t tell me to worry about sore feelings.”

“If you were a guy, I’d tell you to punch him out. But I’ll tell you the truth, I probably wouldn’t have bought this bottle of champagne, either.”

Helen laughed. This charade of light flirtation was necessary for both of them. “Can I admit something? Just between us? This feels good.”

“Enjoy it. You earned it. But be prepared.”

“What for?”

“For what comes next.”

In the morning her pictures and story headlined across a dozen front pages worldwide. Life magazine bought the series of photos and planned to use one as the cover for the following week; the contributor’s notes touted her as their first woman combat photographer for the Vietnam war.

She stared at her name in print with a feeling of relief that now she could stay on, no longer a joke. Six months before, no one would have believed her capable of this. Her only background a high school photography class and some work on the college newspaper taking pictures of football games. In a way, she had not believed it herself, but now she felt a sense of belonging to a fraternity, even if it was one that wasn’t sure it wanted her. As time went on, she would find herself welcomed and ignored in equal mea sure.

The nerve that she had hit was not the atrocity of the killing of the old man, which was a routine horror, nor the evidence that the SVA had run amok and was alienating the civilian population. Not even the angle that America was supporting dubious allies. Her plea sure started to chip away as she realized they were using Captain Tong threatening a woman photographer, an American civilian, to sensationalize the story. Her being a woman was the story.

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