Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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They waded through greenish gray paddy water the temperature of blood. Two hours later they climbed up to a dirt road and stopped for a break; the temperature was already ninety. When Helen took off her boots, her feet were bluish and shriveled, with a circle of black leeches feeding on her ankles. She pulled iodine Syrettes out of her pack and opened them, dousing the leeches till they dropped off. The point man, Samuels, came over and started burning them off her with the end of his cigarette. Olsen had given her an army pamphlet outlining VC explosive devices to be on the lookout for.

Helen buried her face in the booklet so she wouldn’t have to watch the leeches spasm and smoke as they burned. “This says to bypass booby-trapped areas,” she said.

Samuels paused and took a drag of his cigarette before he started on the leeches again. “Then we should be patrolling Wyoming because this shit hole is honeycombed with the stuff.”

He had the wide-open face of the Midwest, empty and innocent, but his eyes reminded her of the men stationed at firebases too long. His tanned arms were knotted with muscles, a green dragon tattoo wrapping around the left forearm under his flak jacket. He had been in-country for eight months.

“Come up front for some real fun,” he said.

Helen nodded but felt relieved that if she tried, Olsen would pull her back.

They started again down the wide dirt road.

Helen had been briefed on the various kinds of mines and booby traps to be aware of, but now, thinking where to put each footstep while watching the terrain around them frayed her nerves. She should be doing five things at once; like learning to drive, it needed to all become automatic. Whatever Olsen said, she couldn’t match her stride to the guy in front who was six feet tall. Constant guesswork whether a certain flat rock looked too inviting, if a patch of dirt seemed artificially mounded.

At eight in the morning, the day was so hot that her fatigues were soaked. Sweat poured into her eyes, forcing her to tie a bandanna around her forehead to keep her vision clear. A soldier behind her, Private First Class Tossi, handed her a roll of salt tablets that she chewed one after another. One more supply she’d need to start carrying in her pack.

“If you run out of salt tabs, suck on a pebble,” he said.

They approached a hamlet half an hour later, walking single file through a narrow break in the bamboo hedgerow that hid the village. The thatched dwellings were small, filthy, and sagging. The villagers looked at them with dead eyes and turned away, going about their business as if the troops were invisible. After they had passed, Helen saw a farmer turn an impassive face from the troops and slap his son so hard the child bawled.

The Vietnamese in the countryside seemed more foreign than in the cities. Smaller and darker and more hostile, making the Americans moving through their village feel like awkward and hated giants.

Tossi stood near Helen. “They give me the heebie-jeebies, the creepies, the way they are.”

After the hamlet was searched and secured, they sat in the shade of a grove of areca palms and pulled up pails of well water. Children peeked around the corners of huts and giggled as Helen took pictures of them. The men took off their helmets and poured whole buckets of water over themselves. Helen dipped her bandanna in the pail and wiped her face. Her vision swam. She opened a can of peaches, ate the whole thing in a few bites, and drank down the syrup. She bargained another can off Samuels in return for her ration of cigarettes.

As they prepared to leave, a young Vietnamese woman walked up to Helen and handed her a woven palm conical hat. She had a narrow oval face, almond skin; the soldiers growled out a few wolf whistles as she knelt down. Helen bowed and gave her the two candy bars she was saving as a bargaining chip for more peaches.

“Ohhh, baby, let me liberate you now!”

“Shut up,” Helen said. The men ignored Helen like a sister, but this woman was fair game. The hat, finely woven, had a pale flower painted along the brim. The girl bowed lower. “You’re scaring her.”

The woman rose quickly and made off. Helen put the hat on and was amazed by how light and cool it felt.

Nothing suspicious, they left the hamlet half an hour later, at ten o’clock, and continued on the dirt path that went along the river. The soldiers grumbled and finally Captain Olsen came up to her.

“I can’t order you, but the men want you to take that thing off.”

“It’s just a hat.”

The way he looked at her left no doubt that it was a kindly worded order. With regret, she made a production in front of Olsen of laying it on the side of the road. When she looked back, the line of soldiers had detoured, each man taking his turn to step on it with clumsy, muddied boots. It was the first time she felt something pull back inside of her-a distrust of her own soldiers.

Samuels offered her his bush hat. “Part of our pacification program. Don’t get on the wrong side of our hearts and minds.”

She took the cap meekly. Later, she picked a yellow daisy at the side of the road and tucked it behind her ear. “Am I going to be accused of being a peacenik now?”

Another hour, and they came to a small stream. The peasants crossed in narrow pole boats or walked across on monkey bridges made of single bamboo poles. The American soldiers were too big, loaded down too heavily, to try them. But Tossi, showing off, rushed halfway across one bridge before falling into waist-deep water. Everyone laughed and made catcalls. Even villagers stopped and hooted. The clowning was a relief, as if they were out on a nature hike.

One of the privates shuffled down a bank into a solid clump of reeds to wade across the stream. Next thing, the concussion from an explosion knocked everyone flat: earth and shards of metal rained down. A pressure-detonated case mine sheared off his left leg and buttock; he lay screaming in the river, a sudden flush of red all around him as the water leaked his blood away.

It was as unexpected and horrific as a traffic accident, and Helen sat frozen in place, stunned. But then, as a reflex, she lifted the camera and started shooting as two soldiers jumped in and dragged the private out of the water and onto dry ground. A Vietnamese man, close by the explosion, stood with an icicle-shaped piece of shrapnel coming out of his cheek.

The medic shot the private up with morphine and tried to stanch the blood with a large compress. The wounded man moaned and cried out. When he saw Helen, he yelled to the medic, “I don’t want a woman to see me this way.” Stricken, she moved out of his sight, her courage failing her. Nothing left to do but wait for the medevac, the medic left to patch up the Vietnamese man.

The private’s screams spooked them all; they stole looks at him, praying for the dustoff to come faster. When the morphine took effect, Helen braced herself and went over. “I’ll leave if you want me to.” His hand reached out to her, and she held it.

“Would you take my picture?” he said.

“I did. The next one will be when I visit you in the hospital.”

“Now. Send this one to my mother.”

“You don’t want your mother to see this.”

“Do it.”

Helen held her camera, wiping at her eyes so she could focus. He looked straight in the lens-cheeks and chest pitted with black shrapnel. One leg was straight out and ended in a boot, next to it there was a phantom space where the other leg should have been. A blanket was bundled around his groin.

“Don’t be so scared,” he said. “You look so frightened you’d think it was your leg. You’ll make it.” He seemed satisfied and looked away. Ten minutes later he died.

“I didn’t find out his name.”

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